Étoile du soir

I was kind of disappointed. I was expected the same from the sequel with the role of Aurora Greenway played by Academy Award Winner Shirley Maclaine again. Of course, Jack Nicholson won his second Oscar for his role as her lover. In this film, Aurora deals with troubled grandchildren who she helped raise because the father was absentee. One grandson is in prison and her granddaughter is as stubborn as her daughter Emma played by Debra Winger was. Also Miranda Richardson plays a Texan friend that wanted to raise Emma. Also Marion Ross is cast in the role as Rosie Dunlop, Aurora's maid or housekeeper. There were some changes like ROsie lived at the house but Marion Ross earned a Golden Globe nomination and probably would have earned her Academy Award nomination if the film got better reviews. Marion does an excellent job in making us care so much for Rosie.

This movie had two major problems to contend with: being a sequel and being an adaptation, and the two problems were very related. First of all, "Terms of Endearment" the novel and "Terms of Endearment" the movie have huge differences. (Garrett Breedlove isn't even in the book and Rosie was married with several children.) What I think is great about "The Evening Star" is that it tries to hold true to the book and the first movie. Perhaps most importantly, it shows how important Hector and Rosie were in Aurora's life. As a fan of both the books and the first movie, I was happy to see how well this movie brought them all together. It's one of my favorites.

Evening Star is a pointless return to the tragi-comic life of Aurora Greenway, heroine of the vastly-superior "Terms of Endearment." Sequel lacks the smartly realistic writing of the original, and is full of hokey lines such as "I remember hugs... mom was big on hugs," in a failed attempt to channel some of the rich characterization of the original. Much of the acting is quite good - MacLaine is, as usual, eminently watchable, Juliette Lewis does another of her typically strong turns, and never has Marion Ross been given a better opportunity to demonstrate her surprising range. Still, credible acting and an 11th hour appearance of (an embarrassed-looking) Jack Nicholson can only do so much for this contrived mess, and one cannot help but wonder why they couldn't leave well enough alone.

If you read my comments about "Terms of Endearment" (1983), you will notice I said it was a film I avoided for a while, then finally got around to seeing. In fact, I only heard about the sequel, "The Evening Star" shortly after I saw "Terms." In fact, "Star" came on TV shortly after I learned about it and I decided to give it a watch, even though I was probably going to be bored and disappointed. To my surprise, it was quite the opposite. It may start off on a boring start, but soon you will find yourself very involved with the characters and the multi-story plot, just like "Terms." Shirley MacLaine handled herself pretty well in this, maybe even more so than "Terms," but Miranda Richardson and Juliette Lewis seem out of place and they overact sometimes. Jack Nicholson's cameo was quite appropriate within the plot and he does a great job. Like the first film, the ending is memorable and falls in the "tear-jerking" category.

Now when this movie first came out, no one really saw it. Critics gave it bad reviews. Part of the issue was the original Terms of Endearment was made back in 1983. So when some of the cast came back 13 years later, it can lose some of its box office draw. However, the time that passed actually made this movie more believable as the characters had also aged. Shirley MacLaine reprises her role and does a nice job, trying to raise her dead daughter's children. The movie stays grounded by dealing with everyday issues as well as getting older and the trials of a non-traditional family. Paxton plays a nice role in this film adding a little flare to the shadowing plot of Shirley MacLaine's character getting older. Nicholson's return, although brief, helped this film round itself out. See this one only if you see Terms of Endearment first.

Best Scene: Nicholson and MacLaine re-living the past on the beach.