Lucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Luci... Read allLucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Lucita before the inquisitor condemns them all?Lucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Lucita before the inquisitor condemns them all?
Pier Giovanni Anchisi
- Isidro
- (as Piero Anchisi)
Aldina Martano
- Sister Rosario
- (as Alda Martano)
Teresa Rossi Passante
- Lucita's Mother
- (as Teresa Passante)
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Aaaah! The '70s - THE decade of the exploitation movie: Italian cannibal films, blaxploitation, Nazisploitation, and, of course, nunsploitation, of which The Sinful Nuns of Saint Valentine is a prime example. It's not the most explicit of naughty nun movies, but it does tick a lot of the expected boxes: hot nuns, sex, torture, a crazy abbess, lesbianism, and murder, making it a reasonably fun time for fans of the genre.
Clearly inspired by Romeo and Juliet, the plot sees lovers Lucita (Jenny Tamburi) and Esteban (Paolo Malco) unable to wed because of the long-running feud between their families. To make matters even worse, Lucita is sent to a covent by her father, while Esteban is accused of heresy and hunted by the Inquisition. Chased by three soldiers, Esteban is wounded, but still manages to kill his attackers and make his way to the convent where Lucita is living. Given sanctuary by the verger, Esteban is reunited with Lucita, but not for long... the poor woman is wrongly accused of the murder of her lesbian room-mate Josefa (Bruna Beani) and sentenced to be burned alive. Can Esteban prove her innocence before it is too late?
The naughtiness is limited to bare breasts and butts, and one rather tame sex scene - there's nothing quite on the level of dirty Joe D'amato or sleaze-master Jess Franco - but the women who shed their clothes are mostly attractive, with Tamburi as Lucita being especially sexy; it's no wonder Esteban is willing to risk his life for her. Likewise, the torture isn't too extreme - no nipple slicing or skin flaying on this occasion - but it suffices. Director Sergio Grieco keeps the pace lively throughout, leading to a tense race against time to rescue Lucita from a drooling horde of crazed topless nuns, with a happy ending for these particular star cross'd lovers.
Clearly inspired by Romeo and Juliet, the plot sees lovers Lucita (Jenny Tamburi) and Esteban (Paolo Malco) unable to wed because of the long-running feud between their families. To make matters even worse, Lucita is sent to a covent by her father, while Esteban is accused of heresy and hunted by the Inquisition. Chased by three soldiers, Esteban is wounded, but still manages to kill his attackers and make his way to the convent where Lucita is living. Given sanctuary by the verger, Esteban is reunited with Lucita, but not for long... the poor woman is wrongly accused of the murder of her lesbian room-mate Josefa (Bruna Beani) and sentenced to be burned alive. Can Esteban prove her innocence before it is too late?
The naughtiness is limited to bare breasts and butts, and one rather tame sex scene - there's nothing quite on the level of dirty Joe D'amato or sleaze-master Jess Franco - but the women who shed their clothes are mostly attractive, with Tamburi as Lucita being especially sexy; it's no wonder Esteban is willing to risk his life for her. Likewise, the torture isn't too extreme - no nipple slicing or skin flaying on this occasion - but it suffices. Director Sergio Grieco keeps the pace lively throughout, leading to a tense race against time to rescue Lucita from a drooling horde of crazed topless nuns, with a happy ending for these particular star cross'd lovers.
Until the annual Quentin Tarantino film fests began in Austin a couple of years back, I must admit to being naive with regards to the Italian Horror genre.
I enjoy, from time to time, a little mindless entertainment shall we say, and The Sinful Nuns of Saint Valentine could hardly be more mindless. Lots of naked nuns and plenty of the mentally disturbed highlight this 93 minute epic. Don't let me give away the big entombment finish.
Not for all tastes, but if you want to try one on (Italian Horror) this benign little foray is a good starting point. Take on Mario Bava at a later date.
I enjoy, from time to time, a little mindless entertainment shall we say, and The Sinful Nuns of Saint Valentine could hardly be more mindless. Lots of naked nuns and plenty of the mentally disturbed highlight this 93 minute epic. Don't let me give away the big entombment finish.
Not for all tastes, but if you want to try one on (Italian Horror) this benign little foray is a good starting point. Take on Mario Bava at a later date.
'The Sinful Nuns Of Saint Valentine' is a mildly entertaining slice of 70s European nunsploitation. While it never reaches the demented heights of my fave the sensational 'Killer Nun' ('Suor Omicidi'), it's not a bad way to spend 90 minutes.
What we have here is basically a cheap cash in on Ken Russell's superior 'The Devils'. The background is the Inquisition, and the basic plot concerns a pair of lovers from feuding families ala Romeo and Juliet. Esteban, accused of heresy and murder, seeks sanctuary after being wounded in the convent where his lover the beautiful Lucita is being held. Lucita's father has forbidden her to marry Esteban and has banished her to this kooky place ruled over by a wicked Abbess. Esteban must try and save Lucita from taking Orders and clear his own name before he is captured and executed. Events get even more complicated when Lucita is arrested for the murder of a fellow nun, and must face the evil Inquisitor.
