Still Crazy: De retour pour mettre le feu

This is perhaps the best rockumentary ever- a British, better This Is Spinal Tap. The characters are believable, the plot is great, and you can genuinely empathise with some of the events- such as Ray's problem with fitting in the band.

The soundtrack is excellent. Real period stuff, even if it is in the same key, you'll be humming some of the songs for days. What I liked was the nearly all-British cast, with some of the favourite household names. Ray's wife is priceless...

The film never drags, it just goes at the right pace, and has some genuinely funny sections in it. A generator of some really good catchphrases!

It's a hidden diamond.

Alright. The cast is superb. these guys are all probably real big in UK but to me they were total strangers that I fell in love with. the story is real and makes one realize what the life of a rock band really is like. the funny moments and drama are very effective and realistic. And the song of the film will bing tears to the eyes of those who watch it. I have this film ad have watched it many times with different friends. and everytime the ending kicks in we all sit back and smile and say AAAAAH how nice. PS: the soundtrack is fantastic, even though a song I heard called ROCK N ROLL PROPHECY by LINES OF D could have had the same effect in the end but for a more ROCKIN audience. The soundtrack is superb. One thing I kept asking people was whether or not STRANGE FRUIT were a real band cause they seemed so real.

Still Crazy was certainly influenced by This Is Spinal Tap, and elements from that classic can be found all over the place, but the two should not be compared. You won't find the sharp satire of Spinal Tap in this movie; nor will you find the scope and heart of Almost Famous. Still Crazy is a small, sweet comedy in the vein of Brassed Off, The Commitments and The Full Monty, and it's highly recommended for anybody who enjoyed those movies and has any fondness towards the grandiose stadium rock of the 70's. Still Crazy is funny, fast-paced and heartwarming, and backed with some of the finest actors the UK has to offer, it's a fantastic piece of entertainment and one that's fun returning to over and over again. It's a bit slow in its first half, but by the ending it's irresistibly fun, thanks to the wonderful characters (every member of the band was well-developed as a believable and likable character) and the contagious soundtrack. A great, light-weight movie for fans of true rock n' roll.

What happens to washed up rock-n-roll stars in the late 1990's? They launch a comeback / reunion tour. At least, that's what the members of Strange Fruit, a (fictional) 70's stadium rock group do.

Tony (Stephen Rea) has the concession on condom vending machines when he runs into the son of the promoter of a famous music festival. It was at that festival in the 70's that Strange Fruit broke up. The 70's are "retro" and the time is right to wide that wave. He sets off in search of the other members of the band.

Part of what broke up the band was the death and replacement of Keith, the lead singer and brilliant song writer. The band was known for its excessive lifestyle and now they are all back amongst the working class from which they came. Beano, the drummer, played by Timothy Spall (who was brilliant in Secrets and Lies) is a layabout, the bass player is a roofer, and their lead singer is still a rocker. While he owns a huge mansion he has been forced to sell it, as his fortune has not lasted. Brian, the lead guitarist, is dead, so a young guitarist is hired to replace him.

Somewhat reluctantly the band agree to give the reunion a try. Abandoning their day jobs, they begin to rehearse, and their manager approaches their label about reissuing their albums. But he wants them to start touring again first. And so they hit the club circuit around Europe. The club scene is not kind to these overweight, dated, old rockers.

It is on tour that the film really starts to develop. All of the old conflicts rearise, with the figures of Keith and Brian hovering throughout. They all hang together because they are all in search of a second chance for the greatness that eluded them earlier. And they rediscover some of the interpersonal chemistry that made playing together so enjoyable.

Still Crazy starts as Spinal Tap II but gradually becomes a more dramatically focused film, following the relationships of the band members. While it is still a very funny movie, it is the evolving characters, struggling to deal with the deaths of Brian and Keith and with their own personal demons, that make the film work.

I'm not sure why this film didn't get more of a release in the U.S. It's a lot easier to understand and faster paced than THE FULL MONTY and it's a lot more accessible than TRAINSPOTTING. In this era of sleeper hit indies from The United Kingdom, it certainly seems like there could have been room in the American cinematic marketplace for this charming film. The plot revolves around a 60's/70's band called "Strange Fruit" whose members decide to reunite in the late 90's. Their lives are in shambles and they all seem to miss rock stardom, so the reunion seems natural, but before they know it, they are reminded why the band broke up in the first place. The squabbling bandmates are played by a great group of actors. Their attempts to recapture their old magic are at first pathetic (and hilarious), but by the end of the second act, you'll be rooting for these guys. Billy Connolly plays the band's 'road dog' and he lights up the screen whenever he's on it. The direction (Brian Gibson directed WHAT'S LOVE GOT TO DO WITH IT and THE JOSEPHINE BAKER STORY) and script are first rate as well.