The Cannes Film Festival. It's where deals get made, producers get laid, and stars get paid. It's where all the movie industry meets to buy and sell all the movies on the planet. And it's wh... Read allThe Cannes Film Festival. It's where deals get made, producers get laid, and stars get paid. It's where all the movie industry meets to buy and sell all the movies on the planet. And it's where the art of the deal can be filled with more laughs than the deal itself. Sy Lerner, th... Read allThe Cannes Film Festival. It's where deals get made, producers get laid, and stars get paid. It's where all the movie industry meets to buy and sell all the movies on the planet. And it's where the art of the deal can be filled with more laughs than the deal itself. Sy Lerner, the quintessential movie producer, makes a bet that he can take any kid off the street and t... Read all
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Trading Places is another film that comes to mind when watching this - along with The Player - and ensemble pieces like Best In Show and This Is Spinal Tap. All of them cover either similar themes, or were made in a similar way, but yielded a better result. Perhaps the difference with Best in Show and Spinal Tap is that their makers had a firmer idea of what each scene was meant to cover before it was improvised, and from the outset they had a stronger script/structure - this film seemed to lack a little in that regard, as well as having some average acting. I thought Sy Lerner's character was a bit confusing too - at the start he seems to be a bit of a schmuck past his best days, yet he still seems to carry a lot of clout and when he starts wheeling and dealing.
The plot here is that Sy Lerner (Seymour Cassel) has passed away. We are at his funeral, which is mostly attended by his former secretaries, his widow of Rebecca (Rebecca Broussard) and Frank 'Rhino' Rhinoslavsky (Francesco Quinn). This man goes into telling the wild tale of how Sy won a bet at Cannes film festival by making him the talk of it and pitching people on a movie that he made up on the spot.
One of the best parts is the fact that Frank Rhino goes to Cannes as a courier. I love the fact that he's bringing promotional material to Lloyd Kaufman (as himself) for a movie he brought there. He helps but doesn't have a place to stay and discovers everything is book. Sy makes a bet with Jim Stark (as himself) and things go wild from there as they sucker in the likes of John Malkovich, Dennis Hopper, Peter Gallagher, Frank Whaley, Lara Flynn Boyle, Depp and Jim Jarmusch, all playing themselves.
I should then shift here that I love what they did by going to Cannes, finding these people and then getting them to have cameos as fictionalized versions of themselves. Adding to that, none of them trust Sy and that adds to hilarity. There are more that I didn't include like Chris Penn who tries to avoid Sy. He makes comments about these this producer did. There's charm in the acting here that doesn't need it to be great, but it is still fun.
I'll then finish out with filmmaking. There is an intimate feel that you'd get with a documentary. It looks like it was filmed with more handheld cameras. I'd go as far to say that many of the shots probably weren't planned. It feels like someone just doing a home video at Cannes and this is what we got. For me, that adds realism and I could see the characters being who they are. Not one I can recommend to everyone, but if you like more behind the scenes ideas and how it seems deals like this get made, check this out.
My Rating: 7 out of 10.
The action takes place at Cannes, so there are stars and producers and directors aplenty around, and Sy is conning them all. The nice thing is that it is Cannes and there is plenty to see other than stars. There are legs all over the place.
The bet is over on the last day of Cannes, and Frank doesn't get it. He was just a pawn. he's a loser.
O, well, It is another movie on the way to seeing all of Johnny Deps, and there is a nice pair in the middle.
Did you know
- TriviaFinal film of Luana Anders.
- Quotes
[Sy Lerner interrupts Johnny Depp and Jim Jarmusch while they are meditating in order to pitch them a film]
Sy Lerner: This is a very spiritual film. This is a film written by a poet, whose father was a poet, one of the great American cowboy poets.
Sy Lerner: [to Jim Jarmusch] And in fact, this is the kind of film that you would be perfect to direct. Now I don't know if you could handle a budget that big, 25 million, 'cause you're not used to working with that...
Jim Jarmusch: Hey, I could handle any budget - 100 million - but I'm on a level above the earth right now. I'm interested in spiritual...
Johnny Depp: We're floating. Right now, we're floating. Jim and I are above you.
- ConnectionsReferences Cotton Club (1984)
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- Con Man
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