The Hills Run Red

In an age where most horror films are either sequels or remakes; one should rejoice when original slashers worth a damn pop up.

"The Hills Run Red" has a knockout hook that sets up quite a decent story. A mysterious "lost" slasher film, called "The Hills Run Red", has many horror fans obsessed with finding it. Such is the case with Tyler, a horror buff, who sets out with his friend and girlfriend to visit the film's locations in order to make a documentary. Along for the ride is the film's notorious director's daughter, Alexa, and once on location the group gets to enliven some true horror.

Good story, solid acting and some decent grue ensure "The Hills Run Red" has some definite highlights and the first half works very well. Present are the irritating "fast-cuts" that have invaded all horror films, it seems, but a decent atmosphere is built and the old "woods-scenario" in slashers never fails when well executed.

A fair amount of jokes and "rulebreakers" enter the film and work surprisingly well (the cell phone bit and the gun (guns are never present in slasher films)) and avoid going over the top. But despite the short running time the film loses steam and goes for one ending too many; both of which aren't too good (don't turn off after the first end credits appear).

"The Hills Run Red" is a solid slasher film for fans of the genre. Most can appreciate the fact that many things are well done here, the film remains faithful to the genre while poking fun at some obvious faults inherent with it and it's quite the gory feast as well. The only ones yawning are not slasher fans to begin with, I think.

The Hills Run Red (2009) After reading several reviews for The Hills Run Red offering high praise, I suppose my hype meter kicked in. I was told that it was gritty, grimy, and uber-violent. Sounds good right?

The story follows Tyler(Tad Hilgenbrink: Amusement) as he develops an obsession with an 80's slasher film called The Hills Run Red. Legend has it, that it was immediately pulled from theaters after it was shown, due to a strong reaction to the violence shown on screen. Since then, all people involved in production have mysteriously disappeared. After some internet browsing, Tyler manages to get a line on the director's daughter, whom is showing off her beautiful natural breasts at a strip club. The plan is, find the daughter, get her to help him find the movie.

The Hills Run Red is one of those films that I realize is a cut above most straight to DVD horror films, and I DID enjoy the film. I guess I just felt a little disappointed. I was expecting a little more exploitation, and a lot less CGI. The kills are inventive, but is almost killed by the CGI work. This is the type of film that you NEED practical effects for.

Acting is good across the board, most notable is Sophie Monk, who plays Alexa. Sophie is a stunning natural beauty. Nothing like seeing some meat on the bones instead of the current skeletal Hollywood trend. The pacing is excellent, the cinematography is top notch.

As I said, it's a great film, and I highly recommend it, I guess I was just expecting something different. I'm going to have to knock it down a point though for the shoddy CGI work. Get a clue up and coming film makers, there is no substitute for well done practical effects. CGI will NEVER replace the rubber suit, and fake blood.

3/5 -napalmfuzz

http://liberaldead.blogspot.com

...The Hills Run Red does for torture porn flicks. This horror subgenre has been going downhill for a while now, rapidly losing any kind of semblance of a subtext or deeper meaning and only giving its viewers what a lot of them no doubt crave: meaningless and increasingly graphic gore. That the genre got to the point of self-reflexivity may be a good sign - perhaps the dumb torture porn wave is ready to disappear from the mainstream (though the fact that this film is straight-to-DVD might not get it the recognition it deserves). This is not Haneke territory, though - nor it should be -, nevertheless The Hills Run Red provides a nice sarcastic commentary on the shock- and blood-craze of recent mainstream horror cinema. Its philosophy, albeit none too deep, provides a refreshing change of course from similar films. (And dare I say makes its point just as powerfully as the so-called "auteurs" do with their not much subtler films about violence, who get a nice stab in the movie - not literally, though.) Directing is skillful for the most part, however, the level of acting gradually becomes way over the top and hysterical, which is a shame. I wonder when horror directors learn that this kind of bad stage acting style just kills the atmosphere. Crazy psychos can be much more threatening when they are subdued and quiet. All in all, Hills Run Red is a surprisingly solid horror film with more brain than most flicks in its genre. It is taut and its brevity is welcome as well. My only problem is that the plot twist in the second act is totally spoiled by the preview material. It's a huge shame, because it works tremendously in the film but of course only if one goes in unsuspecting.

Perhaps I went into it expecting a bit too much having been swept up by the hype train, but aside from a strong third act and a show stealing performance by William Sadler, its hard for me to recommend The Hills Run Red as much more than a movie night rental with friends - even if it is a cut above your typical direct to video horror flick.

