Out of the Cold

I was impressed how the screenplay of probably fictitious story can be full of really true details of war and Soviet camps. Lots of people lost everything in wars. And all people always should remember it. This movie reminds me "Enemy at the gates".

Although it was rather good film and I had an opportunity to play a role of political prisoner, who is sent to Siberia, it had some historical mistakes. The events take place in 1939-40, the SS woman to whom another viewer refers is absurd. There were no Germans in Estonia at that time. Estonia was liberated from Soviet occupation in July 1941, when first German troops arrived.

This may seem only a minor detail, but if you are making a historical drama, then do pay attention to all details and historical background.

My name is Irina Ginzburg and I'm professor emeritus at the Undergraduate Department of Film and TV at Queens College. In September I had the great privilege of seeing "Out of the Cold", directed by Sasha Buravsky, at the Montreal Film Festival. All I can say is that it is one of the best, most beautifully realized motion pictures I have seen in a long, long while. The writing, production design, costumes and music are fist rate. But what truly stands out is Sasha Buravsky's masterful direction. A veteran Russian playwright, Mr. Buravsky was able to convey a heartbreaking feel of awe and dread, and using his august sets and the atmosphere of the world gone wrong, he fused art and commerce in such deft, delicate way that all I can say is… "Go west, young man! You'll have a great career in Hollywood!"

Even the wonderful little story couldn't save this terrible mess of a film. It's as if the director wanted this film to be a B movie. It's got all the formulaic features of a great straight-to-video B movie: Choppy editing with cheesy music thrown in here and there. Actors sitting in a bright and evenly lit rooms spitting out not-so-clever one liners. And most of all, a street savvy yet sleazy male lead.

I don't understand why the director wanted the main character to be portrayed as a cocky and selfish little bum. He's so unlikable that you never understand why his love interest spend her life away to wait for him.

If I have to come up with one reason to watch this film, I'd say, watch it for Mia Kirshner.

Who is this Aleksandr Buravsky who gets all those wonderful actors to work for him?? And not only in this one, also in a couple of other of his ill-conceived movies. The story here starts out quite promising and soon collapses. The characters are not likable, except for tragic Deborah, the historical errors are many, some situations laughable. And I was looking forward to seeing Keith Carradine in a leading role, after how long....Just wasted my time. Why are there so many bad movies lately which dabble in the Holocaust instead of using history's lessons wisely and weave them into a good story??? There are hundreds of good true stories out there - why don't scriptwriters and directors pick them up and use them???