La femme scorpion

Shunya Ito's "Joshuu 701-gô: Sasori" aka "Female Prisoner #701: Scorpion" of 1972 is an absolutely brilliant masterpiece of Japanese Exploitation cinema that is not quite comparable to anything else. The WIP (Women In Prison) sub-genre may have brought a bunch of highly entertaining flicks, but each of the four "Sasori" films (all of which were released between 1972 and 1973) outshines any other movie of the kind by a million times. Not only does "Joshuu 701-gô: Sasori", or "Sasori: Scorpion" as it is entitled here, outshine any other kind of WIP flick, this is one of the films that reign supreme in Exploitation cinema generally. More than any other movie, this film combines Exploitation and Art-house cinema, sleaze and artistic beauty in a most unique way. The absolutely divine Meiko Kaji is the star of this unforgettable film and nobody else could have played the leading role of Nami Matsushima aka. Sasori with such brilliance. Not only does she play the lead, Meiko Kaji also sings the beautiful theme song to this film, one of the greatest and most memorable pieces of Japanese film score ever, "Urami-Bushi", which became known to a wider Western audience when Tarantino used it for the soundtrack of "Kill Bill 2".

Raped, imprisoned tortured and abused, female prisoner #701, Nami Matsushima lives only for two things, escape from the hellhole of a woman's prison she is incarcerated in, and revenge on her former lover, who used her for his benefit and is responsible for all her misery. Due to her toughness and power of endurance, Nami, who is constantly tortured by sadistic guards in order to break her will, is referred to as "Sasori" ("Scorpion") by her fellow female prisoners...

The stunningly beautiful Meiko Kaji, one of my personal favorite actresses of all-time, plays her role with sheer brilliance. Sasori, who hardly says a word has an incomparably vengeful determination in her eyes, and Kaji's performance seems to become greater each time I see this movie. The rest of the performances are also outstanding, above all Riye Yokoyama, who is excellently sadistic as Katagiri, another female prisoner who hates Sasori, and Fumio Watanbe as the sadistic prison warden Goda. "Sasori" truly is an absolute exploitation highlight, and probably THE movie in which exploitation and art-house elements complement each other the most. The opening sequence, in which hundreds of naked women have to walk down a narrow hallway in a humiliating exercise (to the song "Urami-Bushi") alone is the best example for that, and furthermore one of the most memorable sequences ever in exploitation cinema. This movie is sleazy and often extremely brutal, with nasty scenes of rape, murder and sadistic torture, and yet so incomparably beautiful and often symbolic in its extreme violence and sleaze. The entire "Sasori" series with Meiko Kaji reigns supreme in the WIP sub-genre, and is a truly brilliant highlight of Japanese Exploitation cinema. Every fan of Exploitation and every lover of film in general MUST SEE this first "Sasori" film and personal favorite of mine, which easily deserves the highest rating of 10/10!

Violent, sick, cruel, and completely sadistic – what more could I ask for? Starring Meiko Kaji, who would go on to the Lady Snowblood films the next year, this women in prison movie simply dazzles. Ito's direction is fantastic, and in some ways resembles that of Suzuki Seijun. It's funny that such great filmmaking is found in a w.i.p. movie, a sub-genre usually reserved for sloppy, direct-to-video work today. Just think, a direct-to-video movie really could be well made. There is an unfulfilled market here. Yet people just keep cranking out the same cliched garbage – an utter waste. The genre in America is too tame when you look at FP701. Actually, I'd almost say that this comes close to being the best prison movie ever made, approaching masterpieces like Don Siegel's undervalued Riot in Cell-Block 11 and Stuart Rosenberg's beloved Cool Hand Luke. Hell, Prisoner 701 makes Cool Hand Luke look like a total pussy. This movie is an absolute must-see for those who love Japanese films, exploitation, or cult movies in general. I'd go so far as to call it a masterpiece in its own way. I loved every damn second of it! 10/10.

The woman in prison exploitation sub-genre doesn't exactly have the best reputation for example Bare behind bars and SS experiment love camp comes to mind but this is something different. Firstly It feels more like an art film by the way its shot. It uses interesting compositions and at lighting. The nudity in the film doesn't feel like its sexual well to me anyway maybe a sadist would see it differently. The initial rape scene in the film is done so it's not too graphic and hard to watch similar to the one seen in Lady Snowblood. On top of all that the writing is terrific, the motivation of the Sasori isn't revenge for the rape. It's revenge for the double crossing which drives her to put up with the struggles of prison life so that she might get out. What i love about the main character is that she hardly talks throughout the film and does all the communicating with her eyes. Which leaves you guessing what she will do next. The music is great and the movie is action packed with a satisfying ending the only part that didn't seem right was the random Lesbian scene which felt out of place but they justify it later. so give it a watch you won't be disappointed.

Some films, while not entirely believable are still able to pull you into them and make you invest your interest and full attention in them nonetheless. This is such a film. While it's not entirely believable, to me it's a film that is still extremely interesting and enjoyable. Of it's subject matter, this may truly be the best film of it's kind. Even with it's age and fairly low budget, somehow it still comes across to me as very poetic. Violent poetry no less, but there's certainly much more to it than just violence. This film inspired at least 6 sequels I believe, and it has been an inspiration for many remakes and imitators too. The Kill Bill films are two of them at least to some degree, they certainly draw inspiration from it at least. This is overall quite an amazing little film. It's brutal, yet still somehow it is also quite beautiful. These are not easy things to balance in the art of filmmaking, but here it is on wonderful display.

8.5/10.

I've seen a handful of women in prison films and before seeing this one, hadn't seen a really good one. It's a genre closely associated with lesbian sex, torture and general sleaze and is one of the staples of the oeuvres of Italian trash directors such as Jess Franco and Joe D'Amato. Female Convict Scorpion adheres to the trends of the genre, but it does it with so much more class than the majority of genre offerings and the result is a film that transcends its trash origins into masterpiece territory. Female Convict Scorpion excellently straddles the boundary between the two types of film - its trash shot as art! Like most women in prison films, this one focuses on one particular prisoner inside a women's prison. The prisoner is Nami Matsushima, a woman betrayed by her boyfriend (a police officer with mob ties) and wrongly imprisoned. She wants revenge on the man who put her in jail, and since she knows a lot of his secrets; he wants her dead. The policeman/mobster soon decides to have one of the other prisoners arrange an "accident" for Nami Matsushima...

The film starts as it means to go on; first we get a prison break that sees two prisoners hunted down and caught by the ruthless prison guards, and the next scene sees a bunch of naked women being directed about by said prison guards. There is not as much sleaze in this film as there is in my other women in prison flicks, but there's more than enough - and the fact that it doesn't go over the top means that the sleaze we do get is far more potent. The film is also rather gory, and although much of the violence is in a comic book style, seeing the blood spill is still a treat. The film features some stunning cinematography, and director Shunya Ito is obviously keen to get the art-house style across as much as possible. There's also several excellently shot sequences; the scene involving a disgruntled inmate rampaging through the showers with a shard of glass being particularly excellent. It's all topped off by a sensational performance by Meiko Kaji in the lead role, and overall; it has to be said that Female Convict Scorpion is a masterpiece that does not deserve to be missed!