After her mother's death, a young girl is separated from her abusive father and is sent between her various friends and relatives, always longing to find a place to call home.After her mother's death, a young girl is separated from her abusive father and is sent between her various friends and relatives, always longing to find a place to call home.After her mother's death, a young girl is separated from her abusive father and is sent between her various friends and relatives, always longing to find a place to call home.
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- Nominated for 1 Primetime Emmy
- 1 win & 5 nominations total
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Like many Hall of Fame movies, this is not a romance. There isn't even a romance side story. This movie has a depressing tone through all most all of it. There are some funny moments sprinkled in but they are overwhelmed by the darkness. Basically this is a story of a child who is abused. Most of the abuse is emotional and it is severe. She gets hit at least once. Her sick mother dies in her arms and after that she gets shuffled into mostly bad situations. The worst part for Ellen is that almost everyone, with two exceptions, not only doesn't want her but takes joy in making her suffer. The theme of being wanted is the heart of the story.
This movie is set in the South where "white trash" is a thing. Many of the characters in the movie, especially Ellen's relatives, consider her father to be white trash and that extends to Ellen by relation.
This movie examines the irony that when it comes to social services, family is worse than the system. In the first court case, the judge is adamant that family is supreme and that Ellen belongs with members of her family. (Was there no report by a social worker in this case? Hmm.) This despite a speech by Ellen criticizing her family members and expressing the desire to remain with an unrelated couple who loves her. Actually, in this regard, the system is pretty bad, meaning the court, but foster families are viewed as wonderful by comparison to relatives.
Jena Malone dominates the movie as what I think is a ten year old girl. Ellen's courage and perseverance are amazing. I find it hard to believe that such a person could exist given what happens to her.
As I said, the tone of the movie is mostly depressing. Despite that, the story held my interest. The pace was good. The character Ellen draws in the viewer.
This movie is set in the South where "white trash" is a thing. Many of the characters in the movie, especially Ellen's relatives, consider her father to be white trash and that extends to Ellen by relation.
This movie examines the irony that when it comes to social services, family is worse than the system. In the first court case, the judge is adamant that family is supreme and that Ellen belongs with members of her family. (Was there no report by a social worker in this case? Hmm.) This despite a speech by Ellen criticizing her family members and expressing the desire to remain with an unrelated couple who loves her. Actually, in this regard, the system is pretty bad, meaning the court, but foster families are viewed as wonderful by comparison to relatives.
Jena Malone dominates the movie as what I think is a ten year old girl. Ellen's courage and perseverance are amazing. I find it hard to believe that such a person could exist given what happens to her.
As I said, the tone of the movie is mostly depressing. Despite that, the story held my interest. The pace was good. The character Ellen draws in the viewer.
Anyone with a heart could not help but like this movie. There was not a dry eye in the room, as we watched the movie. Ellen Foster shines, whether she is smiling or crying in the movie. The emotion she is feeling is expressed without words. She is a bright and intelligent little girl, mature beyond her years because of her circumstances. Abused by her father and abandoned by her relatives, she overcomes the trials life hands her and finds a place to belong. Isn't that what all people strive for in the end?
I give this movie a ten out of ten. I would recommend that people view it with an open mind.
Jena Malone is an actress to look out for, she is very talented. No wonder she played a young Ellie in the Jodie Foster movie Contact. Her quality reminds me of Jodie Foster.
I give this movie a ten out of ten. I would recommend that people view it with an open mind.
Jena Malone is an actress to look out for, she is very talented. No wonder she played a young Ellie in the Jodie Foster movie Contact. Her quality reminds me of Jodie Foster.
10gkearns
Because the passage of years has a way of fogging most adults' memories of their own "childhoods" - especially in the intangible areas of feelings, hopes, hurts, decisions, goals, strategies, etc., they will often conclude that "children" are sort of non-sentient, non-human beings - blank pages in-putting a stream of data for use in their later, more important after metamorphosis existence. I read a review once of "The Cure", a movie starring young actors Joseph Mazzello and Brad Renfro, where a critic in a backhanded compliment called them "two of the best pre-actors around." I suppose that was because, being under twenty-one, they must be "pre-people." Judging by a few of Jena Malone's recent public remarks, not to mention her own real-life experiences, I'm sure she would object to such an attitude. Certainly, her film career belies that attitude. The movie "Ellen Foster" is a good case in point. In it she portrays an eleven year-old girl who, when buffeted by the cruelty and insensitivity of the supposed wise adult world responsible for her care, sets out determinedly to shape a world for herself that does make sense. Ellen belongs to no one but her own unique really human self.
However, it isn't just the character who achieves the point. More important, by her powerful performance, Miss Malone certainly proves she is an actor - and person - of substance. Her ability to read and interpret with such perception and sensitivity the inner being of Ellen as she goes through her trials and sets out on her steadfast quest is precisely on point. This movie is a tour de force for Jena Malone. In the field of acting, she takes a back seat to no one ... of any age.
However, it isn't just the character who achieves the point. More important, by her powerful performance, Miss Malone certainly proves she is an actor - and person - of substance. Her ability to read and interpret with such perception and sensitivity the inner being of Ellen as she goes through her trials and sets out on her steadfast quest is precisely on point. This movie is a tour de force for Jena Malone. In the field of acting, she takes a back seat to no one ... of any age.
i've read positive reviews of this program and only signed on here to counterpoint the first writer. EF is a brilliant little book and the title character is so far from being a brat that the first reviewer here sounds like one of ellen's relatives. i don't know how successful the film is in conveying the powerful combination of poverty and abuse that EF overcomes on her own, but the book is a dry-eyed treasure, just like its heroine.
I am usually a fan of Hallmark Hall of Fame TV movies, but this one failed to win my heart. At best, it was a SEMI- entertaining flick with Jena Malone playing a "troubled" girl (now is that creative or what?)who fails to get along with completely anybody. In other words, she's a complete little brat. If I want to see a movie about a troubled child, I will watch the first half of Jane Eyre. At least that one is entertaining and shows a vague human side behind all of Jane's "fiestiness." I failed to make the same connection with Ellen and that makes for a rather unlikeable little character and a none too likeable film. I'd give it a five out of ten at MOST.
Did you know
- TriviaOne of the earliest roles for Timothy Olyphant (Roy Hobbs), husband of Amanda Peet (Julie Hobbs). He and Peet would costar later in 1999 (1997).
- ConnectionsEdited into Hallmark Hall of Fame (1951)
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