Office Killer

***SPOILERS*** Hard to take black-comedy that grosses itself out long before the ending credits. Mousey and introverted magazine proofreader Dorine Douglas,Carol Kane,is the most effective worker at the office. When it comes down the grapevine that there's going to be a major change-over at the magazine Dorine as well as most of the staff are sent home to do the work and e-mail it in via a new computer system that being installed.

Dorine looking harmless and nerdy has a deep seeded and unstable violent streak in her and it's this event that eventually bring it out to the surface with murderous results. Not wanting to be at home with her infirmed mother Chalotta, Alice Drummond,and away from her job and fellow workers at the office slowly turns Dorine's sick thoughts into violent actions and it's a quirk of fate that sets it all into motion.

Quietly and secretly killing off her fellow workers at the magazine Dorine hides their bodies in her basement to keep her company. While all this was going on Kim, Molly Ringwald,a writer at the magazine becomes suspicious of Dorine not really knowing whats she doing but that she's somehow trying to get her fired from the job.

Dorine besides murdering her fellow workers is greatly disturbed with Kim who, besides being more popular, seems to be on to her and about to uncover what Dorine's really up to. There's also office manager Norah Reed, Jeanne Tripplehorn who Dorine feels has been embezzling the magazine coffers and is responsible for what's been happening there.

Trying to murder Kim in a dark and empty stairway Kim gets away but is later fired for accusing "sweet and innocent" Dorine of trying to kill her. Norah who befriends Dorine, because her timely article saved the magazine from folding, invites her out to lunch. It's then when she's knocked out in the parking lot by her and brought back to Dorines basement and locked in with all the other stiffs.

Kim getting in touch with Norah's boyfriend Danial, Michael Imperioli, to warn him about how unstable Dorine is as well as Norah being alone with her that afternoon. This has has him driving to the Douglas house looking for her only to find that Kim was right about Dorine, dead right, and that he and Norah were soon to pay the price for not listening to her.

Strange but interesting and not for everyones tastes "Office Killer" takes a while to get off the ground but once it gets going you can't really take your eye off it.

Carol Kane as Dorine is her usual quite and passive self at first but slowly goes postal as the pressure of her job, and putting up with her nagging mom, gets to her and drives Dorine over the brink. We also get an insight of Dorine's relationship with both her mom and dad Peter Douglas, Eric Bogosian,in a number of flashback sequences. The flashbacks indicate that she not only was sexually abused by Peter when she was a young girl but was also responsible for the car accident that took his life, and ended up crippling her mom for life. Which may have well been the reason for her distorted mental state as an adult.

lame flick tries to be campy but comes off as stupid and inane with a dopey script that never works and it has terrible acting i did not find anything amusing in this Carol Kane gives a decent not a memorable but decent performance not worth it *1/2 out of 5

A mousy wallflower accidentally kills a co-worker and suddenly realizes her life would be better without some of these fools in her life and goes on a killing spree, murdering several people in her office. Carol Kane gets a chance to shine as the lead character in this and does a great job creating such a unique and bizarre woman. Molly Ringwald is also a lot of fun as the office gossip. Some of the dark humor might not amuse those looking for a straightforward horror film, but I found it really delicious.

This movie is strangely entertaining, I don't really know why. The story isn't anything special, it's just the old concept where a harmless person becomes murderous for really vague reasons. Our office killer kills someone by accident, and that somehow makes her start killing people on purpose. Very well, I'll take it. So we get to see her murder a bunch of people, just one after the other, and it's well, there is no right adjective. It's not funny because people are dying gory deaths, it's not shocking because well, look at this thing, but it is pretty good. I believe it's kind of a tongue-in-cheek kind of thing, and I believe it's working. Carol Kane also plays her role very well, helped by the screenplay that's gradually making her character meaner. At one point she encounters some girl scouts selling cookies. What follows is just not cool. Well, maybe a little. I'm also really digging this ending. Either way, this is essentially following a formula, but there's still some creativity involved here and there and I appreciate that.

The first question that would come to mind would be whether Carol Kane could play a psycho successfully. And after seeing this film, I would have to say I still don't know because the very tame screenplay didn't allow her to be a well developed psychotic, nor did it allow any other sort of development for any other aspect of this film.

The storyline here is very typical. It involves Carol Kane (with very odd penciled in eyebrows) as an awkwardly mousy, hardworking magazine editor in a drab and depressing looking office building where she gets picked on daily. Then, without any time wasted, the inevitable psycho switch gets flipped and she starts killing off her coworkers.

I know that may sound to most like your typical fun slasher, but in fact, it can't even be considered a slasher. Actually, I really don't know what genre to categorize this film in because it dips it's toes in a couple different sub-genres without ever fully concentrating on any one area, therein lying the problem. The resulting film just doesn't quite work. At the start, it seemed to be heading into satire territory with office politics and such, but quickly falls flat because of a major lack of humor. As it went on, it then seemed I was in for a slasher, but all of the murders take place off screen, giving us no chase sequences, creative deaths or gore. Then I expected it to take a turn into suspense, but was left with no tension or any sort of character development whatsoever, so I never cared for anyone or anything enough to ever get involved in the storyline. The writers just didn't seem to know what they really wanted, which kind of left the final product in limbo. And it's pretty disappointing because the photographer turned director, Cindy Sherman, seemed to have talent and would have benefited greatly if it were a straight up thriller.

So what were we meant to feel during this film? It wasn't smart, funny, thrilling or even bloody. Were we supposed to hate and fear Kane? Or were we supposed to root for her? The whole film felt just as awkward as she looked and felt just as drab and boring as the office building looked, which leaves us with no reason to ever want to visit. I would compare this to later films, such as Love Object and the Willard remake, both of which used the same plot techniques, yet executed them in a much more entertaining fashion. Office Killer isn't a terrible film. I give the director and cast credit for trying. But it's just so lifeless that I can't recommend you wasting your time with it.