Alice au pays des merveilles

As you watch the beginning of "Alice in Wonderland", pay close attention to the guests at the tea party. You might notice Martin Short and his companion, a man placing two buns atop his head as if he were, say, a March Hare. Notice also the man flirting with the woman at the end-you could almost call him a scurvy Knave. But enough with the plays on words. This version of "Alice in Wonderland" was exceedingly well done. From the moment Alice falls down the rabbit hole to the moment she catches the apple, we are spellbound by the fantasy the film has woven for us. Part of its appeal is its satirical notions. Consider the "caucus race", where everyone is cheating. Cynics of politics might agree with this. There is also the trial at the end, where the evidence is as insubstantial as a house of cards. One needs to watch the film or read the novel many times to pick up all of the references!

I enjoyed watching Alice's transformation from stage fright child to confident young girl. It was a continuing thread that helped the story attain a greater level of continuity. Yet the most entertaining portions of the film were those with Martin Short, Miranda Richardson, and Gene Wilder, to name a few. They held nothing back, which magnified the absurdities of their characters to the nth degree. Lastly, the featuring of the tea party at the beginning of the film and the end helped tie it together. A well done film.

I love the two Alice books and quite often I find myself looking through the pages, reading some of my favorite parts.

I think for a TV_version, this film works quite well, it is a treat to watch all those celebrities becoming some of the most famous characters in literature. Strangely though, my favorite sequence is the one with Peter Ustinov and Pete Postlethwaite as the Walrus and the Carpenter, probably the only scene in the movie that does not contain CGI.

So, why only six stars? As in most versions, the makers of the movie have mixed all kinds of elements from "Alice in Wonderland" with "Through the looking glass" (Tweedle-Dee and Tweedle-Dum, The Walrus and the Carpenter, The White Knight). It may work, if you really look at the books just as a collection of episodes, but whenever this is done, the makers miss the point of the books. Alice in "Through the looking glass" is quite different from Alice in "Alice in wonderland" and also, there is a completely different composition to the latter book which is explained in the preface and which finds no acknowledgment whatsoever here. I think the makers of this movie again don't understand the books at all and though I enjoy watching these scenes independently from each other, the whole leaves me unsatisfied.

I have gotten used to mixing the Alice stories, Walt Disney has done the same thing and others as well. But what bothers me most about this film it that it turns the whole thing into a story of initiation. Come on.... Alice does not dare to perform a song in front of her parent's guest but after walking through Wonderland she finally does? This is just plain wrong and completely in contrast to the meaning of the books. Why would you want do make sense out of nonsense? The books are meant to portray Victorian stereotypes, make fun of language etc, but not to enrich a child to become more independent and self-assured. Moreover, it does not make sense at all, why Alice should finally be able to sing in front of the others.

All in all, this movie has fine performances and puppets and decent (considering the time it was made and it being made for TV) CGI, is nice to look at but in the end only mediocre TV-entertainment.

I have seen the film it was shown over the easter weekend here and it's great i have seen many of the different versions when I was a child but this one is great the puppets and special effects in just two hours they managed to get two books in and it wasn't that much different to the version made in the 1970's except that one was musical,but it's just the same except for the new bits added on to the story.

I, like most of the rest of you, grew up with the story of Alice In Wonderland- but what I knew was from the Disney story. I never really liked it, but after seeing Hallmark's representation, I decided that Disney completely ruined the book.

Hallmark's costume designer apparently took a look at the sketches that are commonly associated with the story. In fact, the book of Alice In Wonderland and Through The Looking Glass that I have from England has these sketches in them, and comparing the costumes to the actual drawings shows very little difference minus color, movement, and the addition of the third dimension. Being a person who tends to favor pretty over plot in movies, the animatronic puppets (such as the griffin, the flowers, and the flamingo-croquet) and other visuals made a very fun and entertaining veiwing

experience.

As for the acting, it is obvious that there is a rather star-studded cast. Martin Short is probably the best I've ever seen him as the Mad Hatter. Sure, he is insane- but he's called a "mad" hatter for a reason. It is very interesting to see the man known for playing ghandi in a large caterpillar suit playing what is commonly known to be the trippiest character in the book. Also, frankly, the queen of hearts in the disney version terrified me as a girl (as well as tweedle dee and tweedle dum), but here they seem less harmful- but they still embody the insanity which basically prevails in the story. Personally I think the "bratty little girl" version of hte queen is a much better take on that character. It makes Alice's maturity over the course of the story more reasonable.

Speaking of story, nobody ever said that Carroll's stories made THAT much sense. So that can't exactly be argued.

Over all- I think its a must see if you've ever enjoyed the stories of Alice.

Being a big fan of the books and the author's work, I have seen most of the film adaptations made of the Alice books (and yes, there were two), and this is one of the better adaptations, and certainly a wonderful film.

Filled with famous faces and some wonderful sets, it may not be 100% like the book, but I won't have a word against this film anyway. The writers make the same mistake of mixing the two books together (understandable), and throw in a few new morals and themes (stage fright, mostly), but it's still great. Folks like Gene Wilder, Pete Postlethwaite, Christopher Lloyd, Robbie Coltrane, Whoopi Goldberg, Ben Kingsley, Martin Short and others make their own contribution to this magical TV production.

The whole thing was an honest live action work that made a decent effort to correct what Disney messed up. Now, be fair, the animation was wonderful (very), but a terrible adaptation. So applaud yourselves, Halmi & Halmi (and everyone else, esp. Richard Hartley for music). You did a great job. And readers pick up a copy of the DVD, it's a great movie.