George and Mildred

As with a lot of TV-to-film sitcoms, this failed miserably to transfer to the big screen. The mainly studio settings of the TV version forced some sort of discipline which is sadly lacking here. Seems quite appropriate that this was made by Hammer Films. A classic of the horror genre!

By 1980 the British cinematic trend of converting filmic spin-offs from situation comedies had already run out of steam. Margaret Thatcher had entered Downing Street as PM and the British climate changed considerably. British comedy in the coming decade would see alternative comedy blast through the walls to make a mark, whilst situation comedy shows moved to a different plane to that of their heavily sexed 70s brethren.

George & Mildred was a wonderful show, itself a spin-off from the equally adorable Man About the House, the film suffers, not just as the death knell of a once proud British tradition, but also as a victim of climate change. That it bares little resemblance to what made the show popular in the first place is something used to pound down on the film with, but the production team were trying to keep up, sensing the wind of change they took two much loved characters out of the comfort zone and attempted to keep them viable. Oh it didn't work, not at all, but the will is still admirable.

It's not a great film, it's passable at best because fans of Yootha Joyce and Brian Murphy can at least enjoy their stoic performances. While there are some very good gags in the script. But ultimately it's a tired picture, the set-pieces lack zip, the plot ill advised and underwriting the Roper neighbours, the Fourmiles, is a big mistake. Joyce would die soon after the film's release, a victim to alcoholism aged 53. Sadly this film is no way to remember her, anyone interested in her work are advised to see her 1970s TV output to view a wonderful actress at work. 5/10

George and Mildred is one of the greatest sitcoms to come from the "70's" decade.Like Bless this house,this sitcom is a Domestic one.This feature length movie though decides to take a trip down memory lane for the couple.

Mildred decides that she and george will celebrate their anniversary of their wedding in a posh hotel.The catch is George gets himself into trouble and hilaritys pursue.

It is not up to the standards of its small screen counter-part but is still a funny and good film.

George is his usual self in this film and provides some great laughs especially with his screen time at the start and end with the fourmiles.

The original cast are still present,which is a good sound start,and some well known comic actors also are present,for example "Carry On Matron" star Kenneth Cope as the bumbling hit man.

The film though is relived on DVD, with oddly a 15 certificate (why???) and i would say is harmless family fun just like its small screen counter-part.

Its drawbacks though is that it ends pretty sharply, and i do wish the fourmiles featured a bit more.

I think if the film took a different angle such as "A holiday with the Fourmiles and George's friend in pursuit" might have fetched a better plot,but all the same it was a fair BIG screen match. (8.4/10)

This, the last and probably least, of all big screen versions of situation comedies is made even more unfortunate by being released after the untimely death of Youtha Joyce. It is surely not a way she would have wanted to have been remembered. This follows all the established clichés of other sitcom adaptations: going on holiday, mistaken identity, and the involvement of incompetent organised crime (the main villain is occasionally seen bald and sometimes bewigged, no doubt a homage to Lex Luthor in the contemporaneous Superman film). A whole plethora of bit-part British actors of the period gives a slight pleasure since the viewers can entertain themselves with the "What's his name? I recognise the face. Wasn't he in-?" game. Otherwise this is a painful experience. The script is dreadful even by spin off standards. Everything here is lazy and more importantly, unfunny. Typical scene: A hit-man runs up a flight of stairs to kill George and out of breath, he talks to Mildred about his children, then takes the lift down only to run up again, spots George (by chance) but then not kill him. Its a drawn out and embarrassingly bad sequence and not remotely amusing. In the end, the villains chase George and Mildred in their car. We are told repeatedly they are going down a dead end. However the road (unlike the script) is not a dead end. After the villains have a cheaply shot and unfunny crash, the Ropers end up on an airfield which seems to be created merely so George can elicit the hilarious line "He's flying a bit low."

I've always found this film odd to watch as Yootha Joyce passed on before it's release and her last on screen moment being a wink to the camera before switching off the light heading upstairs (another series on TV was planned before her untimely death).

Sadly the plot leaves the usual TV storylines (and for the most part excludes their neighbours the Fourmiles) for a mistaken identity plot (where George is mistaken for a hitman!).

The guest cast can't help the film from being on of the worst sit-com spin-off films as well as being one of the final (with Rising Damp) damp squibs of the genre (Future feature length adaptations such as Last Of The Summer Wine and Only Fools and Horses would be TV specials).

Sadly the end of an era in so many ways.