IMDb RATING
6.3/10
6.4K
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Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.
Pyotr Shelokhonov
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This was surprisingly good. I'm not that much a fan of the Romance genre, if truth be told, but I'll make an exception for this one. The film is carefully crafted. Every emotion, every dialogue enhanced the overall tone of the film, slowly but surely escalating in its momentum up to its tragic climax.
Sophie Marceau was brilliant. As was Sean Bean. I wasn't quite sure if they would be able to possess the kind of chemistry needed to pull this off, if truth be told, considering how they (in my opinion) seem to be of different temperament artistically (Sophie being more sensitive as seen in Braveheart and Marquis, while Bean is more explosive). Nevertheless, it worked out fine although, ironically, their relationship seem to be more believable whenever they fell out of odds with each other. :)
Sophie Marceau was brilliant. As was Sean Bean. I wasn't quite sure if they would be able to possess the kind of chemistry needed to pull this off, if truth be told, considering how they (in my opinion) seem to be of different temperament artistically (Sophie being more sensitive as seen in Braveheart and Marquis, while Bean is more explosive). Nevertheless, it worked out fine although, ironically, their relationship seem to be more believable whenever they fell out of odds with each other. :)
Which is entirely to be expected with a novel the size and complexity, I'm told, of Leo Tolstoy's "Anna Karenina", which I have not read.
I will blushingly admit that I first viewed this film mostly because of Sean Bean's presence. I found him a superb actor in the Lord of the Rings, and hoped to find more in his other works.
Truthfully, his portrayal of Vronsky feels somewhat light in this film; I attribute this to three factors: the severe compression of the novel (as happens with all film adaptations), the actual nature of the character itself, and the slightly boring task of playing mostly passion. Unlike other viewers, I found it very difficult to sympathize with Vronsky, and his repentance hollow. My heart melted somewhat, though, during his flashback to Karenina's corpse at the railway, and his brimming eyes as the train pulled away. Redeemed slightly at the very last moment.
Sophie Marceau is stunning as Anna Karenina; I found her enchanting from the start. Marceau plays the title lady with dignity, elegance, and grace; in her more intimate and emotional moments, she portrays Karenina's motherly and passionate sides with skill.
The inevitable flaws of adaptation show through in this film; there are numerous location changes, and multiple "quick" passages of time. Every event feels strung together by a thread, which they likely are, chosen for their narrative value. Yet it doesn't work, as the overall result lacks a palatable sense of cohesion. The love story of Karenina and Vronsky feels chopped and rushed, as does the tale of Levin and his Kitty -- which is too bad, since they are both the anchor narratives. The contrast of the two, however, plays well, and reminds me of the romances in Michael Ondaatje's "English Patient" (I'm well aware Tolstory precedes Ondaatje).
The greatest features of "Anna Karenina" lie in the atmosphere. Despite the out-of-place original accents of the actors, Russian is spoken skilfully, and the chosen music is beautiful and appropriately evocative of an older, grander time. and the lovely landscapes of Russia play a beautiful role in the background. The costumes and sets are breathtaking; the highlight is surely the ballroom scene, when all are attired for an evening "out" and Tchaikovsky's Swan Lake Waltz is playing.
While an excellent effort, "Anna Karenina" eventually feels like what it is: a cinematic adaptation of a novel.
I'd give it a 8 out of 10.
I will blushingly admit that I first viewed this film mostly because of Sean Bean's presence. I found him a superb actor in the Lord of the Rings, and hoped to find more in his other works.
Truthfully, his portrayal of Vronsky feels somewhat light in this film; I attribute this to three factors: the severe compression of the novel (as happens with all film adaptations), the actual nature of the character itself, and the slightly boring task of playing mostly passion. Unlike other viewers, I found it very difficult to sympathize with Vronsky, and his repentance hollow. My heart melted somewhat, though, during his flashback to Karenina's corpse at the railway, and his brimming eyes as the train pulled away. Redeemed slightly at the very last moment.
Sophie Marceau is stunning as Anna Karenina; I found her enchanting from the start. Marceau plays the title lady with dignity, elegance, and grace; in her more intimate and emotional moments, she portrays Karenina's motherly and passionate sides with skill.
