Broken English

"Broken English" is about a Croatian woman who lives with her old world parents in New Zealand and falls in love with a Maori man which, of course, causes problems while she acts as though she had no clue that would happen. Duh. Though it manages a modicum of entertainment, this film seems to know where it wants to go but has to pound square characters through round holes to make the plot work. In the process there are too many tongue clucking moments where the film's credibility is breached such as when a modern Maori man fights and chants like an ancient Maori warrior or a woman swims with dolphins which, as we learn, they only do with pregnant women...yeah, right. The characters in "Broken English" are in serious need of some conflict resolution...something which no one seeks as it would destroy the contrived drama. "Once Were Warriors" this film is not. However, it is an okay watch for those into Kiwi flicks with time on their hands. (C+)

In a nutshell, this is a romance story that involves a culture clashes between New Zealanders, Chinese and Bosnians. Since the characters were unappealing, I found it impossible to get "involved" in their romances and problems.

I don't understand the NC-17 rating, either. The sex scenes weren't anything that strong to warrant that rating, nor is the movie filled with just sex. The language isn't the best with a lot of f-words, but that doesn't warrant a NC-17 rating, either.

It was a modern-day Romeo and Juliet story with a lot lower morals that what you would have seen in the real Romeo and Juliet days. Frankly, I found the movie boring, but women would probably like this movie a lot more than men, if the language didn't turn them off.

The scenery was nice but I wasn't surprised at that. I have yet to see something filmed in New Zealand that wasn't beautiful. That must be a great-looking country.

There have been a lot of great culture clash stories, and culture clash love stories, over the years, but this isn't one of them. Part of the problem is we have three cultures here (New Zealand, Bosnian, and Chinese), yet we really don't explore them in depth (except perhaps the Bosnians), so there seems no apparent reason why the New Zealand and Bosnians wouldn't get along except for plot purposes. And while the sex between the two main characters is well-handled, it seems to be the only thing the relationship is based on; we don't really see them get to know each other. The two main characters are appealing, and the two actors who were in ONCE WERE WARRIORS(here playing brothers instead of father and son) are both good, but it still falls short.

Nina, young, beautiful and sexy, driven out from war-torn Croatia, has emigrated with her family to Auckland, New Zealand. Why New Zealand? Well it seems Mum was born there (there is an old established "Dalmatian" community in the region famously associated with the wine industry). Dad has quickly found work as a building contractor and seems to be doing well. Ironically, having been driven out of his own country by Serbian ethnic cleansing, he finds NZ's mild multi-racial society impossible to tolerate, at least when his gorgeous daughter falls seriously in lust with Eddie, a handsome Maori, in the kitchen of the Chinese restaurant where they both work. Being a fairly typical NZ movie, the theme is played for comedy rather than tragedy, though there is plenty of tension. An erotic scene early on dissolves into a minor domestic mishap. Cars get their windows smashed but no-one gets their head smashed in. The real tragedy is back home in Croatia via home videos from remaining relatives. The young couple progress from 90% lust /10% affection to about 50/50, though it's a rocky road. Dad however just can't adjust. Civil enough with his Tongan ("coconut") neighbours, the idea of his little girl having it off with any Maori sends him ballistic (it could have been worse - the lover might have been Serbian). With his knucklehead son, he attempts to break them up, with predictable lack of success. It's a great sketch of a tough, admirable (in some ways) but unadaptable man. Why is he like that? At the end we're none the wiser. Nor do we get to understand Mum's position, which seems to be total submission. She may be NZ born but she isn't a typical post 1960 NZ wife. There's a mildly amusing sub-plot regarding an immigration scam run by Nina and Eddies's employer, with the characters involved verging on caricature. But the main theme is that youth will do what it's going to do (sex, mostly) for good or ill and the oldies might as well stand clear. A nicely made and well paced light piece from the producers of the rather more serious "Once Were Warriors."

It looks as if I am among the few who found the directing and production to be flawless. Janet McIver was also the production manager of Whale Rider and Once Were Warriors. Broken English is a delicate movie where the father tries to balance self-control and the love for his family. It is a harsh look at bigotry, and the ramifications of such behavior. Unlike Once Were Warriors, Broken English scores with great acting and has a much better script. True to life, the movie doesn't offer simple answers for the problems the cast deal with. If you're a fan of viewing different cultures, you will most likely enjoy this movie. I enjoyed this movie much more than the other two listed above.