Astérix & Obélix contre César
- 1999
- Tous publics
- 1h 49m
IMDb RATING
6.0/10
47K
YOUR RATING
In all of Roman territory, the village where Asterix and Obelix live is the only enclave that has not yet been dominated by the empire, thanks to the magic potion of the druid Panoramix. But... Read allIn all of Roman territory, the village where Asterix and Obelix live is the only enclave that has not yet been dominated by the empire, thanks to the magic potion of the druid Panoramix. But Commander Detritus has a plan to change that.In all of Roman territory, the village where Asterix and Obelix live is the only enclave that has not yet been dominated by the empire, thanks to the magic potion of the druid Panoramix. But Commander Detritus has a plan to change that.
- Awards
- 4 wins & 1 nomination total
Featured reviews
This was a film I was curious about. My childhood has fond memories of the adventures of the brave little Gaul and his pals. This film was perfect in capturing those memories.
The essence of the film seems to be fun. In fact this one of a few films I would dubb a family movie. All ages can view this and come away with something. Personally the slapstick humour I enjoyed. Also the dub for English translation was excellent, hats off to Mr Jones.
The one bad point, and this is a minor point, is that the film is actually four books mixed together. If you know the books you can have a good idea about whats coming up, which is a bit unfortionate. An original script may have served the film better.
However overall it proved to be entertaining. May that little village in Gaul always remain free.
The essence of the film seems to be fun. In fact this one of a few films I would dubb a family movie. All ages can view this and come away with something. Personally the slapstick humour I enjoyed. Also the dub for English translation was excellent, hats off to Mr Jones.
The one bad point, and this is a minor point, is that the film is actually four books mixed together. If you know the books you can have a good idea about whats coming up, which is a bit unfortionate. An original script may have served the film better.
However overall it proved to be entertaining. May that little village in Gaul always remain free.
Critics, in France and Quebec, have been very hard on this movie. They all compare the film to the excellent comic books of the adventures of Astérix and Obélix. It's the same old story for any movie adapted from a book : the book will always be better! That's right: Astérix is not as charming as in the books, and some characters (Falbala) are there for... well... what for? Some of the characters of the books are missing in the movie: Cétautaumatix and Ordralfabetix. But for just good entertainment, this is a good movie! It reminds me a little bit of the Flinstone movie : better in cartoons (or comic strips) but not so bad at all. When I saw the movie, I noticed that people really loved Roberto Benigni, because of his succes in the Life is wonderful movie. Children of the audience love the movie, I have lots of fun, so, what's really wrong?
Depardieu is very hilarious in the role of Obelix while Clavier as Asterix is perfect in bringing laughter and joy.Detritus played by Begnini is depictive of the Roman marshall in an environment of Roman expansion.Brilliant comedy based on visual effects.Transformation of the cartoon series that will work well in bringing the spirit of the Roman era with the naivety of the Galatian people and their resistance against the external menace.If you read the cartoons,you will love this too.
At the end of the day it's not a film for introducing one's kids to Astérix - buy the comic books for that. It's more a capture of the flavour of the Astérix books for those of us adults who remember them with affection, and who consequently aren't concerned overly with details of plot or characterisation. In fact Astérix and Obélix are woefully under-characterised from the start of the film. If you don't know that Obélix's trade is in quarrying menhirs, then the joke about the heart-shaped menhir for Panacea (Laetitia Casta) is likely to fall flat. But those of us who know and love the characters already are going to enjoy it.
One reason for not showing it to your kids would be that there is the occasional crudity in the language - in my view utterly unnecessary, and against the practice of the comic books - at least the English translations of same.
One of the joys of the English translations of the books was the pains taken by the translators to include jokes specifically for the English, particularly in character's names, eg the chief is called VitalStatistix, the druid is called GetAFix, Caius Bonus becomes Crismus Bonus, etc. Terry Jones has happily continued this tradition, although it's a shame that he didn't do more, as it seems to me that movie script rather emphasised silly japes and slapstick over the wonderful wit of the comic books.
Dèpardieu is an absolute revelation as Obélix (and in the English version, splendidly dubbed by Terry Jones himself).
