IMDb RATING
5.6/10
1.9K
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Three horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to li... Read allThree horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to life again and goes on another murderous rampage.Three horror stories, including a woman's fate when she and her lover attempt to rob her husband's grave, a woman who brings her son back from the dead and a Zuni fetish doll who comes to life again and goes on another murderous rampage.
- Nominated for 1 Primetime Emmy
- 1 nomination total
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When you compare this movie to its predecessor, which got released 11 years before this one, you'll have to conclude that this movie is not a better than its predecessor because of the reason that it's stories all are slightly weaker ones.
Again, just like its predecessor, this movie tells 3 different, unrelated stories that somehow all involve the supernatural. What they have in common is that in all 3 stories the main characters is being played by the same actress. In "Trilogy of Terror" this was Karen Black, in "Trilogy of Terror II" its Lysette Anthony. She of course is not as great as Karen Black, though its fun to see her playing 3 totally different characters in each story.
This is more an horror movie than its predecessor was. All of the stories this time feature horror elements. Again, the last story of the movie features the Zuni doll, which also was the highlight of the first movie. Perhaps this is also the reason why it's named "Trilogy of Terror II"? Fore otherwise this movie of course has little to nothing to do with the first movie that got made 11 years(!) before this one.
None of the stories are extremely well written or anything and they all got based on different short stories. The movie is longer than "Trilogy of Terror" and every story this time is about 30 minutes long instead of 20-something minutes. That doesn't really mean though that the stories are well layered or anything like that. At times they are even a bit dragging, which causes them to be a bit uneven in parts. The build up to the eventual horror often takes too long, which makes the movie itself needlessly long as well.
Of course these type of movies are never dull for the lovers of the genre. Dan Curtis is obviously a director with a love for the genre and that passion really shows on the screen at certain points.
6/10
http://bobafett1138.blogspot.com/
Again, just like its predecessor, this movie tells 3 different, unrelated stories that somehow all involve the supernatural. What they have in common is that in all 3 stories the main characters is being played by the same actress. In "Trilogy of Terror" this was Karen Black, in "Trilogy of Terror II" its Lysette Anthony. She of course is not as great as Karen Black, though its fun to see her playing 3 totally different characters in each story.
This is more an horror movie than its predecessor was. All of the stories this time feature horror elements. Again, the last story of the movie features the Zuni doll, which also was the highlight of the first movie. Perhaps this is also the reason why it's named "Trilogy of Terror II"? Fore otherwise this movie of course has little to nothing to do with the first movie that got made 11 years(!) before this one.
None of the stories are extremely well written or anything and they all got based on different short stories. The movie is longer than "Trilogy of Terror" and every story this time is about 30 minutes long instead of 20-something minutes. That doesn't really mean though that the stories are well layered or anything like that. At times they are even a bit dragging, which causes them to be a bit uneven in parts. The build up to the eventual horror often takes too long, which makes the movie itself needlessly long as well.
Of course these type of movies are never dull for the lovers of the genre. Dan Curtis is obviously a director with a love for the genre and that passion really shows on the screen at certain points.
6/10
http://bobafett1138.blogspot.com/
Lysette Anthony takes over for Karen Black in this trilogy of scary stories in which she is the star in each tale. The first one is about adultery, murder, and grave robbers. The second tale is about a mother who uses black magic to bring her dead son back to life. The final and best tale is about the demonic African doll from the first film stalking Anthony. While the effects may be a bit on the cheap side, this is a fun and scary outing. Lysette Anthony is a good choice for taking over the Karen Black.
Rated R; Violence and Profanity.
Rated R; Violence and Profanity.
Trilogy of Terror II is a lot like the original film in that they are both decent stories and less exciting ones peppered throughout the runtime. Dan Curtis returns to direct this sequel with somewhat mixed results. For starters, Lysette Anthony, while mostly competent, seems like an odd choice to replace someone like Karen Black, who, love her or hate her, had a unique style that made her incredibly watchable on screen. Anthony's never terribly interesting or quirky enough to carry off some of the lesser stories, but she proves decently capable when she's only required to bug her eyes and scream in fear. I'm guessing that's all her audition called for, so I guess she delivers in that respect.
