Aap Ki Kasam

Aap ki kasam by J.Om prakash features a very good star cast. It was one of the 2 movies which had sanjeev kumar sharing screen space with kaka.

The plot is basically about how suspicion can ruin a marriage. The first half is breezy with romantic songs & lovely locales. The second half turns serious leading to a tragic & emotional climax.

Sanjeev kumar is very good though he has limited screen space. Mumtaz is bubbly & shares an excellent chemistry with kaka (as usual), specially in the "Jai Jai Shiva SHanker" song.

R.D Burman's songs are chartbusters photography is superb.

Now coming to the hero of the film - Rajesh khanna. He is charm personified in the romantic scenes & slowly transforms into a suspicious husband & then a repenting figure towards the end. Though the story is centered around Mumtaz, Kaka steals the show with a stupendous performance.

The scenes where he feels hurt when he requests Mumtaz to sing a song & she refuses, slapping sanjeev kumar with disgust on his face, apologizing to his father-in-law & finally his emotional dialogue & expressions in the climax are remarkable.

A film which will always remain a firm favorite for Rajesh khanna's fans.

A very familiar dramatic story one can easily relate with. Such misunderstandings are likely to be created specially between a husband & a wife by others, however, these so called "others" don't get any benefit of that. Its just a 'to make fun of' topic for them. This movie really gives a mature & simple cut to the point message of trust, honesty & love. It is very easy to love but to maintain it life long is too difficult. All the characters in the movie have done a successful and impactful job to bind the viewers. Specially the ending is a perfect one. A very emotional combination of all the feelings in the most beautiful manner.

"Aap Ki Kasam" is a classic Bollywood film directed by J. Om Prakash and released in 1974. The movie stars Rajesh Khanna, Mumtaz, and Sanjeev Kumar in lead roles and explores the themes of love, trust, and marital relationships.

The film tells the story of Kamal Bhatnagar (Rajesh Khanna) and his wife Sunita (Mumtaz). Kamal is a successful businessman who is deeply in love with his wife. However, due to his possessiveness and suspicious nature, he frequently doubts Sunita's loyalty and accuses her of infidelity. Despite her innocence and unwavering love for him, their relationship becomes strained.

The film's narrative takes a dramatic turn when Kamal, consumed by jealousy, divorces Sunita. This decision leads to a series of heartbreaking events and challenges their love and commitment to each other. Sunita is devastated by the separation and faces immense hardships while trying to prove her love and loyalty to Kamal.

One of the highlights of "Aap Ki Kasam" is the outstanding performances by the lead actors. Rajesh Khanna delivers a powerful portrayal of a man torn between love and suspicion, capturing the nuances of his character's emotional journey. Mumtaz shines as the devoted wife, portraying a range of emotions with grace and conviction. Sanjeev Kumar also delivers a commendable performance as Kamal's friend and confidante.

The film's music, composed by R. D. Burman, is another aspect that stands out. The soundtrack of "Aap Ki Kasam" features memorable songs like "Jai Jai Shiv Shankar" and "Karvatein Badalte Rahe." These songs have become evergreen hits and are still loved by audiences today.

While "Aap Ki Kasam" received mixed reviews upon its release, it has gained a cult following over the years. The film explores complex emotions and showcases the fragility of relationships, making it relatable to audiences even decades later. It addresses themes of trust, jealousy, and forgiveness, leaving a lasting impact on viewers.

Overall, "Aap Ki Kasam" is a classic Bollywood film that showcases powerful performances, melodious music, and a poignant storyline. It is a must-watch for fans of romantic dramas and fans of Rajesh Khanna and Mumtaz.

One of the very best films. Few years back, when I started watching this film, I didn't find the beginning part exciting enough for me, so when I just decided to watch it last year, and loved the film.

Suspicion will destroy even the strongest and closest bonds of a person. I lost track of time while watching film and I was moved by the film, acting of the giants Rajesh Khanna and Sanjeev Kumar.

SRK and Salman's Hum tumare hain sanam is a remake of this film. I have seen that film, but I'll still put this film first and won't compare it with any.

This movie should be seen by everyone, especially married couples as the issue shown in it causes happy married lives to torn.

