Vatel

Can't wait to show it to all my Friends again and again. You will be impressed by the beauty of the scenes and discover the public show technics used under French King, Louis the 14th. It is amazing to see how much they could do at that time and how they were doing it. Apparently they could also do ice statues as a dinner presentation. Whaow!! what a show!

Aren't movies in the 1600s fun to watch? There are always beautiful costumes and hairstyles to look at, gorgeous architecture and interior design, and peaceful royal gardens. In Vatel, King Louis XIV, Julian Sands, attends a three-day festival hosted by a prince, Julian Glover. Even though that's story enough to keep the movie going, that's not even the main plot. The prince's steward is the lead, and he's tasked with any number of errands and quests to please his boss. Sometimes he's put in charge of really important events, and sometimes his chores are small and demeaning.

Gérard Depardieu plays the humble royal chef, hopelessly in love with Uma Thurman, the king's mistress. She's far friendlier to him than any woman of her station would be, and he eats up the crumbs of affection knowing they're all he'll ever get. It's very sweet, and also rather sad. It's made very clear to the audience that it's an impossible romance, so even though you're watching it and hoping that somehow the class boundaries can be broken down, the movie doesn't make promises it can't keep. For example, the prince wants a particular fowl dish and refuses to compromise, and rather than sacrifice Uma's birds, Gérard has his own sent to the kitchen instead. See what I mean? It's a sweet gesture and very generous, but it inspires more tears than smiles.

This is a movie you probably should check out at least once. I've seen it twice, and it was entertaining both times. It's very aesthetically pleasing, and Gérard gives a wonderful performance, as usual.

Roland Joffe's "Vatel" does something few movies can do these days: it takes you to a place you've never been before.

The French made film has Louie XIV visiting a poor province ruled by an improverished prince, who must put on spectacular entertainment fit for the Sun King. There's more than the King's time at stake here, though, for Louie wants the prince to lead his army, should France go to war with Holland, and the Prince desperately needs Louie's financial help, to save his nearly brankrupt province.

Enter the prince's chief steward, Vatel, played by Gerard Depardiue. A combination French chief extraordinaire and showman supreme, he not only serves up unbelieveable meals, but also puts on shows that would out do James Cameron, and does it on a much smaller budget. From pop up lawn decorations to fire works extravaganzas that would shame the Chinese, Vatel displays a genius for spectacle that will literally leave you breathless.

"Vatel" the movie includes lots of court intrigue and some fine acting from those carrying it out. Deparidieu delivers an unexpected performance as Vatel. Rather than the explosive, temperamental French chief, he plays this 17th century showman as a harried administrator who is trying keep a lot of balls in the air at the same time he must navigate the tricky waters of French politics. It's an understated performance in which much of what is going on is behind his eyes (and probably in his stomach ulcers) rather than on the surface.

His protagonists are Julian Sands as the petulant,devious King and Tim Roth as the chief court intriguer, kind of an early version of a political advance man. Uma Thurman is a lady in waiting who has caught all three men's eyes.

All are good, but what sets "Vatel" off is the visuals which give you a look at spectacle the likes of which this writer had never before seen. This film should walk away with all the set design, costume design and effects Oscars hands down. It is one of the most incredible visual experiences in film history. See it in the theaters, though, and not squashed into a TV screen.

This film tells the story of François Vatel, a master of ceremonies at the service of Prince Louis II of Condé, one of the most important aristocrats of the French court but that was bankrupt and away of the good graces of King Louis XIV. The approaching of a war with the Netherlands makes Condé, anxious to led the king's armies, decides to invite the king for a weekend at his Castle of Chantilly, hoping to be able to recover the royal sympathy. Then Vatel is in charge of organizing a three-day party like never seen before for king's amusement. Based on historical events, the film is directed by Roland Joffé, has argument by Jeanne Labrune (in original French version) and features Gérard Depardieu (Vatel), Uma Thurman (in the role of Anne of Montausier, one of the king's lovers) and Tim Roth (as the Marquis de Lauzun, the king's confidant).

Joffé managed to make the audience relive the events. The environments, the locations for filming, the costumes, the music, everything was thought out and analyzed carefully to reproduce the atmosphere of the time, so we must congratulate this effort for historical accuracy, which even received a nomination for the Oscar for Best Art Direction. The actors met well with their roles. The script also works in interesting ways, including some situations where we glimpse the contrast (and even shock) of the two worlds of seventeenth-century France: the richness and unparalleled luxury of the court and the absolute misery of the common people. Also positive note for the soundtrack of Enio Morricone, although not one of his best-known or most interesting compositions.

Vatel was not a bad movie, in fact it was worth viewing. If it were not a true story you could argue it was too calm and had too little excitement for the people who seek diversion entertainment. However, since it is a true story, about a royal cook and what he had to go through just to do his art it becomes very interesting. Another good theme was the disfunctionality of the royals and how the servants interacted with these powerful people (Vatel tried not to as much as possible). I particularly liked the part where Vatel said "no thank you" so philosophically to a nobleman's perverted request that Vatel won him over as a friend through respect. If you like brinkmanship and maneuvering, this movie has it, be it subtle.