One reason for not showing it to your kids would be that there is the occasional crudity in the language - in my view utterly unnecessary, and against the practice of the comic books - at least the English translations of same.
One of the joys of the English translations of the books was the pains taken by the translators to include jokes specifically for the English, particularly in character's names, eg the chief is called VitalStatistix, the druid is called GetAFix, Caius Bonus becomes Crismus Bonus, etc. Terry Jones has happily continued this tradition, although it's a shame that he didn't do more, as it seems to me that movie script rather emphasised silly japes and slapstick over the wonderful wit of the comic books.
Dèpardieu is an absolute revelation as Obélix (and in the English version, splendidly dubbed by Terry Jones himself).
When I was a little kid, my Dad picked up a copy of The Twelve Tasks of Asterix at the local video store. Oh, happy day! I've been completely enamored with Asterix and his adventures ever since.
The wily little Gaul first appeared in 1959, in a French children's magazine, and gradually his creators Rene Goscinny and Albert Uderzo built him up into a national phenomenon. Asterix has his own cartoons, his own theme park, and now his own big-budget movies (a pair of the most expensive French films ever made, in fact). Wildly popular throughout Europe and even parts of Asia, Asterix remains obscure in the United States, which is why this film has seen no official distribution here. Thankfully, Miramax recently purchased the rights to both this movie and its sequel, Asterix: Mission Cleopatra, so they should both be seen in the U.S. eventually.
The concept behind the character is simple. Asterix is a small, cunning warrior who, in conjunction with his strong, dumb friend Obelix, travels the Roman Empire thwarting the plans of Caesar and his imperialist minions. Aiding Asterix in his quest is the druid Getafix, who brews a magical potion that endows its drinker with super-strength.
After seeing disastrous big-screen revivals of Godzilla, The Avengers, and Star Wars, I was reluctant to see this poorly-reviewed film. Sure, it did great box office, earning more than double its $45 million price tag, but so what? Popularity isn't always an indicator of quality.
But hey, I liked it!
The film's design is just gorgeous, with the outrageous settings and costumes from the comic strips recreated in loving detail. The soundtrack is lovely, creating a real "period" feel. The opening segments are a big slow the fish fight and the boulder-dropping sequence are pretty silly. But soon after that, the story takes off like a bullet.
The film has an episodic structure, with multiple subplots running at once. This has opened the film up to criticism, but I rather liked seeing a "greatest hits of Asterix" movie. It's all here giant battles in the arena, Obelix falling in love with Panacea, Asterix clashing with a charlatan soothsayer, Getafix winning the golden sickle at the annual druid's conference. It's a cut-and-paste combination of several Asterix comics, but it works.
Much of the film's success is owed to the cast. Depardieu was born to play Obelix, and he dives into the role without pretense, playing the oaf with comic flair. Clavier's Asterix has been panned by some but I thought he was witty, and he bears an almost eerie resemblance to the comic book character in some shots. Benigni is the ideal Asterix villain, hamming it up like a lunatic, and Laetitia Casta makes a gorgeous Panacea.
The special effects are delightful. Romans get punched over hill and dale, Asterix pulls hilarious faces when he drinks his potion, and clever visual trickery makes dozens of Roman extras look like hundreds. The sets are spacious and impressive, and the film has wonderfully rich colors (particularly reds, which appear everywhere Asterix's pants, the Roman uniforms and tents, the banners in the arena )
Of course it's just silly rubbish, but it's perfect entertainment for kids and kids-at-heart. No one is killed and there's nothing mean-spirited about it. Big-budget though it is, the film has a European wit and silliness that is lacking in American action films. French critics were afraid that the film would be imitation Hollywood rubbish, infesting the otherwise "pure" French cinema, but I think those fears are unfounded. There's nothing commercial about Asterix, thank goodness.
Citizen Kane it ain't, but I was thoroughly entertained. Ignore the film's mostly bad reviews and give it a try (if you can get a copy, that is!). I think you'll be pleasantly surprised.
