Les secrets de l'invisible

I had seen The Unseen on TV years ago, but I didn't remember enjoying it that much. Something about it felt bland. Upon rewatching it a few nights ago, I was surprised by how well made and entertaining it was.

Three female reporters (including Barbara Bach) head up to Slovang, California to cover a big festival. There's a mix up with their hotel room and they find themselves without a place to stay. An odd man (Sydney Lassick) offers them a room at his home and they accept. Little do they know that this will be a huge mistake that will put all their lives at risk.

The Unseen won't get any major points for creative gore effects or inventive murders. In fact, that might be why I didn't care for it much when I saw it, having been raised on Friday the 13th movies. The death scenes are unremarkable and a little boring, but the story surrounding them is far better than most of the junk they'd throw into slasher films around this time. The characters actually have arcs and things to do and don't just sit around waiting to be killed off.

Barbara Bach is beautiful and handles herself fine during the finale when she's drenched in rain, mud, and blood, but she's a little comatose throughout the rest of the film. She's likable enough, but one does wonder what a more interesting actress would have done with the role. Lassick is at his creepy best and Lelia Goldoni as his put upon wife might just steal the show in a role that has precious few lines, but a lot of presence. She's playing for maximum Greek tragedy and she's wonderful. Stephen Furst of Animal House fame shows up in a totally unrecognizable role and brings his character a ton of unexpected pathos even under pounds of prosthetics. It's a marvel of a performance.

The Unseen could have used a little more thought and detail put into the murder set pieces to make them scarier and a little more creative, but the rest of the package is so interesting that it's not that big of a deal.

"The Unseen" has Barbara Bach as one of three female Los Angeles news reporters who are in Northern California to cover a local festival. They end up boarding at an old farmhouse after finding all the hotels in town to be booked, and each individually come face-to-face with a sinister presence lurking in the basement of the home.

Given the credentials of its makers, one would think that "The Unseen" would excel as a genre picture— an early directing credit of cult filmmaker Danny Steinmann, director of "Savage Streets" and "Friday the 13th: A New Beginning," it was also co-written by Kim "Texas Chain Saw Massacre" Henkel, and even featured crew members fresh off of John Carpenter's "Halloween." What could possibly go wrong, right? Well, sort of.

"The Unseen" is a visually appealing film; the cinematography is slick and there is a fair amount of atmosphere here (never mind the overuse of slow-motion shots at peak suspense sequences); it does have a fair share of problems though. Not only is is it staggeringly predictable, but it's also incredibly dull for the first hour. Mind, this is not a body count film by any means, but what it lacks in visual carnage, it fails to make up for in adequate suspense.

There are two key scenes that occur in the film's first hour that kept me drawn in, and they are admittedly well-executed. That's really all to be had here though. Family hysterics abound as the loopy couple who own the farmhouse exhibit their own neuroses, and the familial drama reaches its peak point in the film's goofy climax where the "unseen"'s true identity is revealed (not to much surprise). The film is in many ways similar to Denny Harris' "The Silent Scream," which was made the same year— they share very similar tonal elements, and also complement each other in terms of architectural dwellings of the villains; "The Unseen" lurks in the basement, while the villain in "The Silent Scream" resides in a secret attic. They actually would make a fantastic double feature, though "Silent Scream" is a bit more engaging of a film.

The performances here are actually decent, though Barbara Bach is lacking in the emotive department; she does make up for this though with a great performance during the finale sequences, letting some impressive screams loose. Stephen Furst deserves attention for a disturbing turn as the "unseen," and Sydney Lassick and Lelia Goldoni are madcap mad and wildly hysterical, respectively.

Overall, "The Unseen" is a decent offering from the genre, but doesn't seem to know whether it wants to be a suspense film or a slasher film. Its victim list is far too short to qualify it as a slasher picture, but it lacks the cohesive tension of a suspense film. What we end up with is a dull and ultimately predictable horror flick that is just enough to be slightly memorable, but not enough to truly stand out. There are some well-played sequences and a decent climax, but the majority of the picture is too plodding to truly engage with. 5/10.

The Unseen is done in a style more like old Hollywood mysteries than a horror show. The film is somewhat slow but lots of bizarre imagery keeps it the film alive and watchable. The basic idea of young girls stalked by something in the basement is old, but good acting and production make the movie worth watching. The movie is notable for its emotional impact and certainly not for any explicit action or special effects. I rated it an 8 out of 10.

This starts off with an incredibly unsettling atmosphere and quickly dives into a smorgasbord of perversity before ending on a balls-out, insane final act.

I'm honestly pissed that I'd never heard of this one before today. If you enjoy your horror a little more on the depraved side, do yourself a favor and watch this flick. You won't be disappointed.

This scared the hell out of me when i was a teenager. Now I find it more amusing than scary, but with some pretty unsettling moments and with a kind of sleazy quality to it that I like. And, come to think of it, the plot is rather disgusting actually...but handled with some kind of taste. If there is a problem with this movie, it is that there are HUGE gaps where nothing exciting or interesting happens. Also, the ending goes on forever, making a potentially tense climax seem silly after a while with Barbara Bach screaming and screaming. The "monster", after it is exposed, isn't very scary either unfortunately. The somewhat drab look of the movie also works against it, making it appear as a TV-movie more than something made for theaters. But it is an example of films that are rarely made nowadays so I urge horror fans to watch it and feel a bit nostalgic...