A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.A young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.
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Based on a comic by late Kazuo Kamimura and Kazuo Koike, Shurayukihime is a story about vengeance and rebellion. Shurayuki who had her father murdered by conspiracy goes out to avenge the three conspirators.
The movie's title "Shurayukihime" is a play on "Shirayukihime" which is the Japanese title for Walt Disney's movie Snow White. Very similar title, but the two movies can't be further apart in their contents.
In the original plot, there was some element of rebellion against the government that was the ultimate culprit of the conspiracy, but in the movie, this did not play a main role of the story except where Yuki kills the police force that captured Ashio.
The movie which attracted little attention when it was released, now has world wide audience thanks to Tarantino giving it credit as inspiration for Kill Bill. The back drop of battle between Oren Ishii and Black Mamba is almost verbatim copy of the last scene from this movie.
There is little known part 2 of this movie released in 1974 which picks up after this one with Kaji reprising her role as Yuki.
More recently a version done by Yumiko Shaku was released in 2001 with backdrop set in the future, and story which is almost unrelated to the original except Yuki eventually avenges her mothers murderer and that her organization Takemikazuchi was rebelling against the the government.
Some of Kamimura's original artwork of Shurayukihime can be seen in his website at kamimurakazuo.com
The movie is unusually graphic for a Japanese movie of its era. Meiko Kaji was a star of another dark comic turned movie Sasori. Her mood fits this type of role perfectly.
Watch this movie for its action, and historical value.
The movie's title "Shurayukihime" is a play on "Shirayukihime" which is the Japanese title for Walt Disney's movie Snow White. Very similar title, but the two movies can't be further apart in their contents.
In the original plot, there was some element of rebellion against the government that was the ultimate culprit of the conspiracy, but in the movie, this did not play a main role of the story except where Yuki kills the police force that captured Ashio.
The movie which attracted little attention when it was released, now has world wide audience thanks to Tarantino giving it credit as inspiration for Kill Bill. The back drop of battle between Oren Ishii and Black Mamba is almost verbatim copy of the last scene from this movie.
There is little known part 2 of this movie released in 1974 which picks up after this one with Kaji reprising her role as Yuki.
More recently a version done by Yumiko Shaku was released in 2001 with backdrop set in the future, and story which is almost unrelated to the original except Yuki eventually avenges her mothers murderer and that her organization Takemikazuchi was rebelling against the the government.
Some of Kamimura's original artwork of Shurayukihime can be seen in his website at kamimurakazuo.com
The movie is unusually graphic for a Japanese movie of its era. Meiko Kaji was a star of another dark comic turned movie Sasori. Her mood fits this type of role perfectly.
Watch this movie for its action, and historical value.
I am not a particular fan of martial arts and samurai films but this one is not only colourful and tightly constructed but stars the lovely Meiko Kaji, she of the Female Prisoner Scorpion films, as well as many others. She is perfect here as the beautiful young woman born to avenge her mother and we are with her and her motion throughout. Director Toshiya Fujita has an eye on the look all the time and when we are not treated to views of the young lady and her weaponry we have wondrous views of the land and seascape with opening and closing scenes in the snow. That Lady Snowblood is the basis of Tarantino's Kill Bill gives this 50 year old film added interest but for whatever reason you might choose, this is well worth a watch..
Version: Eastern Eye's R4 DVD release. Japanese / English subtitles.
I probably would not have been able to see 'Lady Snowblood' had it not been for Quentin Tarantino and 'Kill Bill'. I've seen the 'Lone Wolf and Cub' movies several times on SBS, and I think they're great, but I probably would not have been able to find a copy of Lady Snowblood without the popularity of 'Kill Bill'. Luckily for me, I still managed to see 'Lady Snowblood' before 'Kill Bill'. I don't want to sound smug, but I'm probably one of the few people my age who can say that, and seeing 'Lady Snowblood' before 'Kill Bill' is a lot better than seeing 'Kill Bill' and then expecting 'Lady Snowblood' to be exactly like 'Kill Bill'.
In the 3rd year of Meiji Japan (1871 or thereabouts, I think), a family is attacked by bandits. The father and child are killed, the mother Sayo (Miyoko Akaza) taken by one of the evil-doers as a slave. When Sayo is imprisoned and unable to exact her vengeance, she bears another child, Yuki (Meiko Kaji), to carry on where Sayo. Yuki is born for vengeance, and that may be all she ever knows.
Normally I comment on revenge stories and say "wow awesome vengeance!". However, in this case, I've been studying this period of Japanese history for a university course, and I can appreciate this as more than just a tale of vengeance. 'Lady Snowblood' is a tragedy, a story about sweeping social upheaval and the people caught up in change. Of course, I can't resist pointing out the fact that this is also an awesome revenge story. 'Lady Snowblood' is an awesome revenge story.
