Ghostkeeper

Ghostkeeper is not as good as others would have you believe. It does have a beautiful and creepy setting, and the film itself is rather creepy, but in a rather fake way. This is achieved mainly through the use of music, and whilst this is effective for the first 30 minutes or so, you get a bit sick of hearing the same music over and over.

I think this film could have been a whole lot better. You can see the potential whilst watching it, and within the first 30 minutes I had figured out several ways it could have been better. The plot is where everything falls apart. It's really about nothing much at all. The ending is a bit of a surprise, but is so shallow that you think "jeez, that's what this film has been building up to?" Despite the excellent setting, I can't really recommend Ghostkeeper. It's like a very poor mans version of The Shining. If slow pace, creepy atmosphere yet lack of plot is your thing, you may enjoy this, but otherwise I would skip it.

Ghostkeeper (1981)

** (out of 4)

Jenny (Riva Spier), Marty (Murray Ord) and Chrissy (Sheri McFadden) are out snowmobiling when they come across an old lodge. The three end up staying the night there when they encounter a strange old woman but they have no idea of knowing that there's much worse there.

GHOSTKEEPER is a Canadian horror film that I've been wanting to see for many years and especially since there were some really glowing reviews out there. Some people called this one of the creepiest movies ever made but after viewing it I'm going to guess that those who said that probably saw this as a child. With that being said, GHOSTKEEPER turned out to be one of the bigger disappointments out there.

It's really too bad that the film didn't work better because the setting and location were wonderful. I really loved the snowy look to the film and I thought that director Jim Makichuk was able to milk some atmosphere out of the low budget. However, all of that is pretty much wasted because there's really not too much going on here. Apparently the production ran out of money so the script was scrapped and they just went along with whatever felt right.

That explains why there's really not too much of a plot here but what really kills the film is its ultra-slow style that really makes the film drag at times. I did find the three leads to be good enough in their roles and the supporting players were good as well. The film at least had an atmosphere but at the end of the day it's clear that the director was wanting to try and cash-in on THE SHINING but it just didn't work.

On a wintery New Year's Eve two women(Jenny and Chrissy)and one man(Marty)embark on a short snowmobile excursion.When the snowmobile breaks down,they are forced to seek refuge in a deserted hotel.There they confront powerful evil forces."Ghostkeeper" is a pretty creepy and atmospheric horror film which will keep you guessing until the end.The acting is solid and the atmosphere of fear and total isolation is well-captured.The locations sets(snowy mountains and a mansion in the middle of nowhere)provide some chills.Check it out if you are a horror fan.8 out of 10.

***Only the 3rd & 4th paragraph contain spoilers***

I had read up a little bit on "Ghostkeeper" before I decided to get me a copy and watch it. Since up until now I hadn't really seen a movie about the Wendigo legend that actually worked like it should, I was pretty interested in seeing another take on it. Furthermore, the comment-section for this film on here, is a bit peculiar, to say the least. Not too many people seem to have seen it, and in addition to that, there seems to be hardly any gray area. Some people praise it too high heaven, while others bash it to hell. I'd like to enter that gray area.

While I'm not ignorant to the movie's flaws – because it does have its fair share of those – I would prefer to focus on its merits rather than to enlarge its shortcomings. I won't go too deep into the story and its characters, as enough of it can be read in schwarhol628's comment. Onto the things this movie has going for it. First off, the desolate, snowy Canadian mountain region provides a wonderful backdrop and adds to the bleak and hopeless tone of the film. Secondly, the musical score by Paul Zaza works wonders. Not only is it effectively eerie, it also helps to support a lot of scenes without dialogues (and there are quite a few of those). On more than one occasion you'll find yourself watching someone just walking through the dark corridors of the hotel with not much else happening. Take away the musical score, and indeed, you'll have a sequence with a whole lot of nothing going on. But the score brings a deep sense of dread and creepiness that fills up the hotel as if it was a dark, malevolent entity itself. This brings us, thirdly, by the hotel – or inn - which really feels like a forsaken place and it brings a similar presence to the film as the Overlook Hotel did for "The Shining". On a smaller scale, of course, yet also a darker one. Because this hotel, at times, really seems engulfed by darkness.

Then we have what this film's story is actually about: The myth of the Wendigo. Now when it comes to that, I felt it had a distinctive ambiguity to it. Not noticeable on the surface at first, but it becomes more and more palpable as the events progress. I've seen the Wendigo depicted as a creature already in films, but here things are a little different, drawing more influences from the spiritual aspects of the myth. An over-powering evil dichotomously divided into the earthly and the supernatural. The hotel is inhabited by a mysterious old woman – undeniably Georgie Collins gives us the best and most enjoyable performance of the whole cast – who comes across as the caretaker of the hotel, but actually is the titular Ghostkeeper. Now the title of this film, confirms how this film handles the Wendigo myth. Partly, the Wendigo is portrayed as a "beast", more specifically a ghoul-like being with cannibalistic tendencies, living a locked-up life in the basement (nourished with human flesh provided by the old woman and her "other boy"). On the other part, the Wendigo seems more like a presence or a force, filling this isolated location with evil, driving everybody who draws near the place slowly to insanity.

Now this last aspect, is also played out ambiguously. The old woman (as the Ghostkeeper under the influence of its evil) refers to Jenny as the strongest person of our trio, strong from the inside. While in reality, Jenny is the most feeble-minded of the bunch, which makes her the perfect victim for the Wendigo to get a hold of, to turn her into the new keeper. It's only gradually that the plot plays it out like this, as first everyone else either dies or slowly goes insane. Now as to the execution of this malevolent plot device, "Ghostkeeper" misses depth. And this is – aside from the obvious pacing problems – a major flaw. Instead of focusing more on the psychological downfall of the characters – admittedly, the cast of three would probably not have been able to handle this, as we're not dealing with stellar performers here – the script kills off Chrissy (the blond girl) soon enough, only to re-introduce the friendly old store-clerk from the opening scene, serving no other purpose than to also end up as food for the ghoul in the cellar. The only one left with hunger, is the viewer himself, as the script offers us little else to chew on.

Looking at "Ghostkeeper" from a glass-half-full point of view, you might be able to put all the film's flaws aside and discover a chilling tale of supernatural mystery driven by an eerie atmosphere. If not, it might remain merely a strangely compelling void of nothingness. And worst case scenario: Perhaps it could put you to sleep. Such a shame.

Ghostkeeper probably has one of the best horror movie settings ever, in my opinion. It takes place in an isolated old lodge (Deer Lodge, an actual functioning resort)amid the snowy Canadian Rockies, surrounded by huge snow-covered mountains and towering evergreen trees. The outdoor scenes alone make the film worth seeing. Once we get inside the lodge, we start running into some lighting issues. In some cases, the overly dark scenes are effective, especially when all you can really see are the character's piercing eyes. Also effective are the shots of the wendigo's basement enclosure, which is made out of blocks of ice, emitting an eerie blue light. Very cool. I also thought Paul Zaza's score worked well for the film. In particular, there is a strange synthesizer part that sounds like distorted wind or maybe a train...whatever it is, it's spooky as hell. The acting, unfortunately, is mediocre with the notable exception of Georgie Collins, who plays the "ghostkeeper". Her performance, especially in her last scene, is really disturbing and frightening. I recommend Ghostkeeper to any serious horror fan who likes creepy, atmospheric films.