La casa della paura

If you can make it through the slow first hour of Girl in Room 2A, you'll be rewarded with a somewhat insane final act that almost makes it worth the wait. It's still far off the mark in many ways and most of it feels really pedestrian and predictable.

Margaret Bradley (Daniela Giordano) is released from a two week stay in jail, moves into the titular apartment, and discovers a very disturbing stain on the carpet. She also experiences strange goings-on and nightmares about a group of cultists in red masks.

Margaret seeks help in getting out of her new apartment from her friend Alicia (Rosalba Neri), but winds up caught in a murder mystery with supernatural overtones.

THE GIRL IN ROOM 2A is a macabre occult thriller. The plot tends to meander in a disjointed way that somehow works. It's suspenseful, and the creepy characters and paranoiac atmosphere add a lot. Of course, the gratuitous nudity doesn't hurt.

For giallo fans looking for something different...

Girls who stay in room 2A at a mysterious boarding house are being abducted, tortured and killed by masked assailants. The latest female tenant and the brother of the last victim begin investigating the mystery.

Perhaps the most defining thing about this giallo is the fact that it was directed by an American. When I saw the name William Rose in the opening credits, I automatically assumed that this must be an Americanised Italian name for a director wishing to sell his product in the States. But no, it was in fact an American B-movie director working in Italy. I'm not sure if this has anything to do with the fact that The Girl in Room 2A is not exactly the most stylish giallo out there. Visually it is pretty pedestrian when set alongside other similar Italian productions, although, in fairness, this may be due to the quite limited settings. Quite a lot of the movie takes place within the confines of the boarding house and this may also account for the lack of good lighting. It's certainly a relatively restrained effort in terms of violence, except for the pre-credit sequence of course, which is very salacious. In fairness, the beginning promises more than the movie ultimately delivers. I wouldn't say it ever gets dull but it just doesn't necessarily live up to its potential.

There are a few strange details such as the mysterious villain who looks very similar to the Crimson Executioner from Bloody Pit of Horror (1965). This one doesn't possess the sheer delirium of that crazy film though, this one is much more down-beat, while still being far from realistic. The casting is notable for a couple of the actresses. The lead girl is Daniela Giordano who made a very memorable and sexy turn in Mario Bava's comedy Four Times That Night. She isn't quite as well utilised in this feature, as Bava's playful movie was better suited to her. The other actress of note is Rosalba Neri who starred in many Italian genre pictures in the 70's, such as the excellent Amuck! Sadly she is very under-utilised in this film which is somewhat careless of the film-makers.

This isn't a prime example of the genre. It isn't quite stylish enough, nor is the mystery interesting enough. Nevertheless, it does have enough strangeness to be worth a watch if you are a fan of Italian thrillers.

Daniela Giordano plays recently released jailbird Margaret Bradley, whose parole officer Alicia (Rosalba Neri) sends her to the house of Mrs. Grant (Giovanna Galletti). Soon after moving in, Margaret becomes convinced that something strange is afoot, and her suspicions are compounded when she is approached by Jack Whitman (John Scanlon), who is investigating the disappearance of his sister, a previous guest at the house.

The Girl in Room 2A kicks off in fine giallo style, with the bloody murder of a topless woman during the opening credits, the victim impaled, her body thrown over the edge of a cliff; however, giallo fans are bound to be disappointed by director William Rose's lack of style (all of his previous films were pure sexploitation; I'm thinking he should have stuck with what he knew best), the low body count and a plot that strays a long way from the conventions of the genre.

Regular bouts of female nudity and some gratuitous sleaze (girls are tied up and flogged by a maniac in a red hood and cape) help prevent the viewer from dozing off, but remaining invested in the film is a struggle, the pedestrian direction, lack of gore, and dreary pace all taking their toll. The film ends with the revelation that the women are being killed by a sect who seek to 'cleanse' the wicked, and shows the masked killer to be none other than... well, that would be telling, but suffice to say it's suitably silly.

5 out of 10, minus one point for the inexplicable scene that shows a machine pumping blood through the floorboards of Margaret's room - what the hell was that all about?

A young girl named Edie is mysteriously kidnapped and taken to a country house where she is tied up,stripped and hung from the ceiling by her wrists.She is then tortured and finally killed by a long spear that penetrates her soft flesh Meanwhile the beautiful Margaret just released from a women's prison takes a room at Mrs. Grant's remote country mansion.Soon the strange things begin to happen...This sleazy and rather perverse giallo from Ramiro Oliveros is quite similar to Massimo Pupillo's "The Bloody Pit of Horror".The action is slow and the mystery elements aren't well-handled,but there is enough nudity and misogynistic violence to keep fans of Euroexploitation happy.Give this one a chance.7 out of 10.