Lucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Luci... Read allLucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Lucita before the inquisitor condemns them all?Lucita's family forces her into a convent to separate her from Esteban. As they plan to elope, he faces heresy charges and hides there, uncovering the abbess's evil secrets. Can he save Lucita before the inquisitor condemns them all?
Pier Giovanni Anchisi
- Isidro
- (as Piero Anchisi)
Aldina Martano
- Sister Rosario
- (as Alda Martano)
Teresa Rossi Passante
- Lucita's Mother
- (as Teresa Passante)
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Writer/Director Sergio Grieco is better known for the last film he directed, Mad Dog Killer, a fave of Quentin Tarantino. This entry into the nunsploitation genre is pretty tame by the standards set by such films as Cloistered Nun: Runa's Confession and Sacred Flesh.
It is basically a Romeo and Juliet story in Spain with the Inquisition used to separate two lovers. The film spends the bulk of it's time focusing on the abuses of the Catholic Church in that regard, where anonymous lies were used to condemn and murder in the name of god.
The actual nunsploitation aspects are confined to exposed breasts. All of the action takes place under sheets or off camera. Those looking for titillation will not find it in this film. It contains only extremely obese clerics and their obsession with power. Look elsewhere for your fun.
It is basically a Romeo and Juliet story in Spain with the Inquisition used to separate two lovers. The film spends the bulk of it's time focusing on the abuses of the Catholic Church in that regard, where anonymous lies were used to condemn and murder in the name of god.
The actual nunsploitation aspects are confined to exposed breasts. All of the action takes place under sheets or off camera. Those looking for titillation will not find it in this film. It contains only extremely obese clerics and their obsession with power. Look elsewhere for your fun.
Lucita is a young girl who's banished to a convent by her over-protecting father, so to stop her from marrying her flame, Esteban. Accused of murder, Esteban is set upon by some soldiers of the Inquisition, but he escapes with some injuries and seeks refuge at the convent where Lucita happens to be. While, wanting to clear his name of this foul play. His lover is mistaken for the killing one of the nuns, but she admits to the murder, where she is to be executed. Although, Esteban finds out that the convent's Abbess has more to do with Lucita's misfortune.
An often-told tale (known as Romero and Juliet of course) features very prominently in this watered down Italian nunsploitation flick. While even though there is constant nudity (mainly topless) and some lesbian scenes amongst the field. The factor is, that it doesn't explore the exploitive angle of its material with any vigour and prowess. It starts off decent enough, but hit's a flat spot midway through before reaching its somewhat flipped-out final instalment involving nuns' slowly losing their marbles. The plain and one-note story was very dreary and at times quite automatic, but it managed to scrummage up some surprising developments to cover up its shortcomings and lack of punishing action. Sergio Grieco's direction is pretty conventional and lacks real style, but he captures the detail of the period perfectly and does his job adequately in keeping this a curious piece. The film did have an intrusive look to it because of the camera-work that gets up and close to the act. Now what caught my ear was the seductively faint music score that whispers along rather beautifully and is one of the film's strong points. Acting by the cast is particularly sound, even if there are one or two stilted performances. Jenny Tamburi is very glowing and quite strong as Lucita and Paolo Malco brings a determinedly, courageous edge to Esteban. Also Françoise Prévost is excellent as the sternly, tainted Abbess.
"The Sinful Nuns of Saint Valentine" is a modest effort that's not terribly satisfying, but still I found it to be persistently watchable despite being considerably subdued.
An often-told tale (known as Romero and Juliet of course) features very prominently in this watered down Italian nunsploitation flick. While even though there is constant nudity (mainly topless) and some lesbian scenes amongst the field. The factor is, that it doesn't explore the exploitive angle of its material with any vigour and prowess. It starts off decent enough, but hit's a flat spot midway through before reaching its somewhat flipped-out final instalment involving nuns' slowly losing their marbles. The plain and one-note story was very dreary and at times quite automatic, but it managed to scrummage up some surprising developments to cover up its shortcomings and lack of punishing action. Sergio Grieco's direction is pretty conventional and lacks real style, but he captures the detail of the period perfectly and does his job adequately in keeping this a curious piece. The film did have an intrusive look to it because of the camera-work that gets up and close to the act. Now what caught my ear was the seductively faint music score that whispers along rather beautifully and is one of the film's strong points. Acting by the cast is particularly sound, even if there are one or two stilted performances. Jenny Tamburi is very glowing and quite strong as Lucita and Paolo Malco brings a determinedly, courageous edge to Esteban. Also Françoise Prévost is excellent as the sternly, tainted Abbess.
