Spawn

The comic books are rich in character backgrounds and, elevate rapidly through masterful story lines. Since when has a comic book character brought so much pain and adversity to our screens. Since when has a comic book character been adapted into an animated series and still creates an aura of harshness and entertainment. Maybe the Batman series of the early 90's reflected the true depiction of it's character; Bob Kane intended Gotham City to be a dark and disturbing reality. A world like David Fincher or Tim Burton. Spawn does indeed thrive in this blend of nightmarish fantasy, which still portrays a world that does exists. Maybe the thought of a soldier sent from Hell, inhabiting the streets dressed in a red cloak and a rubber costume, while ridding the slums of criminals seems far fetched, it is still entertaining. The fact that Todd Mcfarlane has worked on comic books such as Spiderman shows that he knows how intricate characters are to be depicted. So he knew fine well that for this series to work an in depth, complex and intriguing storyline had to prevail. Spawn the animated series is just that and if you take time to appreciate each character and their personalities you should find Spawn to be highly watchable. Moving away from this the animation is just sublime; playing with the shadows of Rat Alley, and blending the hatred of Spawn with his undying love for Wanda, we are led into a paradoxical imagination of two untouchable forces colliding - Heaven and Hell. Watch Spawn and if you can read the comics, they are of a very good quality.

...does that make it good? I do find Spawn the animated series interesting. The characters are fairly well-developed, I suppose the gore is an accurate representation of what's going on. But...the thing drags. And it drags further because HBO only seems to air the show in 6-8 episode batches, once a year. Just when things get interesting, it's Whoosh! off the air for 6-8 months. There also seems to be a lot of unnecessary padding (more in the second year), and Cogliostro is just downright annoying, both as narrator and in his conversations with Spawn. Keith David's voice work is excellent as always, though. Generally, though, this doesn't inspire me to go out and read the comic books. It's one of those shows you like to watch, but don't inspire you to watch devotedly every week. And Todd McFarlane as the intro Serling-like host? Sheesh.

During the year when the live-action adaptation of, "Spawn", was released, HBO released an animated series based on the comic-book series that ran from 1997 to 1999. This is one of the greatest animated series ever made.

The animation is excellent it make's the series look dark and edgy, the characters were great including Detectives Sam and Twitch, and the voice acting was good especially having Keith David provide the voice of the main character.

Overall, if you didn't like the live-action movie or looking for a good show to watch, "Spawn: The Animated Series", is really worth watching.

Spawn was way ahead of it's time. I remember watching the original in the 90's on HBO and loving it. Here we are in 2014 and I'm rewatching it and just loving it...just loving it. Adult all the way, Spawn isn't for the kids. It's, of course, a Faustian tale and a superhero title but at it's core this is horror. The cartoon is very dark, chilling, and gritty. It's ultra-violent, suspenseful, animated beautifully, the voice-acting is precise and quietly subdued. It's as if all it's characters are speaking as shadows. Brilliant stuff here that outshines anything DC is doing currently and DC is the only one really doing anything worth a crud for American comic-book animation. Love Marvel but their animation is pathetic. If you're over 18 and want a good super-hero animation that lives and breathes in the dark...go buy Spawn. Mr. McFarland....please bring this back!

Mercenary Al Simmons (Keith David) returns to earth five years after his death having made a deal with one of the lords of Hell, Malebolgia (who never appears on screen). Under the conditions of his deal his mind is broken into fragments with missing memories and his form is rotten and burned beneath his garb as Malebolgia's Spawn. Now Al wanders skid row tormented by the knowledge his wife is now married to his best friend, and now finds himself at the center of power struggles of Heaven, Hell, the criminal, underworld, and his former superiors.

During the late 90s HBO experimented with original animated programming with three original series under their short lived HBO animation label. The experiment's results were mixed. Austin Powers: The Animated Series was cancelled before production could be completed on a single episode due to Mike Myers' prima donna behavior that disillusioned HBO with the project, and while Ralph Bakshi's Spicy City gain enough viewership to greenlight a second season, HBO's desire to replace Bakshi's writing staff lead to creative clashes that ultimately lead to the series' cancellation. Spawn was the most successful of the three, lasting a respectable three seasons and tapping into the cultural zeitgeist that made Spawn so prolific in the 90s. The series was certainly groundbreaking for the time and its influence can be felt in projects that followed despite the series being rather rough around the edges.

The first season of Spawn is the strongest as it follows Al's adjustment to a world that has passed him by and he no longer belongs to. As he lives in the abandoned areas of squalor with the cities homeless becoming their reluctant protector, we see him tempted by hell's emissary Clown/Violator who's basically an amalgam of everything wretched with humanity. He delights in tormenting Al with flashes of his death inter cut with scenes of his wife having sex with his best friend and and while Clown is certainly a source of macabre humor throughout the show, there's also a threatening element to him that makes him an effective antagonist especially throughout the first season.

The first season also ties into a season long arc involving child murderer Billy Kincaid who is being manipulated by Clown to drive Al to a point where he'll be forced to use his demonic powers and descend into a dark path. The scenes with Billy are effectively disturbing, and the show doesn't hold back from diving into the ugliness. But despite the show's willingness to plunge into the darkest depths of humanity, there are lights trying to fight back against the darkness. Sam and Twitch are easily my favorite of the supporting cast as they're two of the only honest cops in the city willing to take on the city's criminal element as well as the hellish minions who exert their control. Sam's brashness and muscle are well balanced out by Twitch's intellect and calm collectiveness making them an endearing set of side characters who keep the series from becoming overbearingly dark.

The show unfortunately becomes less focused in later seasons as it struggles to balance new elements with the ones established in the first season. New plot threads involving emissaries of Heaven, Al's former boss Jason Wynn working deals with Hell, and police corruption in Sam and Twitch's department are all vying for attention and Al doesn't evolve much beyond the first season until the end of the third season in what's establishment for a fourth season that never happened. The second and third season are still compelling and have individual moments of greatness to them, but unlike the first season there's no central plot thread tying them together like the Billy Kincaid plot that kept the show moving.

Spawn is a flawed series, but it does have a lot going for it. From its beautiful and stylishly dark animation that brings life to the dilapidated streets and hellish artwork, to the unapologetically intense material that isn't afraid to be dark and sleazy Spawn was a groundbreaking series especially in an era when animation for adults consisted of Simpsons and South Park. The series has trouble finding its footing and doesn't know how to effectively balance competing plot threads (especially after its first season) but it's a respectable attempt an animated adult series that tries to go against established formula.