The first story is a mediocre, but not entirely un-engaging film noir-esque "we should murder my husband and collect his money" story with an ok twist at the end. It's the least exciting of the stories, so at least we get it out of the way.
The next story is based on a similar segment from Curtis' Dead of Night entitled Bobby about a woman who makes a pact with a demonic entity to bring back her dead son with predictably horrifying results. Curtis appears to have stuck very close to the original script (and even some of the shots are almost identical) and it probably works the best out of all the segments. The final reveal, unfortunately, comes across as more laughable than terrifying.
The final story brings back the infamous Zuni fetish doll and picks up right where the original story left off with the doll being taken to a museum to be studied as it terrorizes the night staff. It has its effective moments, but it can't quite compare to the claustrophobic terror of the original story.
Trilogy of Terror II is a merely respectable sequel that's not bad to have on in the background if you're bored.
The first story is a mediocre, but not entirely un-engaging film noir-esque "we should murder my husband and collect his money" story with an ok twist at the end. It's the least exciting of the stories, so at least we get it out of the way.
The next story is based on a similar segment from Curtis' Dead of Night entitled Bobby about a woman who makes a pact with a demonic entity to bring back her dead son with predictably horrifying results. Curtis appears to have stuck very close to the original script (and even some of the shots are almost identical) and it probably works the best out of all the segments. The final reveal, unfortunately, comes across as more laughable than terrifying.
The final story brings back the infamous Zuni fetish doll and picks up right where the original story left off with the doll being taken to a museum to be studied as it terrorizes the night staff. It has its effective moments, but it can't quite compare to the claustrophobic terror of the original story.
Trilogy of Terror II is a merely respectable sequel that's not bad to have on in the background if you're bored.
And with a cast that includes Lysette (Any relation to Josette?) Anthony, who is and always shall be a major babe, and Geraint Wyn (Who seems to do his best work at Knight.) why shouldn't he? I saw much that was borrowed from the Dan Curtis hit Dark Shadows in this made for TV flick ... The photography, the music certainly, and the ocean shots from the second tale. And these all work right well in this movie. The plots, as a whole, and the acting in particular, work well enough to be enjoyable. True, certain themes like the killer doll have been done to death over the years, but Curtis still knows how to put a twist to the devil of a tail.
Dan Curtis returns to Trilogy of Terror 20 years after he terrorized Karen Black with that creepy doll, but Black's absence this time is obvious and Lysette Anthony is competent but can't quite fill Black's shoes.
Once again, Curtis gives us three tales of terror - one features an adulterous wife who gets her just desserts after plotting to kill her husband, another has her playing a grieving mother who brings her child back to life via witchcraft with some deadly consequences, and the final story has her as a museum researcher who gets terrorized by the same scary doll from the original film.
None of the stories are as terrifying as the final story of the original film, but they're all well told and entertaining enough for 90 minutes.
Once again, Curtis gives us three tales of terror - one features an adulterous wife who gets her just desserts after plotting to kill her husband, another has her playing a grieving mother who brings her child back to life via witchcraft with some deadly consequences, and the final story has her as a museum researcher who gets terrorized by the same scary doll from the original film.
None of the stories are as terrifying as the final story of the original film, but they're all well told and entertaining enough for 90 minutes.
Did you know
- TriviaIn the film's third segment, "He Who Kills," one of the museum security guards is reading a "Dark Shadows" comic book and enthuses about how he used to rush home from school to watch it. Director Dan Curtis created the two TV series Dark Shadows (1966) and La malédiction de Collinwood (1991).
- GoofsIn the film's third segment, the bottom half of the dead body of Amelia is shown wearing a short blue robe. In the third segment of the first film, Trilogie de la terreur (1975), Amelia wore a short white robe.
- ConnectionsFeatures Le Carrefour de la mort (1947)
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