Suspicion is the worst thing to happen in a happily married life. However prior to the movie under review, this issue had not been honestly and properly dealt with in bollywood movies. Aap Ki Kasam (1974) was the first movie which (perhaps by default) dealt with this issue boldly and refuted male chaunivism with conviction. It was the first bollywood which was free from male bias and declared the worth of a woman's self-respect and dignity.

Director J. Omprakash (who happened to be the father-in-law of Rakesh Roshan and maternal grandfather of Hritik Roshan) always made movie whose names started from the letter - 'A' and which were of the social drama genre. Since he always aimed to make entertaining musicals (or rom-coms in today's lingo), this movie seems to have become a path-breaking one just by default. However end result is the most important thing and that is a thought-provoking, sensitive and interesting movie.

Kamal (Rajesh Khanna) is a financially weak student who falls in love with his college-mate, Sunita who comes from a well-off family. They get married, Kamal gets a decent job and they start their happy wedded live in a new house with Kamal's friend, Mohan (Sanjeev Kumar) being the neighbour. Mohan's marital life is in doldrums because of his wife's promiscuous nature and activities. The decent nature of Mohan and the common factor of music brings Sunita and Mohan closer and they become good friends. However Sunita's friendly gesture towards Mohan is sisterly only and Mohan too has nothing clandestine in this regard. However this pious human relationship becomes the basis of suspicion in Kamal's heart. This suspicion leads to pregnant Sunita's leaving Kamal and going back to her father's home. Misunderstandings prop up, cracks and distances in their relationship get widened and finally, a depressed Sunita gets divorced from Kamal and gets married to the doctor who has been treating her. When Kamal comes to know the truth and his mistake, he repents a lot but now the wheel of time cannot be rolled back. Years later, Kamal meets his tragic death while saving his own daughter from a fire broken out in her marriage.

The story plot is just very good and the director has done full justice to it after the initial dragging. The second half of the movie is engrossing and does not allow the viewer to skip it even for a minute. However the first half is marred by the overdoz of romance and comedy. I feel, the director was carried away by the norms prevailing in those times of making at least two and a half hour long movie. Else he would have trimmed it by at least 20 minutes. There are many songs (though they are quite good), romantic scenes and comedy too before the real story takes off. However once the take off is done, the flight is swift and gripping.

The efforts of the writer and the director have been ably supported by the talented performers. I consider this movie among the three best performances of Mumtaz (the other two being Tere Mere Sapne and Aaina). Whether in the form of the young sweetheart or the newly wedded and highly romantic wife or the clean-hearted and kind woman, sympathizing with the lonely and aggrieved neighbour who happens to be her husband's friend or the woman of self-respect, not ready to furnish any dignified clarification to her unduly suspicious husband or the torn lady in her father's home or the mature mother, marrying her daughter and still longing to see the father of her daughter; Mumtaz is simply outstanding. Saying anything about Sanjeev Kumar is always trying to show lamps to the sun. He was one of those rare actors who could never act bad. And now about Rajesh Khanna, despite the criticisms, I always considered him a good actor. At least in this movie, he has acted brilliantly in the role of first a loving and later a suspicious husband and further later a repenting person, striving for atonement and making amends. The supporting cast including the comedians has done well. Even the leading pair has done hilarious comedy in the song - Jai Jai Shiv Shankar.

The music is highly admirable. Apart from Jai Jai Shiv Shankar, songs like Zindagi Ke Safar Mein Guzar Jaate Hain Jo Mukaam, Karvaten Badalte Rahe Saari Raat Hum, Suno - Kaho etc. are melodious, meaningful and memorable songs. Lata and Kishore have given voices for the lyrics of Anand Bakshi composed by none other than Pancham Da, i.e., R.D. Burman.

Technically and production value wise, the movie is decent as expected from J. Om Prakash. It's a nice entertainment with a message no doubt.

Finally, while recommending the movie to all, I reiterate my stand which I had mentioned in some earlier review - Communication gap is the biggest enemy of all relationships. It's better to communicate and clear the things propping up in your relationships, especially close and important relationships, instead of fostering suspicions and misunderstandings in your heart. Just take a lesson from the character of Kamal in this movie and never allow suspicion to creep in your significant relationships.