Years after the original director was killed during the filming of a low-budget thriller, a crew of film students set out to finish where she left off. When the filming begins, so too do the... Read allYears after the original director was killed during the filming of a low-budget thriller, a crew of film students set out to finish where she left off. When the filming begins, so too do the killings.Years after the original director was killed during the filming of a low-budget thriller, a crew of film students set out to finish where she left off. When the filming begins, so too do the killings.
- Paulie Morrelli
- (as Matt Russell)
Featured reviews
The main problem I have with Cut is the weak scripting of the characters. It's like everyone on set are all just passing time waiting for the pay check to come in, its so bad.
Music and tempo is actually the movies strong point especially the lighting. The whole set looks and feels great but everything else just falls apart. The script made all the actors look like dills. They should have called it Cringe.
Being a horror primarily Cut also falls short on creating any sense of discomfort. Again another horror where you don't care what happens because not one of the characters do anything intelligent and everyone is two dimensional.
The plot is old hat but this isn't bad...for what it is (a low budget slasher film). It's well-made with a young and fairly talented young cast. No one is great but no one is terrible either. It also avoids the obligatory (and needless) female nude scenes. It moves quickly, the gore is nice and bloody and the script doesn't insult your intelligence. Also Molly Ringwald is in this having the time of her life playing a bitchy faded actress.
No great shakes but not bad at all. I give it a 7.
Look what 'Scream' started! Hey, I enjoy those films, but mostly everything else that followed on afterwards were annoying and pointless excuses. During this stage the sub-genre came back with vengeance, but it wasn't much of a good thing as they were mostly unsuccessful and unoriginal attempts, where they followed the derivative pattern of the Scream franchise. 'Cut' which is an independent Australian take on the textbook slasher genre is purely shonky garbage that lacks basically everything and shamelessly knocks off every other slasher flick. But you know what, I found it a cheesy delight. Yeah, It's gawd awful and highly forgettable, but it's a bit of ala good cheap fun while it lasted. Although I did hate it when I originally came across it, but the second time around I knew what I was getting myself into and it worked better for it. It was just like helping myself to a nice slice cheesecake again, but this time it wasn't so sweet.
The film came out around the same time as 'Scream 3' and 'Urban Legends: The Final Cut' did, which all three follow the same structure of using a movie within a movie. 'Scream 3' is obviously the strongest of the three, but I would actually watch this trash over Urban Legends: The Final Cut. Though, it did seem more of a throwback to the 80's slashers than that of one of Scream's bastard offspring. Pretty much the film is given b-grade treatment and that shows up in the script and performances. The dialog is truly unimaginative and hardly comes up with any surprises and suspense. While, the performances are pure mockery and Molly Ringwald takes the crown for it. She plays the wash-up actress returning to finish the cursed flick and I had good fun with her laughably ridiculous send-up performance. She provides the bite here and nails it down perfectly. The rest were mostly recognizable Australian TV stars (that's if you're an Australian) with a ravishing Jessica Napier leading the cast with the likes of Stephen Curry and Frank Roberts. Also pop singer (and supposed actress) Kylie Minogue makes a cameo appearance in the opening just to be hacked up! Nice. These teens mostly followed the formula of horny and dim-witted kids that have nothing better to do but to be killed. Sometimes it feels like they just waiting in queue, because they have no real substance to be there.
The plot starts off rather interestingly, then heads into a mystery phase where red herrings pop up, but then it makes a sudden u-turn where it becomes a somewhat satire on the horror genre. Simply it's rather choppy and when it comes to the explanation for all of this madness I was kind of left thinking oh my. This when it tries to twist back onto itself in a clever manner, but sadly it falls along way. But don't you just love an opening ending. Also it sports some pop culture references and a self referential, tongue-in-cheek approach. Predictability makes its way in rather early and the jokes can become over-stated at times, but it knows that by poking fun at itself quite a bit. The atmosphere looses a bit of edge because of the humour taking away the bleakness, but still the isolated grand old mansion where they are filming has some neat touches that added 'some' spookiness. The cinema scene is done rather nicely too.
Now, now we know we want gore and nudity when watching this type of flick, but sadly there's no nudity to be found and the gore is pretty standard, if lacking but it's more then decent for such low-budget flick. There are one or two creative deaths, but the rest are systematic. The killer wasn't bad but when he spoke it kind of hurt it I thought, well the smart-ass attitude didn't sit well with me. Another notes of the production which were dire ranged from the cut-away editing, out-of-place soundtrack and Kimble Rendall's direction lacked execution and was pretty careless, but these contributing factors pull together to add some sort of sheer entertainment to all of this badness.
The imagination matches the budget that's for sure, but heck this lousy slasher wasn't trying to be anything else. Pure schlock that's slightly amusing!
Did you know
- TriviaThe acronym on the film can read FARTS and stood for "Film Audiovisual Radio and Television School". This is actually a spoof anagram parody of the real life AFTRS which stands for the "Australian Film, Television and Radio School".
- GoofsThe unmarked Commodore police car which arrives at the house has hubcaps. All Australian police cars - marked or unmarked - use pursuit rims, with no hubcaps.
- Quotes
[first lines]
Chloe's mom: Kids...? I've put your dinner on the stove!
Vanessa Turnbill: Okay, Mom.
Chloe's mom: Don't forget to lock up, Chloe.
Vanessa Turnbill: I won't. Bye, Mom.
- ConnectionsFeatured in Behind the Scenes of Cut (2000)
- How long is Cut?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cut: la versión final
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 22m(82 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1