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Tout le monde dit I love you

Original title: Everyone Says I Love You
  • 1996
  • Tous publics
  • 1h 41m
IMDb RATING
6.7/10
41K
YOUR RATING
Tout le monde dit I love you (1996)
Trailer
Play trailer1:40
1 Video
99+ Photos
Jukebox MusicalComedyMusicalRomance

A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.A New York girl sets her father up with a beautiful woman in a troubled marriage while her stepsister gets engaged.

  • Director
    • Woody Allen
  • Writer
    • Woody Allen
  • Stars
    • Woody Allen
    • Goldie Hawn
    • Julia Roberts
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    41K
    YOUR RATING
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • Stars
      • Woody Allen
      • Goldie Hawn
      • Julia Roberts
    • 160User reviews
    • 59Critic reviews
  • See production info at IMDbPro
    • Awards
      • 11 wins & 12 nominations total

    Videos1

    Everyone Says I Love You
    Trailer 1:40
    Everyone Says I Love You

    Photos168

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    + 162
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    Top cast99+

    Edit
    Woody Allen
    Woody Allen
    • Joe
    Goldie Hawn
    Goldie Hawn
    • Steffi
    Julia Roberts
    Julia Roberts
    • Von
    Edward Norton
    Edward Norton
    • Holden
    Drew Barrymore
    Drew Barrymore
    • Skylar
    Diva Gray
    • Nanny
    Ami Almendral
    • Nanny
    Madeline Balmaceda
    • Nanny
    Vivian Cherry
    • Nurse
    Tommie Baxter
    • Old Woman
    Jeff DeRocker
    • Homeless Man
    • (as Jeff Derocker)
    Cherylyn Jones
    • Mannequin
    Tina Paul
    • Mannequin…
    Vikki Schnurr
    Vikki Schnurr
    • Mannequin
    Natasha Lyonne
    Natasha Lyonne
    • DJ
    Kevin Hagan
    • Doorman
    Alan Alda
    Alan Alda
    • Bob
    Gaby Hoffmann
    Gaby Hoffmann
    • Lane
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews160

    6.740.5K
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    Featured reviews

    8stills-6

    The experiment works

    High camp and high neuroses in the same picture.

    If you get everything you ever wanted, you still aren't satisfied because your own fantasies can never be truly fulfilled in the real world. It's kind of what Woody Allen is saying by making this movie into a goofy musical. It's his own fantasy of what movies used to be like, but can't ever be anymore. The small touches of realism, like the grocery store heist or the homeless man breaking out into song provide both humor and a commentary on how unsubstantial and irrelevant musicals are. But aren't they fun?

    The most obvious example of the theme is the Julia Roberts storyline. She gets everything she ever wanted, but instead of making her happy in her new life, it helps her therapy for her old life. Joe was married to Steffi, all the woman he ever wanted, but he was so afraid it would fall apart that it did fall apart. Skylar wants a man to take control and sweep her off her feet, but when Charles Ferry comes along and does just that, she can't live with the consequences. There are other examples.

    The execution of the movie is awkward and sometimes off-putting. But this movie is an experiment in form x function - what kind of story lends itself to the musical form? Sometimes it works and sometimes it doesn't. For example, it used to be that musicals helped you into the mood by introducing songs, something that couldn't be done here because of the very nature of the story. It can be stagey and forced if you're not already in the mood. On the whole, however, everyone seems to be having a good time, and it shows up in mostly loose, endearing performances - even the ever-annoying Goldie Hawn, who I'd normally want to toss in the river in any other movie.
    postmanwhoalwaysringstwice

    Off Type Allen Film ... But Fun

    Not just any filmmaker should be entrusted with the delicate and precarious genre of the musical. Woody Allen would probably be the last person I'd expect to see work up a musical. He's gotten a lot more experimental in some of his more recent works, so it's of no surprise. I think what makes this film work is in its charm and the love of 30's musicals that is behind it. This really is an ode to the old black and white musicals and to the classic love stories of the same period. Now, on the level of Woody Allen's catalog, this one does not rank very high, but in comparison to television shows that have the occasional musical episode, this one hits its mark. The reason I mention the last comment is because there are some actors in here that never would they be expected to sing in a film. Maybe they shouldn't have, but there is just a lot of love behind this production that you've just gotta smile.
    10chicschiss

    Extremely funny and entertaining

    This is a wonderfully funny story, affectionately parodying old-time musicals, and evoking a nostalgic regret that they are not being made any more. Some of the vocalizations are amateurish (Alan Alda is an exception) but Dick Hyman's musical arrangements and the performances of the musicians are fine. Alda's rendition of the old Cole Porter song "Thinking of You", accompanied by the marvelous Dick Hyman on the piano, is first rate.