Despite the high amount of fake blood, 'Kill Bill' and 'Lone Wolf and Cub' are better action movies than 'Lady Snowblood'. Meiko Kaji's Yuki is fearsome, and she fights well, but the over-the-top fights of 'Kill Bill' and 'Lone Wolf and Cub' are better. The camera is shaky at times, and the action is often hard to distinguish, but any fan of 'Kill Bill' or the classic samurai movies should still be able to appreciate it.
'Lady Snowblood' stands as one of the best classic samurai movies around. The remake 'Princess Blade' doesn't hold a candle to this, nor does the similar Etsuko Shihomi film 'Dragon Princess'. I even think fans of the recent 'Azumi' should check out 'Lady Snowblood'. Those who haven't seen 'Kill Bill' should see this first, and then 'Kill Bill' after. 'Lady Snowblood' isn't just a revenge story, but its still a a damn good revenge story - 9/10
I probably would not have been able to see 'Lady Snowblood' had it not been for Quentin Tarantino and 'Kill Bill'. I've seen the 'Lone Wolf and Cub' movies several times on SBS, and I think they're great, but I probably would not have been able to find a copy of Lady Snowblood without the popularity of 'Kill Bill'. Luckily for me, I still managed to see 'Lady Snowblood' before 'Kill Bill'. I don't want to sound smug, but I'm probably one of the few people my age who can say that, and seeing 'Lady Snowblood' before 'Kill Bill' is a lot better than seeing 'Kill Bill' and then expecting 'Lady Snowblood' to be exactly like 'Kill Bill'.
In the 3rd year of Meiji Japan (1871 or thereabouts, I think), a family is attacked by bandits. The father and child are killed, the mother Sayo (Miyoko Akaza) taken by one of the evil-doers as a slave. When Sayo is imprisoned and unable to exact her vengeance, she bears another child, Yuki (Meiko Kaji), to carry on where Sayo. Yuki is born for vengeance, and that may be all she ever knows.
Normally I comment on revenge stories and say "wow awesome vengeance!". However, in this case, I've been studying this period of Japanese history for a university course, and I can appreciate this as more than just a tale of vengeance. 'Lady Snowblood' is a tragedy, a story about sweeping social upheaval and the people caught up in change. Of course, I can't resist pointing out the fact that this is also an awesome revenge story. 'Lady Snowblood' is an awesome revenge story.
Despite the high amount of fake blood, 'Kill Bill' and 'Lone Wolf and Cub' are better action movies than 'Lady Snowblood'. Meiko Kaji's Yuki is fearsome, and she fights well, but the over-the-top fights of 'Kill Bill' and 'Lone Wolf and Cub' are better. The camera is shaky at times, and the action is often hard to distinguish, but any fan of 'Kill Bill' or the classic samurai movies should still be able to appreciate it.
'Lady Snowblood' stands as one of the best classic samurai movies around. The remake 'Princess Blade' doesn't hold a candle to this, nor does the similar Etsuko Shihomi film 'Dragon Princess'. I even think fans of the recent 'Azumi' should check out 'Lady Snowblood'. Those who haven't seen 'Kill Bill' should see this first, and then 'Kill Bill' after. 'Lady Snowblood' isn't just a revenge story, but its still a a damn good revenge story - 9/10
This is one of those movies that have an all Japanese motivation. A girl is trained from childhood to avenge the death of her father and the brutal rape of her mother. Then she does it. Lots of blood and lots of sword fighting. Well, she does most of it, everybody else pretty much dies.
The movie is well done, although I think it is hard to watch for most of the people nowadays, since it has that 60's-70's feel to it. I can see how this could have been an inspiration for Kill Bill. If you liked Kill Bill for other reasons than that it had Uma Thurman and Lucy Liu in it, then you will love this film.
If you watch the movie, you will probably have fun, but if you look at the whole picture (pun intended) there isn't much to it other than the actual revenge and death of everyone. The girl is very nice, the acting is OK, the atmosphere, settings and soundtrack are good, but that's all. No strange twists of the story, nothing unexpected.
The movie is well done, although I think it is hard to watch for most of the people nowadays, since it has that 60's-70's feel to it. I can see how this could have been an inspiration for Kill Bill. If you liked Kill Bill for other reasons than that it had Uma Thurman and Lucy Liu in it, then you will love this film.
If you watch the movie, you will probably have fun, but if you look at the whole picture (pun intended) there isn't much to it other than the actual revenge and death of everyone. The girl is very nice, the acting is OK, the atmosphere, settings and soundtrack are good, but that's all. No strange twists of the story, nothing unexpected.
