Le voleur et le cordonnier

If you've seen the ORIGINAL VERSION, this is not true. Disney DID NOT originally help the creator of this movie. I don't know the entire movie, but if you go to www.thiefandthecobblar.com it includes a short biography of the man who originally began this project. I watched the original movie when I was VERY VERY little. You can NO LONGER PURCHASE IT ((if you can...PLEASE PLEASE PLEASE TELL ME...)) Although some minor video stores still carry it. The original, if found, was BEAUTIFUL and I must say, absolutely hilarious. No matter who watched it with me, it was always loved. Just this evening I watched the version I'm certain that you speak of. The dubbed version, I believe bought by Disney, is total CRAP. It hurt me to watch it. I don't even want to know what happened when they renamed it Arabian Knight. All I know is if you can find the original, it's an incredible animated masterpiece.

Here at last is the long-awaited theatrical release of Richard Williams' "The Thief and the Cobbler." Begun in the late 1960s but not brought close to completion until after Williams created "Who Framed Roger Rabbit?" in 1988, it was conceived as an exercise in expression through animation, with an amazing roster of animation legends new and old [Art Babbit, Grim Natwick, many of Disney's and ILM's new masters] passing in and out of the project over many decades, all widescreen and 60s-groovy, baby. But now it comes to us at last, and it's really not all that good. The reason? Miramax, a subsidiary of Disney and perhaps fearing the very obvious parallels to their own "Thief" remake, "Aladdin," has cut the film to shreds. Not only have they added three truly awful songs, deleted one character [the witch, now just an eye], and removed much of the original's best shots, but the rather nice original soundtrack has been replaced with a crass, narration-heavy butchery that adds constant voice to Williams' great silent characters. Those who know anything about the original will consider this a hack job. But see it anyway, if only for the still-groovy animation and to see where "Aladdin" came from. Now why wasn't Disney sued for this? A great work, by one of the great masters, and please Miramax, your version sucks, so let's see the original sometime soon, ok?

Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs – actually a workprint – closer to Williams' original vision have also surfaced (which is the edition I acquired).

It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!

The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land – and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) – though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).

At 96 minutes, THE THIEF AND THE COBBLER – with its slight plot and even thinner characters – does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years – with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!

I can't stand this film being so obscure. It was a 30-year-old labor of love that Richard Williams promised to be the greatest animated film ever, before it was taken away by his creditors. All he cared about was the perfection of the art, rather than the restrictions of schedules and budgets. What happened to the movie was awful, but the remaining animation shines through, greatly. I, for one, was very upset with the release of the Miramax version on DVD, with only pan and scan, and a lack of extras. It was an insult to the original version. I really hope the restoration project is revived soon. A fully restored Director's cut is my on and only "Dream DVD". That film really changed my life and outlook on animation. It deserves more recognition and it's a great learning exercise for animators. Stay away from the Miramax version.

The Thief and the Cobbler was 30 years in the making, was released in a couple of different chopped up forms, then someone took all the footage they could find to try and create a version of the director's original vision, called the Recobbled Cut. There are a few versions of this fan-edited version; I saw the most recent, Mark 4, and that's the version I'm reviewing.

The film is made up of finished animation pulled from video, some 35mm finished footage, some work prints, test animations, half done sequences, and still sketches. In spite of this miscellany, the story of a kingdom under threat from a thief, a one-eyed warlord, and Vincent Price, has a fairly coherent and engaging story.

The quality varies from moment to moment. Some scenes are fully finished, but many look like there are details missing, and color and quality vary from moment to moment. But much of what is there is truly stunning. There are wonderfully clever effects, like a top down, shot of a chase over a tiled floor that reveals an optical illusion. Parts have a Fleischer Brothers surrealist aspect, while the finale, the wildly elaborate destruction of a vast war machine, would have been one of the greatest animated sequences of all time had it been fully finished. Even in its current form it's incredibly impressive.

It's hard to know how the final film would have looked. The director was apparently constantly changing and reanimating sequences (which lead to cost and time overruns that got him thrown off the project), so even the "finished" parts might not have been final. But I salute the guy who put this together and hope that someday he or perhaps Disney (who may have more footage in a vault) will create something even closer to the director's vision.

Well worth watching for animation fans who can deal with the flawed presentation.