    Woody Allen provides many hilarious moments. He uses the great violinist Itzhak Perlman as the punch line to a carefully constructed gag. He uses the invasion of privacy of a session of psychoanalysis as an offbeat plot device. He satirizes the romantic young and the do-gooding impulses of the old. He takes us from Manhattan to Venice and Paris. He involves us in old tunes and comically elaborate dance routines. He gives us a good time.

    Everyone Says I Love You is one of the very few movies I have ever gone back to the theater to see another time. I even bought the tape.
    8sol-

    My brief review of the film

    A fresh and original musical comedy, the film takes classic songs and fits them into a new vision with some different dance routines. The choreography is lively and the actors and actresses do not look like professional dancers, which helps to make the music and dance side more natural. It is still as witty and funny as one would expect from a Woody Allen comedy, and the ensemble cast brings forth some great performances, even from actresses such as Goldie Hawn and Drew Barrymore who are not usually amazing. Other than light commentary on love and romance in New York and international society, the film is lacking in depth, some of the sequences are overdone and the narration tires as it progresses, but generally the film is well made. It also possesses a charm that helps it to swing along, and it becomes easy to accept different sequences, given that it is a musical that one is watching. The film will however best be enjoyed by those who are familiar with its redone songs.
    bob the moo

    Sweet, light weight musical - enjoy it (it's later than you think!)

    In an old fashioned musical, the loves and losses of an extended upper-class family in Manhattan are followed in song from NY to Paris and Venice.

    The company logo comes onscreen followed closely by the white title on a black background. Seconds later we are into the first song as two young lovers walk in the park - and it's not until 100 minutes later that it lets you go again. The plot is nothing more than lots of strands of love and loss tied together by family connections. None of the stories really have any great significance but are backed up by wit and some charming song and dance numbers. This is whimsy at it's very best.

    It feels like Woody Allen has really relaxed and is making films that hark back to an older age - indeed his usual style is tuned down a little to make it more accessible and more enjoyable. He has several black characters, his humour is witty but less cruel than usual and his narrative is driven by a teenage girl rather than himself. It feels so free of his usual cynicism that it adds to the weightless charm it already has. He handles the song and dance scene with such vigour and such imagination that you find yourself wondering why he hasn't done a musical before.

    The superb cast all catch the charm and light feel perfectly. Not all of them are great singers but they all do well and give their best (except Barrymore who refused and was dubbed). The usual stars are complimented by plenty of well known faces - Alda, Goldie Hawn, Lucas Haas, Portman, Tim Roth, Roberts and of course the wonderful Edward Norton.

    This is 100 minutes of lightweight wonder. It has no rough edges, no difficult issues, no cruel jokes and very little swearing. Only the coldest heart could fail to warm to this little charmer.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Woody Allen had to tell Goldie Hawn to try to sing worse because she sang too well to be believable as a normal person just breaking into song.
    • Goofs
      In the x-ray room, the nurse calls for Katie to come and look at the engagement ring in Drew's stomach, but the nurse that arrives has "Judith" on her name badge.
    • Quotes

      Joe: I'm gonna kill myself. I should go to Paris and jump off the Eiffel Tower. I'll be dead. In fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or... wait a minute. With the time change, I could be alive for six hours in New York, but dead three hours in Paris. I could get things done and I could also be dead.

    • Crazy credits
      No opening credits save the title.
    • Connections
      Featured in Siskel & Ebert & the Movies: Jerry Maguire/Daylight/Everyone Says I Love You (1996)
    • Soundtracks
      Just You, Just Me
      Written by Raymond Klages and Jesse Greer

      Arranged and Conducted by Dick Hyman

      Performed by Edward Norton, Drew Barrymore (singing dubbed by Olivia Hayman), Vivian Cherry,

      Diva Gray, Arlene Martell Martin (as Arlene Martell), Helen Miles, Paul Evans, 'Dick Hyman and the New York Studio Players', Itzhak Perlman (as Itzhak Pearlman), violin, Navah Perlman (as Navah Pearlman), piano, and Jon Gordon, alto sax

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    FAQ

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    Details

    Edit
    • Release date
      • February 12, 1997 (France)
    • Countries of origin
      • United States
      • Italy
    • Languages
      • English
      • French
      • Italian
      • Hindi
    • Also known as
      • Todos dicen que te amo
    • Filming locations
      • Rue Cortot, Paris 18, Paris, France(exteriors: Joe Berlin's apartment in Montmartre)
    • Production companies
      • Miramax
      • Buena Vista Pictures
      • Magnolia Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $20,000,000 (estimated)
    • Gross US & Canada
      • $9,759,200
    • Opening weekend US & Canada
      • $131,678
      • Dec 8, 1996
    • Gross worldwide
      • $9,759,200
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 41 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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