After killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.After killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.After killing her boring husband and disposing of the body, a supposedly brilliant tort attorney fakes his kidnapping and keeps the ransom money. The FBI may be fooled, but not Columbo.
- Attorney
- (as Henry Brandt)
- Pat
- (as Jeane Byron)
Featured reviews
Lee Grant plays a very skilled trial lawyer who is used to winning. However, one thing in her life is NOT perfect. She's married to an older man and now that he no longer is useful in forwarding her career, she's bored with him. Instead of divorce, however, you KNOW it will end in murder. After all, it's "Columbo"!
The story is well written, the acting by Grant and the rest is quite nice and it's well worth your time. My only quibble is early in the show, you see the Lieutenant making an illegal search of a locker. With no search warrant or apparent need to search it, he did anyway.
By the way, on IMDB this is listed as the first installment of "Columbo"....but as I mentioned above, it's actually the second.
This pilot sets a high standard (which wasn't always maintained, let's be honest) and has strong writing and characterisation, as well as showing some visual flair with slow fades, jump cuts and other effects.
Columbo here is the Lieutenant we will come to love, absent-minded, rambling, but with pin-sharp instincts and a deep sense of justice ("I couldn't have you convicted on false evidence" he says at one point. He wants to catch the criminal but he will do it fairly and properly). The performances of Peter Falk and Lee Grant are excellent.
Some reviewers have felt the suspect wouldn't be stupid enough to use the ransom money after being so smart in planning the crime and covering her tracks. I think the fact the money was going into a *Swiss* bank probably made her feel it was a risk worth taking - you can't get any information out of those guys, so no-one would know it was the ransom money. Besides, she really doesn't have a conscience.
The musical score by Billy Goldenberg is absolutely beautiful...variations on a simple theme, first as a intriguing, gently unfolding tune as the murder is planned and carried out. Then, as the cover-up is under way and we are introduced to a lush dramatic orchestration of the same theme, exciting and beautiful, worthy of a James Bond film. So versatile, this amazing tune, that it is used throughout the movie without ever sounding quite the same. The final iteration is as a jaunty little ditty in the airport coffee shop that sneaks up on you...totally unnoticed until the fun wrap-up and credits. Genius! Billy Goldenberg was only 34 when he did this...a master!
I also like the way the titles at the beginning and end look. The way the camera lingers at the last scene, of nothing but an airport window, allowing the credits to play out as the music plays, is so much more satisfying, more "movie-like", than the abrupt ending cut and the harsh yellow titles against stills of prior scenes of the regular series episodes. Some have derided the digital zooms and other editing choices made in this episode, but I couldn't disagree more. One of my favorite images is of the coldly beautiful Leslie, standing at the edge of a cliff, her eyes black as night, then suddenly ablaze like diamonds. They are actually the headlights of the big Lincoln she is driving in the scene. Beautiful imagery not even attempted in the series episodes.
That gets me to my final point as to why this Columbo is a cut above...Lee Grant! I enjoy watching Columbo match wits with female adversaries, and Leslie Williams is one of the best adversaries, if not the best, he has ever had...beautiful, sexy, flirtatious, shrewd, cunning and let's not forget - "greedy". I could watch her all day...I can't get enough of her. She is in control of every frame of film she appears in, every word, movement, every breath. Lee Grant is a great actress - great acting in a really fun part.
This episode is not perfect, but the Billy Goldenberg score, the "movie" look, and especially Lee Grant elevate it to the top for me. Fun to watch anytime.
As with many TV film series (such as Perry Mason), if you like one or two of them then you'll pretty much like them all. This entry in the Columbo series pretty much follows the usual formula we know the killer and the "perfect" plan but then watch Columbo follow his hunch and gradually starts to pick holes in the story he is told before eventually finding enough to prove his suspicions. Knowing this ahead of time won't ruin anything for you; it is simply what happens in all the films. With this strict adherence to formula it is usually down to several factors whether or not the Columbo film stands out or if it is just average. However with this film we are really in the territory where the formula was created. This second pilot sees a murder committed in the first few moments, Columbo brought in and filled with doubts and suspicions. In essence the plot is solid and interesting, with Columbo picking away at small things that bother him but it doesn't quite ring true.
The film brings in Columbo quickly, which is a good thing, but it seems to spend too much time on Margaret, which is a bit of a drag. The film could have lived with her in a smaller role but outside of her the rest is still pretty strong. Falk is much, much better as Columbo than he was in the first pilot (Prescription Murder) as he is much more animated and quirky rather than flat as he was then. He is funny and dogged and, although he isn't as good as he would quickly become, he is still pretty good. Grant is strong and is a good foil for Columbo shame they do not have as much time together as other films allow. Mattick is annoying and, like I said, she gets in the way and is a misjudged part of the film generally.
Overall a good start proper to the successful series. The majority of the formula is in place and it is surprising how little tweaking it needed to make it run and run from there. Fans will love it of course but it has an appeal beyond that (it was released in cinemas in the UK) and is worth a look.
The movie gets of course carried by Peter Falk as the strange and quirky but of course clever and very observing Lieutenant Columbo. Though I liked the 'old man' Columbo better in the later TV movies. He pretends to be more stupid than he in fact of course truly is, in order to harmlessly gain trust from his suspects. It's a great character and basically the foremost reason why this Columbo TV movies are so popular and still great to watch after all those years. The Columbo movies were made in even 5 different decades, all with Peter Falk in the title role, which says something of its popularity and quality of the series, that just never seems to dry out. The series will probably won't ever stop until Peter Falk is no more. Acedemy Award winner and multiple nominee Lee Grant also plays a good role but most of the other actors in this movie seem like C-grade TV series actors. Especially Patricia Mattick was annoyingly bad and all her character ever did was moaning.
This movie is the second of two Columbo pilots. Strangely enough it was made 3 years after the first Columbo pilot "Prescription: Murder", as if the first pilot was not a total success but they still wanted to give it a chance, having faith in its potential.
It has a good story that drags a bit at points and the clues left out for Lieutenant Columbo are at times a bit too obvious but knows to keep your interest throughout. It has some interesting side-plots and developments but it doesn't ever allow things to fully develop in order to make it all fit into the time span of the movie. This also means on the other hand that the movie feels like it wrapped up too fast toward the ending.
The movie features some quirky '70's effects and trick but luckily enough it never really crosses the line. It's also a reason why this movie surely doesn't feel outdated and is actually now just still as good as ever to watch.
7/10
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Did you know
- TriviaThe morning after Leslie makes the drop, Margaret is watching Assurance sur la mort (1944), the classic movie about a woman who has her lover kill her husband to collect on a life insurance policy.
- GoofsWhen Leslie Williams leaves her husband's 1971 Lincoln sedan at the stop sign and goes to a mailbox to mail the ransom note, she is startled by an approaching car. The car is a Corvette. However, as the car is shown driving away, the rear of the car is a 1971 Lincoln sedan.
- Quotes
Agent Carlson: Let's understand this one thing: if you start harassing this woman, I'm going to take it upstairs.
Lt. Columbo: Ah, just one minute, uh, Mr. Carlson. You see, it's like this: this is not just a kidnapping; this is a murder now... and I kinda figure that's my department. I'll see ya 'round.
- ConnectionsFeatures Assurance sur la mort (1944)
Details
- Release date
- Country of origin
- Language
- Also known as
- Lösegeld für einen Toten
- Filming locations
- Barney's Beanery - 8447 Santa Monica Blvd., West Hollywood, California, USA(Columbo having Chili and talking to Margaret)
- Production companies
- See more company credits at IMDbPro