The stories premise revolves around Tyler (Tad Hilgenbrink), a film aficionado on the hunt to find a completed print of a lost and legendary 80's slasher film, The Hills Run Red, rumored to be the most brutal and gory little horror gem ever created. Enlisting the help of his girlfriend and best friend, Tyler ventures out into the backwoods in search of the holy grail of gruesome, only to soon discover (as it usually goes with movies in this fine genre of ours) that things aren't quite all that they seem. To say much more would be to potentially give away what story there is and ruin a twist or two that The Hills Run Red works itself up to in the first hour of run time.

Many have compared THRR to a cross between Scream and Wrong Turn, but I'm more inclined to argue it has more in common with John Carpenter's Masters of Horror Episode, Cigarette Burns, than the aforementioned Wed Craven franchise. Fans of the now defunct Showtime series will immediately recognize the not too subtle similarities in the story between Cigarette Burns and THRR, as well as the over the top gore sequences which stand out as big pluses in both films (even if shoddy CGI threatens to ruin a few scenes in the latter). Furthermore, despite being somewhat of a love letter to the horror genre, THRR never quite goes as far in its self awareness and fan boy masturbation as Scream, and quite honestly, this movie is much better off for it. Aside from that, there isn't anything done particularly well here, or at least not better than anything you haven't already seen in any of the source material the film pays homage to. Even the movie's protagonist, "Babyface," looks a bit too inspired by the killer in Dark Ride.

On a positive note, the movie's hands down highlight is William Sadler (most will remember him as Death in Bill and Ted's Bogus Journey), who absolutely steals every scene he is in, even if he isn't given enough to do as the lost film's, reclusive and maniacal director. Sadler alone makes the film worth watching, though I'd be hard pressed to recommend The Hills Run Red as more than a rental to be enjoyed with a few friends and a couple of beers. Like other recent direct to video slashers like Hatchet and Laid to Rest, this one comes with a lot of promise but does little to separate itself from the rest of the crop.

Review by Mr. Chainsaw For more of the best genre film reviews, news, opinion articles, and forums, check out www.FromDuskTillCon.com.

Hmm, I definitely second what my pal and fellow reviewer TheatreX stated in his user comment! I am a devoted fan of horror genre as well and I also get a kick out of tracking down hidden gems that are extremely obscure or even considered "lost", but after seeing this film, I must make a mental note to never ever go and fanatically seek for lost backwoods slashers myself! That is what the basic plot of "The Hills Run Red" is all about. Tyler is a horror fan and amateur documentary maker obsessed with the idea of finding a horror film that was taken out of circulation shortly after its release, allegedly because it was too shocking and gruesome, as well as the director Wilson Wyler Concannon who mysteriously vanished as well. He convinces two friends and even the director's daughter, who nowadays is a heroin junkie and works as a stripper, to drive out to the middle of nowhere region where the movie was shot in the early 80's. Deep down in those backwoods, the foursome discovers that the film is real and never fully got completed. The maniacal killer from the trailer, referred to as Babyface, still prowls the area and butchers all trespassers in horribly painful ways. "The Hills Run Red", from director Dave Parker who previously made the hugely entertaining zombie flick "The Dead Hate the Living!" comes as a pleasant and refreshing little surprise in the overall worn out slasher genre. Especially the first half is compelling and innovative; at least if you're an obsessive horror fan yourself like I explained here above. All the little bits and footage and trivia details of the inexistent lost horror movie are truly fascinating. Supposedly "The Hills Run Red" revolved about a killer who cut off his own face as a child, because his stepfather said he was ugly, and replaced it with a doll mask. Director W.W. Concannon was a reputed freak who used real blood from a nearby slaughterhouse and hired a local retard to play the killer. The second half, meaning as soon as the main characters are confronted with the killer and have to run for their lives, feels a lot more like familiar slasher territory again with some implausible and grotesque plot twists as well as a few derivative clichés. Nevertheless, even then "The Hills Run Red" still transcends the majority of backwoods slashers because it literally oozes with perversion and sheer nastiness. The film is chock- full of macabre set pieces, harsh gore, lurid sleaze and vicious undertones like incest and mutilation. Correct me if I'm wrong, but aren't these trademarks exactly what the horror genre is all about? Add to all this a creepy horror lullaby that continuously gets repeated ("Hush, little baby, don't say a word…") and a downright depressing climax and you got yourself perhaps even a future classic. The basic premise is reminiscent to the John Carpenter's Masters of Horror episode "Cigarette Burns", but it's more properly elaborated and a lot more identifiable, and it was fun seeing B-movie veteran William Sadler star in gloriously demented role again. Recommended.