Marrakech express

It's 1972 Marrakesh. Julia (Kate Winslet) moves from London to Morocco with his young daughters Bea and Lucy. The girls' father has another woman in London. They struggle waiting for the father's check to come in. Julia falls for acrobat street performer Bilal (Saïd Taghmaoui). She goes to study in Algiers with Sufi mystic Ben Said.

There is a meandering pointlessness about this movie. It doesn't have enough exotic style. The movie doesn't tap into a child's wonder. It doesn't have tension of surviving in a foreign land. Kate Winslet looks downbeat which somewhat fits her character. She may want to be someone looking for spirituality but she strikes as someone self-obsessed running away from her troubled home. She's more about her love life than taking care of her children.

"Hideous Kinky" is not a plot-driven movie but more of a meditation on time and place. And I can live with that. The photography is so rich with colors and beautiful locales, I want to visit Morrocco. The acting in splendid across the board with particular note to the two young girls who were handed quite a bit of duty with the roles. Where this movie failed me is in the character played by Kate Winslet. She behaves with such selfishness and stupidity--not once--but over and over again, that I really grew to dislike her. Sure...she may be a young, naive, adventurous, hippie in the early '70's, but a I refuse to believe she didn't realize what kind of danger she was putting her children in. "Hideous Kinky" is a good movie--not great. And it's good for one viewing, maybe two for the cinematography.

I had missed this movie when it came out over 20 years ago but now was able to watch it on the Kanopy streaming site via my public library's subscription. The title might be misleading, it derives from a short exchange between the two young daughters as they lay in bed, one says "hideous" and the other responds "kinky", it is not clear that they actually know what the meanings are.

The movie is filmed entirely in Morocco. Kate Winslet, only 22 during filming, seems to be playing an almost 30 woman with two young daughters. She is Julia, they leave their London home and her poet husband to find out what a different life is like. Her husband is supposed to send money to them periodically but that becomes unreliable and they have to devise ways to try to make ends meet.

The result is a series of adventures and misadventures before they finally board a train in the start of a journey back to England. It is a well made movie with many interesting elements, but when it is over there isn't much residual impact. Most interesting to me was to see a sort of travelogue of Morocco, a place I've never been.

It has been quite a while since I saw this film (I viewed it in the theatres when it opened), but I read some of the negative user comments and decided to throw in my 2 cents.

I remember not having a clue what to expect as I walked into the theatre as I had heard nothing of the film and was accompanying a friend who wanted to see it.

I also remember being touched by the performances of all involved, especially Ms. Winslet and her lovely on-screen children. The scenery was beautiful and the story was a poignant journey into the life of a young family uprooted from their London home to travel to the Moroccan countryside. As the final scene ended and the credits began I remember sighing with enjoyment and satisfaction at an hour and a half of viewing pleasure.

While the movie will not appeal to everyone, I must say that it is nice to sit and watch a simple film that is not bursting with gore, nudity and profanity for a change.

A surprise treat!

People who find the story "weak" "incomplete" "meandering" "frustrating" are missing the point there. The whole hippie travel experience was by definition all of the above so the film depicts very accurately what a woman of 25 in 1972 in Morocco with a local boyfriend would have been experiencing. The local colour is extremely well depicted as is the relationship between Julia and Bilal. Also the daughters not wanting any of it Sufi master or not; as it happened to so many commune kids from that period who left to take up merchant banking or join the army; most kids like order and not aimless wandering; so again: accurate depiction ... the film is by no means a masterpiece but it is nonetheless excellent and for anyone too young to remember the turn of the 70s a useful timetravel tool ... and yes all the acting is first-class here: The kids; Kate; all the Moroccan actors.