This film has obviously gained a lot of attention since Quentin Tarantino's Kill Bill Volume One and Volume 2 came out. I am not ashamed to admit I got interested in it after it being linked to Kill Bill, but then again, I hadn't heard of it until a while after the Kill Bill movies came out, and I thought it sounded like something I'd be interested in, my kind of movie. And it definitely is.
Let's get it out there in the open: this film is really silly. It has those great seventies Kung Fu noises when someone jumps up in the air unlike any human could, as well as noises when someone shoves a sword into the enemy. But because it's silly don't jump to the conclusion that there isn't a point to watching it. Sure it's just entertainment. But the story is one of the best I've ever witnessed, and not because of the blood and guts.
The story is of course about revenge, but the revenge spawns from a woman who gives birth to a daughter and swears that the daughter must be an instrument of revenge on those that messed with her mother. (A silly premise, but here's where it becomes cool). Meiko Kaji who plays Lady Snowblood, also known as Yuki, doesn't spend the movie wrapped in evil and revenge with anger on her face. There's genuine hurt in her performance. It is actually extremely sad that all she is is an instrument of revenge and death, but that's what weighs the film down into some sort of believability.
The sets are standard Japanese action sort of sets but they have that certain charm about them that's easy on the eyes, it locks the film into this particular recognizable genre but still stands on its own two feet as a film. Also another standard in this genre is freeze frames. Usually I like to comment on shots that continue movement but a certain frame, frozen or still moving, is my favourite of a film. Now, one freeze frame (if memory serves me correctly, the only one), of the baddie coming up some stairs, that may be the second Shurayukihime (apologies if it is) and one side of her face is visible in the freeze frame to alert the audience of this woman's arrival. It is laughable in this but laughable for the right reasons: it isn't corny or annoying, but it's a genuine charm of this genre.
Many standards of this genre may stop you from watching this but watch it for the genuine heart-wrenching story of Yuki Kashima, also known as Shurayukihime, Lady Snowblood.
A genuine piece of cinematic gold that is also entertaining and worth a watch.
Let's get it out there in the open: this film is really silly. It has those great seventies Kung Fu noises when someone jumps up in the air unlike any human could, as well as noises when someone shoves a sword into the enemy. But because it's silly don't jump to the conclusion that there isn't a point to watching it. Sure it's just entertainment. But the story is one of the best I've ever witnessed, and not because of the blood and guts.
The story is of course about revenge, but the revenge spawns from a woman who gives birth to a daughter and swears that the daughter must be an instrument of revenge on those that messed with her mother. (A silly premise, but here's where it becomes cool). Meiko Kaji who plays Lady Snowblood, also known as Yuki, doesn't spend the movie wrapped in evil and revenge with anger on her face. There's genuine hurt in her performance. It is actually extremely sad that all she is is an instrument of revenge and death, but that's what weighs the film down into some sort of believability.
The sets are standard Japanese action sort of sets but they have that certain charm about them that's easy on the eyes, it locks the film into this particular recognizable genre but still stands on its own two feet as a film. Also another standard in this genre is freeze frames. Usually I like to comment on shots that continue movement but a certain frame, frozen or still moving, is my favourite of a film. Now, one freeze frame (if memory serves me correctly, the only one), of the baddie coming up some stairs, that may be the second Shurayukihime (apologies if it is) and one side of her face is visible in the freeze frame to alert the audience of this woman's arrival. It is laughable in this but laughable for the right reasons: it isn't corny or annoying, but it's a genuine charm of this genre.
Many standards of this genre may stop you from watching this but watch it for the genuine heart-wrenching story of Yuki Kashima, also known as Shurayukihime, Lady Snowblood.
A genuine piece of cinematic gold that is also entertaining and worth a watch.
Did you know
- TriviaLead actress Meiko Kaji also is an accomplished singer, and she performs the song "Shura no Hana" heard in the film. When Quentin Tarantino used the song in his "Kill Bill" films, it sparked renewed interest in her music that inspired her to record and release new songs for the first time in nearly 30 years.
- GoofsThis film is set in the late 19th Century, however, during the masquerade party there are various modern day flags on display including but not limited to: Pakistan (created in 1947), Australia (created in 1901), and the 50-star flag of the United States (introduced in 1960).
- Quotes
Narrator: People say you can't wash away the mud of this world with pure white snow. You need asura snow - stained fiery red.
- ConnectionsFeatured in A Beautiful Demon: Kazuo Koike on Lady Snowblood (2016)
- SoundtracksShura no Hana
(Flower of Carnage)
Written by Kazuo Koike, Masaaki Hirao & Kôji Ryûzaki
Sung by Meiko Kaji
- How long is Lady Snowblood?Powered by Alexa
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