Sadly there isn't half as much "sin" on screen as you would expect. A whipping, some lesbianism, a few topless shots, that's about it. The actress who plays Lucita (Jenny Tamburi?) is stunningly beautiful which makes this mediocre movie much easier to sit through, but you can't help but be disappointed with this fairly innocuous, and not all that exploitative exploitation movie. Things finally start to heat up with a mass semi-naked nun freak out in the last 15 minutes, but it's too little, too late. Jess Franco doesn't have much to worry about from Sergio Greco. Very average, but worth a look if you don't get your hopes up.
What we have here is basically a cheap cash in on Ken Russell's superior 'The Devils'. The background is the Inquisition, and the basic plot concerns a pair of lovers from feuding families ala Romeo and Juliet. Esteban, accused of heresy and murder, seeks sanctuary after being wounded in the convent where his lover the beautiful Lucita is being held. Lucita's father has forbidden her to marry Esteban and has banished her to this kooky place ruled over by a wicked Abbess. Esteban must try and save Lucita from taking Orders and clear his own name before he is captured and executed. Events get even more complicated when Lucita is arrested for the murder of a fellow nun, and must face the evil Inquisitor.
Sadly there isn't half as much "sin" on screen as you would expect. A whipping, some lesbianism, a few topless shots, that's about it. The actress who plays Lucita (Jenny Tamburi?) is stunningly beautiful which makes this mediocre movie much easier to sit through, but you can't help but be disappointed with this fairly innocuous, and not all that exploitative exploitation movie. Things finally start to heat up with a mass semi-naked nun freak out in the last 15 minutes, but it's too little, too late. Jess Franco doesn't have much to worry about from Sergio Greco. Very average, but worth a look if you don't get your hopes up.
3Ky-D
At risk of sounding sleazy, I do like 70/80's exploitation flicks. I just can't get enough of the weirdness that they offer.
Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.
During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.
Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.
It fails miserably at being a 'real' film and isn't all that good at being exploitation either.
3/10
Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.
During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.
Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.
It fails miserably at being a 'real' film and isn't all that good at being exploitation either.
3/10
I seem to be in the minority here. I actually enjoyed this film. Or maybe more accurately, I was pleasantly surprised. The reason I stand in the minority camp here clearly seems to be because I have very little knowledge of the genre known as nunsploitation. My lack of experience in this most specific of exploitation genres has perhaps saved me from disappointment. While seasoned fans of this type of flick bemoan the lack of full-on sleaze here, I truthfully never noticed and was instead pleased to see a film with good production values and a surprisingly coherent storyline. The only other title from this sub-genre that I can remember ever seeing was Ken Russell's delirious shock-fest The Devils. Although I haven't seen Russell's excellent film in at least a decade, I certainly remember it well enough. Who, in all honestly, could forget something like that? Now, while The Sinful Nuns of St. Valentine is nowhere near as good, it clearly derived inspiration from Ken's classic, sharing, as it does, the somewhat specific feature of a whole convent of nuns being declared servants of Satan by the religious establishment and then subsequently going temporarily deranged in a sex-crazed fashion.
Set in Spain during the Inquisition, the story is about the trials of a young couple who are in love. The girl's father disapproves of the relationship and sends his daughter to a convent, while denouncing her lover a heretic. After a series of unfortunate events, the Inquisition denounces the whole convent of nuns and seals them inside their monastery alive. This leads the girl's lover on a quest to save her.
The above synopsis is a really abridged account of what happens in this film. Although the story is quite expansive, it is, unusually for Italian cinema, a coherently told affair. Acting is of a good standard too with no one really letting the side down. The cinematography, soundtrack and period detail are all of a very good standard too. So really when you take all of the above into account The Sinful Nuns of St. Valentine is a pretty well put-together affair. I guess it all comes down to expectations; hardened fans (no pun intended) of this sub-genre want more sleaze basically. And although I am certainly not one to argue with that, I enjoyed this as a nicely put together exploitation movie.
Set in Spain during the Inquisition, the story is about the trials of a young couple who are in love. The girl's father disapproves of the relationship and sends his daughter to a convent, while denouncing her lover a heretic. After a series of unfortunate events, the Inquisition denounces the whole convent of nuns and seals them inside their monastery alive. This leads the girl's lover on a quest to save her.
The above synopsis is a really abridged account of what happens in this film. Although the story is quite expansive, it is, unusually for Italian cinema, a coherently told affair. Acting is of a good standard too with no one really letting the side down. The cinematography, soundtrack and period detail are all of a very good standard too. So really when you take all of the above into account The Sinful Nuns of St. Valentine is a pretty well put-together affair. I guess it all comes down to expectations; hardened fans (no pun intended) of this sub-genre want more sleaze basically. And although I am certainly not one to argue with that, I enjoyed this as a nicely put together exploitation movie.
Did you know
- TriviaItalian censorship visa # 64092 delivered on 7 March 1974.
- GoofsThe nuns' outfits have zippers up the back.
- ConnectionsFeatured in The Cinema Snob: The Sinful Nuns of Saint Valentine (2010)
- How long is The Sinful Nuns of Saint Valentine?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Sinful Nuns of Saint Valentine
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 33m(93 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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