"The Sinful Nuns of Saint Valentine" is a modest effort that's not terribly satisfying, but still I found it to be persistently watchable despite being considerably subdued.
Recently a Belgian/Dutch distributor to whom I'm very grateful released a series of sleazy Euro-exploitation movies of the early 70's on DVD under the title "So Demented Cinema". Practically all of the films live up to this title, like "Nude for Satan", "The Reincarnation of Isabel" and "The Devil's Nightmare", but Sergio Grieco's "The Sinful Nuns of Saint Valentine" is actually a bit of an outcast in the series. Because of its classification under the trashy & typically 70's "Nunsploitation" sub genre (and admittedly because of its lurid yet misleading title) it superficially LOOKS like a demented gem, but in reality it's a surprisingly smut-free and primarily story-driven drama with just a handful of nunsploitation trademarks thrown in for good measure. Speaking in terms of filming style and atmosphere "The Sinful Nuns
" is much more reminiscent to Ken Russell's "The Devils" (I believe both films are even loosely inspired by the same novel) and "Flavia, The Heretic", though it's nearly not as great as these two classics. Fellow reviewers appropriately described the plot as a variation on the Romeo & Juliet theme, only set during the Spanish Inquisition and with nuns instead of battling families. In order to prevent her from marrying Esteban, a hateful nobleman subjects his lovely daughter Lucita to a strict life in the convent whilst he simultaneously reports Esteban as a betrayer of Spain. Soldiers of the Inquisition nearly kill Estaban, but that doesn't stop him from infiltrating the convent (with a little help from the understanding caretaker) and contacting his girl. The deceptive Abbess discovers this and develops a fiendish plan to have them both killed in the name of Catholicism and patriotism. The script is far more compelling and involving than your average movie about lesbian nuns worshiping the devil for no reason, but it also has to be said that "The Sinful Nuns
" is rather tame, boring and not at all sinful. Apart from a handful of scenes depicting the physical torture and humiliation of the young heroine, there's very little to see here. The 'immured nuns' finale is somewhat original, but it appears to go on forever and it rapidly becomes (unintentionally) funny. All in all, there are far better Euro-exploitation treasures begging for rediscovery, so don't waste too much time searching for this one.
3Ky-D
At risk of sounding sleazy, I do like 70/80's exploitation flicks. I just can't get enough of the weirdness that they offer.
Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.
During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.
Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.
It fails miserably at being a 'real' film and isn't all that good at being exploitation either.
3/10
Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.
During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.
Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.
It fails miserably at being a 'real' film and isn't all that good at being exploitation either.
3/10
Until the annual Quentin Tarantino film fests began in Austin a couple of years back, I must admit to being naive with regards to the Italian Horror genre.
I enjoy, from time to time, a little mindless entertainment shall we say, and The Sinful Nuns of Saint Valentine could hardly be more mindless. Lots of naked nuns and plenty of the mentally disturbed highlight this 93 minute epic. Don't let me give away the big entombment finish.
Not for all tastes, but if you want to try one on (Italian Horror) this benign little foray is a good starting point. Take on Mario Bava at a later date.
I enjoy, from time to time, a little mindless entertainment shall we say, and The Sinful Nuns of Saint Valentine could hardly be more mindless. Lots of naked nuns and plenty of the mentally disturbed highlight this 93 minute epic. Don't let me give away the big entombment finish.
Not for all tastes, but if you want to try one on (Italian Horror) this benign little foray is a good starting point. Take on Mario Bava at a later date.
Did you know
- TriviaItalian censorship visa # 64092 delivered on 7 March 1974.
- GoofsThe nuns' outfits have zippers up the back.
- ConnectionsFeatured in The Cinema Snob: The Sinful Nuns of Saint Valentine (2010)
- How long is The Sinful Nuns of Saint Valentine?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Sinful Nuns of Saint Valentine
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 33m(93 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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