The inevitable flaws of adaptation show through in this film; there are numerous location changes, and multiple "quick" passages of time. Every event feels strung together by a thread, which they likely are, chosen for their narrative value. Yet it doesn't work, as the overall result lacks a palatable sense of cohesion. The love story of Karenina and Vronsky feels chopped and rushed, as does the tale of Levin and his Kitty -- which is too bad, since they are both the anchor narratives. The contrast of the two, however, plays well, and reminds me of the romances in Michael Ondaatje's "English Patient" (I'm well aware Tolstory precedes Ondaatje).
The greatest features of "Anna Karenina" lie in the atmosphere. Despite the out-of-place original accents of the actors, Russian is spoken skilfully, and the chosen music is beautiful and appropriately evocative of an older, grander time. and the lovely landscapes of Russia play a beautiful role in the background. The costumes and sets are breathtaking; the highlight is surely the ballroom scene, when all are attired for an evening "out" and Tchaikovsky's Swan Lake Waltz is playing.
While an excellent effort, "Anna Karenina" eventually feels like what it is: a cinematic adaptation of a novel.
I'd give it a 8 out of 10.
I saw this movie almost accidentally and I LOVED it! It made me a fan of Sophie Marceau, a beautiful and talented French actress. To my delight Sophie is starring in some upcoming movies (which I will not miss). I would recommend this movie to anyone looking for a movie with all the components that makes a classic. Too bad it didn't hit the mainstream, it was very under-rated. Bottom line: I loved this movie, and I am usually quite picky about which movies I say that about!
I disagree that this was terrible. I am a big time historical movie and costume buff, so I watch everything I can get my hands on and there is hardly a period drama I have not seen. I have also read the book. While the story line of the movie doesn't necessarily follow the novel, I am still sucked into it every time I see it. I found their chemistry wonderful, the costumes lovely and very period accurate, the music and cinematography fabulous. I have seen it over a dozen times (bought the DVD) and STILL never get bored. Sophia Marceau was a perfect choice in my opinion. She is classically beautiful, and the right combination of all the elements that made her character.....chaste wife turned star crossed lover, strong, confidant woman melted to vulnerable young girl. I adored Sean Bean also. I found him totally believable, and I fail to understand how anyone even remotely interested in period dramas could fail to appreciate this film.
To be honest, I have not read this book. I have heard that it was a classic and all those other things that people say about his book, but really had no idea what the story is about. Actually, the main reason that I watched this movie, was that Sean Bean was in it(I had previously seen him in Lord of the Rings, and really enjoyed him). I was surprised to find this story so engaging. I thought that he was amazing in this movie, very charming. He just has this intangible quality that always has me rooting for him.
This is the first movie that I have ever seen Sophie Marceau in(playing Anna Karenina) and I found that she portrays Anna with a delicate grace, that makes you understand Vronsky's(Bean) dogged pursuit of her.
True, I have to say that I found the end a little disappointing, and heart-wrenching. Sean Bean shines at the end of the movie, I think he really shows well just how much Vronsky finally realizes he has lost.
This is the first movie that I have ever seen Sophie Marceau in(playing Anna Karenina) and I found that she portrays Anna with a delicate grace, that makes you understand Vronsky's(Bean) dogged pursuit of her.
True, I have to say that I found the end a little disappointing, and heart-wrenching. Sean Bean shines at the end of the movie, I think he really shows well just how much Vronsky finally realizes he has lost.
Did you know
- TriviaThis was the first western production of "Anna Karenina" to be filmed in Russia (St. Petersburg).
- GoofsDuring the movie, title cards inform the viewer that the story arch unfolds in the years 1880 to 1882 - yet at the end of the movie Vronsky leaves to fight in the Russo-Turkish war of 1877- 1878.
- Quotes
Anna Karenina: What are you doing here?
Vronsky: You know that I have come to be where you are. I cannot help myself.
- ConnectionsReferenced in 13 posterunek: Kalambury filmowe (1998)
- SoundtracksSymphony No. 6 in B Minor, op. 74 (Pathetique)
Written by Pyotr Ilyich Tchaikovsky (as Peter Ilyich Tchaikovsky)
Performed by The St. Petersburg Philharmonic Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of Icon Records and London Records
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Anna Karenina
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $858,553
- Opening weekend US & Canada
- $75,268
- Apr 6, 1997
- Gross worldwide
- $858,553
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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