A child cannot stand the idea of having a new brother and dreams about drinking milk from the breasts of his mother again. The child asks the moon to bring him a teet only for him.A child cannot stand the idea of having a new brother and dreams about drinking milk from the breasts of his mother again. The child asks the moon to bring him a teet only for him.A child cannot stand the idea of having a new brother and dreams about drinking milk from the breasts of his mother again. The child asks the moon to bring him a teet only for him.
- Awards
- 2 wins & 3 nominations total
- Tete
- (as Biel Durán)
- El Gabacho
- (as Gerard Darmon)
- El Abuelo
- (as Xavier Masse)
- El Tercer Romano
- (as Benito González)
- Chica
- (uncredited)
Featured reviews
In his mind, breast milk means love, as his mother's maternal affections turn totally to his baby brother. When she breast-feeds him and he nuzzles up and is content and happy - and Tete is not, Tete soon decides that what he needs from Life is a breast all to himself.
On a silvery, moonlit beach, one night, he prays for such and soon a French couple, a cabaret double act, move in locally and his fascinations and fantasies turn to her. She's (Mathilda May) a knowing and sexy sort of circus dancer - dark and seductive.
Whilst the film deals openly and slightly naughtily about sex, desire and womanly seduction, it never feels dirty or squalid, though you wouldn't make it the no. 1 choice to show to your Granny. The humour is earthy and natural, whilst as with the best of European cinema, there's that hint of fantasy and a heightened, fiery emotion.
The Tit &... is gentler and less charged than the other two of Luna's trilogy - arguably Jamon Jamon is better, Goldenballs a bit of a bad mistake and this, with its narration by the young boy, it's more akin to Cinema Paradiso. It also has a certain charm about it and in some ways, The Tit &... could be my favourite of Lunas' trilogy.
Luna explores once more the theme of an obcession, in this case the obcession of a young boy for the women's milk. There are some psychological concepts in this story such as the rejection complex that the elder son feels with the birth of his brother. In the movie this is what leads to the obcession of the young boy who suddenly sees all his mother's milk go to the recently born son. So he starts trying to find a breast who is able to feed him. He finds it in a woman recently arrived and from here on the movie is all around this.
This movie lives a lot on imagery, more than the story itself, the espectator captures certain moments (unforgettable moments) and certain symbols (the movie deserves a thourough analyses on almost everything that happens because it usually means something...). The surroundings, the landscapes, typical from the region as well as the surreal behaviors of the characters, also symbolic, and the excelent ambiguous soundtrack by Nicola Piovani transport us to another dimension, not parallel to the real world, but which intersects it from times to times... Worth living in that world, worth watching this movie, even though we may eventually and for moments get tired and a bit sick with the excessive obcession, which is perhaps taken beyond the limits...
I also enjoyed the performance of the protagonist... 8/10
Did you know
- Quotes
[first lines]
El Padre: [while Tete is climbing up a castell] Relax, it won't fall! Come on, Tete, get to the top! Don't stop! You're doing fine, show us you've got balls.
Tete: [voiceover] My name's Tete and I'm an anxaneta. That's the kid who climbs to the top of the human towers called 'castells'. typical in my country. I get scared because sometimes we fall, and we hurt ourselves badly.
- ConnectionsReferenced in The Mighty Boosh (2003)
- How long is The Tit and the Moon?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Tit and the Moon
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 2.35 : 1