Went to Coney Island on a Mission from God... Be Back by Five

If you are looking for a happy of fun film, then by all means do not watch "Went to Coney Island on a Mission from God...Be Back by Five". While it has a few funny moments, the film also has a dark tone and much about it might leave you feeling a bit depressed. Unlike most films, however, it isn't afraid to tackle depressing subjects and simply accept that there might be nothing you can do to change things...and that is also one of the film's strengths.

The story begins with a prologue...showing what life was like for three kids growing up in New York City as well as how they met and how they drifted apart. Now, a decade has passed and Stan (Rick Stear) seeks out his friend Daniel (Jon Cryer) because their old pal, Richie (Rafael Báez) disappeared some time ago and Stan heard a rumor that Richie might be hanging out around Coney Island. So the pair of very unlike friends go to Coney on a most unlikey day...it's cold, it's overcast and it's practically empty. And, they spend the day meeting odd characters and following leads that might take them to Richie...who is now apparently homeless and mentally ill.

I appreciated the film mostly towards the end. Up until then, I was somewhat indifferent about it. But Richie's plight and mental health issues were handled so realistically that I had a lot of respect for the picture...especially in light of my own background as a social worker and psychotherapist. The writers got this part right....and didn't offer any trite ending where everything is magically resolved...like too many Hollywood films. In addition, the film featured some lovely performances and is well worth your time if you don't need explosions and action but value studies of people.

WENT TO CONEY ISLAND...is the story of two adult best friends (Cryer and newcomer Rick Stear) who go looking for a high school buddy who is long missing and believed to be homeless. Their search brings them to Coney Island in March--a bleak, overcast landscape symbolizing their bygone youth and abandoned dreams.

The cinematography is stunning--the cloudy and captivating blues and grays of late winter. The atmospheric mise-en-scene plays a primary role in the film. The paint peeling, abandoned amusements, the deserted rides--all carry the hollow loneliness of a ghost town. Coney Island is frightening and glorious in all it's kitschy Americana run-down splendor!

The search for the lost pal takes the friends to the freak show, skeeball parlor, bumper cars, and under the boardwalk. When at last they find him, they are forced to grapple with taking action to help him treat his mental illness, and to help themselves out of the ruts (dead end jobs, alcoholism) that they have sunk to. The dialogue is rhythmic, humorous, and authentic.

Baez plays the homeless friend, Richie, with sensitivity. Rick Stear as Stan, the alcoholic, makes a passionate film debut. Pop-culture icon Jon ("Duckie") Cryer takes a serious turn as Daniel.

The flashback to the boys' "glory days" in a high school garage band--covering Adam and the Ants "AntMusic" (!)--is worth the price of admission!

It's refreshing to see a film that is well-written, socially conscious, and emotionally relevant. It is a far cry from the tired Hollywood "formula." I encourage all film-lovers to see it.

"Went...", a downer drama with a spritz of humor, tells the tale of two of a trio of young men who grew up together in school days off to Coney Island in search of their wayward, homeless comrad. The story proceeds in preset day using interleaved flashbacks in a clumsy attempt to develop characters and story and trite aphorisms to lend credence to a weak plot with no payoff. The film has poor technical execution, the look of a super 8mm shoot, bad makeup, and general mediocrity in art, acting, and directing and conjures up more sympathy for the actors than the characters. Very forgettable.

Went To Coney Island On A Mission From God, Be Back By Five- Terrific Drama/comedy written, produced and co-starring Jon Cryer about a trio of friends in New York city that have known each other since childhood. They have lost touch as they became adults as often happens until one day two of them get news that the third is homeless and living in Coney Island. so the two take off from work "on a mission from God" (their code to play hooky from school as kids) to find their friend. So the stage is set for a journey of friendship and discovery as we see how these grown men have faced adulthood and its challenges, or more importantly, run from them. We experience their childhood through a series of flashbacks from which we gleam information that directly impacts the present day narrative such as that their missing friend may not have been heterosexual, though they knew him as a ladies man and how this led to a huge tragedy in his life. This kind of movie is hard to pull off and could easily fall into Hollywood schmaltz with a lot of weeping and teary-eyed falsehoods. But this movie avoids all that and keeps a rather hard edge at all times. Understanding that the subject matter is serious and never makes fun of its characters, or looks down on them to pull at your heart strings. The terrific acting goes a long, long way to make this all work with kudos to Cryer who essays the less flashy role of the nebbish. Newcomer Rick Steer is really good as well as his angry, alcoholic friend who has tried to hang onto their youth for all these years. Rafeal Baez is very good as the lost friend too, in a difficult role, having to play both repression and mental illness without over doing it. he does a fine job. Ione Skye is on board in a supporting role and it is always nice to see her too. Overall this is a little gem of a movie that has for some reason been overlooked for almost ten years now. Time to rectify that situation.

In my humble opinion: This movie is well written and has many funny moments where it lacks is the sound and the acting. Through out the entire movie the sound is icy cold with very little realistic background noise, such as the lack of ocean at Coney Island. There are exceptional moments in the film where the acting is quite remarkable but for the most part especially in Rick Stear's scenes the acting is defiantly lacking. The cinematography is also notably uninteresting which accounts for the slow nature of the films progression to an emotional end.