The wily little Gaul first appeared in 1959, in a French children's magazine, and gradually his creators Rene Goscinny and Albert Uderzo built him up into a national phenomenon. Asterix has his own cartoons, his own theme park, and now his own big-budget movies (a pair of the most expensive French films ever made, in fact). Wildly popular throughout Europe and even parts of Asia, Asterix remains obscure in the United States, which is why this film has seen no official distribution here. Thankfully, Miramax recently purchased the rights to both this movie and its sequel, Asterix: Mission Cleopatra, so they should both be seen in the U.S. eventually.
The concept behind the character is simple. Asterix is a small, cunning warrior who, in conjunction with his strong, dumb friend Obelix, travels the Roman Empire thwarting the plans of Caesar and his imperialist minions. Aiding Asterix in his quest is the druid Getafix, who brews a magical potion that endows its drinker with super-strength.
After seeing disastrous big-screen revivals of Godzilla, The Avengers, and Star Wars, I was reluctant to see this poorly-reviewed film. Sure, it did great box office, earning more than double its $45 million price tag, but so what? Popularity isn't always an indicator of quality.
But hey, I liked it!
The film's design is just gorgeous, with the outrageous settings and costumes from the comic strips recreated in loving detail. The soundtrack is lovely, creating a real "period" feel. The opening segments are a big slow the fish fight and the boulder-dropping sequence are pretty silly. But soon after that, the story takes off like a bullet.
The film has an episodic structure, with multiple subplots running at once. This has opened the film up to criticism, but I rather liked seeing a "greatest hits of Asterix" movie. It's all here giant battles in the arena, Obelix falling in love with Panacea, Asterix clashing with a charlatan soothsayer, Getafix winning the golden sickle at the annual druid's conference. It's a cut-and-paste combination of several Asterix comics, but it works.
Much of the film's success is owed to the cast. Depardieu was born to play Obelix, and he dives into the role without pretense, playing the oaf with comic flair. Clavier's Asterix has been panned by some but I thought he was witty, and he bears an almost eerie resemblance to the comic book character in some shots. Benigni is the ideal Asterix villain, hamming it up like a lunatic, and Laetitia Casta makes a gorgeous Panacea.
The special effects are delightful. Romans get punched over hill and dale, Asterix pulls hilarious faces when he drinks his potion, and clever visual trickery makes dozens of Roman extras look like hundreds. The sets are spacious and impressive, and the film has wonderfully rich colors (particularly reds, which appear everywhere Asterix's pants, the Roman uniforms and tents, the banners in the arena )
Of course it's just silly rubbish, but it's perfect entertainment for kids and kids-at-heart. No one is killed and there's nothing mean-spirited about it. Big-budget though it is, the film has a European wit and silliness that is lacking in American action films. French critics were afraid that the film would be imitation Hollywood rubbish, infesting the otherwise "pure" French cinema, but I think those fears are unfounded. There's nothing commercial about Asterix, thank goodness.
Citizen Kane it ain't, but I was thoroughly entertained. Ignore the film's mostly bad reviews and give it a try (if you can get a copy, that is!). I think you'll be pleasantly surprised.
Did you know
- TriviaIn the pit-scene the extras had to scream and cheer like crazy. At first the crew couldn't get the people to be loud and wild enough. Then the director decided to split them up in two groups. Fans of adverse German soccer teams were put up against each other. It worked. The extras went berserk from then on.
- GoofsMost Roman legionaries are wearing iron helmets and plate armor (lorica segmentata or lorica laminata), which in the time of Julius Caesar were not used by the Roman army yet. Roman soldiers in the Gallic War mainly wore simple bronze helmets and chain-mail armor.
- Crazy creditsThis movie is dedicated to René Goscinny
- ConnectionsFeatured in Troldspejlet: Episode #21.6 (1999)
- SoundtracksShe Didn't See Me
Performed by A1
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Astérix et Obélix
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- FRF 274,620,000 (estimated)
- Gross US & Canada
- $1,541,261
- Opening weekend US & Canada
- $304,245
- Jun 6, 1999
- Gross worldwide
- $1,632,567
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was Astérix & Obélix contre César (1999) officially released in India in English?
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