Day of the Warrior

Caught this on television one night and what a laugher it is. If you like t**s and lots of it, mixed with a brainless to borderline retarded plot of sideshow misfits trying to play spy, this is it. What else would you expect? It's Magnum P.I. rip off knocking the acting down three thousand fold with a ton of silicon.

Some people (not Robert Bresson) proclaim a basic law of cinema: "whatever the movie is about, it will be better with breasts and zombies". Well, in "The day of the warrior" there are no zombies.

There is little to add to Sickcritik's brilliant dissertation on this movie. If you enjoy watching "apparently" bad movies, this is a good option. You will enjoy with Andy Sidaris' master subtlety to include scenes with naked breasts. The special effects (those explosions, those weapons...) will fascinate you, the thrilling acting will carry you away (the comic couple, the hispano, the Shakespearian actresses...), you will fear the extraordinary evilness of the villains, as the owl-killer blonde or the Warrior, a psychopath who loves to kill his victims with wrestling techniques, you will be surprised by a soundtrack that it's maybe the worst thing of the movie (and that's a merit!) and finally you will meet the mythical Elvis Fu: I think everybody should meet Elvis Fu before death.

So enjoy it!, but remember, don't expose to this movie's quality more than ten minutes every time: more is dangerous for your health.

Easily a terrible movie, but also extremely funny. This has become a classic among me and my friends because it is so bad. There are moments when you can't help bursting out with awkward dialogue and gratuitous clothes changing. Elvis Fu is a virtual bevy of ethnic jokes.

The dialogue is so bad it's entertaining. I quote:

"Back in Kansas, it's so flat, when your dog runs away you can see him for THREE DAYS." "Wow, that's flat." End of scene. Just one of many awful exchanges. I recommend it.

After a break of two movies, Andy Sidaris takes back the directorial reigns from his son Christian, but by this point his "Bullets, Bombs and Babes" series has devolved into complete camp (the climax is a private pro-wrestling match: Julie Strain and Gerald Okamura vs. Marcus "Buff" Bagwell). Undeniably there are some funny lines and situations in this film (the Asian Elvis impersonator, the owl that gets blasted with a shotgun, etc.), but some of the action scenes are embarrassingly bad, and the padding to stretch the movie to 90 minutes is all-too-obvious (Sidaris spends about half the running time showing us how the characters travel from point A to point B). The new member of the female cast, Shae Marks, has a gorgeous face, a beautiful smile, and breasts so enormous they are more distracting than erotic. The only woman who shows some action potential is Raye Hollitt - but Sidaris drops the ball again when he sets up a catfight between her and Julie K. Smith and then has her defeated with a single punch! What a shame. If you take this film as a comedy it may get ** out of 4, but if you're looking for action subtract one star.

This movie begins in California and Vegas. Agents have to work under cover, they must be sure they do not attract anyone's attention. Therefore - they go on stage: Fu as the worst ever Elvis impersonator, Cobra as a dancer in a topless bar. Maybe that doesn't make any sense so far, but wait for it, you haven't seen yet what Julie Strain wears on a normal day in the office: a leopard stringy thing (the director dryly commented "works for me", quoted from the book "Bullets, Bombs And Babes"). She's one of the good guys this time. Anyhow, the story is about gangsters led by a wrestler named Warrior who smuggles diamonds from Russia and much more. The good guys guess they have a traitor among them, because a computer access code is passed on and the cover of 4 agents is blown. They now have to fight to survive. A lot of action in this Sidaris movie (this is the 11th out of my 12 reviews for the works of Andy Sidaris, in chronological order), beautiful women and a special sense of humor as always. Shae Marks, an "actress with a figure that would make a grown man cry", as Andy Sidaris truthfully wrote in his above-mentioned book, had her first appearance in the series here.