Broken English

It looks as if I am among the few who found the directing and production to be flawless. Janet McIver was also the production manager of Whale Rider and Once Were Warriors. Broken English is a delicate movie where the father tries to balance self-control and the love for his family. It is a harsh look at bigotry, and the ramifications of such behavior. Unlike Once Were Warriors, Broken English scores with great acting and has a much better script. True to life, the movie doesn't offer simple answers for the problems the cast deal with. If you're a fan of viewing different cultures, you will most likely enjoy this movie. I enjoyed this movie much more than the other two listed above.

I found 'Broken English' one night at the video store when I was bored and couldn't find anything else to rent. I read the caption and that was enough to perk up interest. I have to say I thought the movie was pretty cool, although I agree that there are major gaps in what makes people like Ivan and his son Darko tick. The racism of Ivan, of course, is just ridiculous. Not that they used it in the film, but that he should have the gall to treat the Maori culture so shabbily (what is that black child doing in the family if he doesn't like black people??). After all, his family came to NZ fleeing war, not the other way around. The Maori were happily (hopefully so)going about their business long before the Croats showed up (probably the same could be said for the English, the Scots, the Irish and all the other Euro-peans arriving on boats to lord and rule for all these years). At least the film gives people, particularly American audiences, a glimpse into a little known culture like New Zealand (kiwi fruit and Russell Crowe, that's about it--and he gets tagged as Aussie most of the time). A shame is that Marton Csokas only gets to give himself to us as a straight-up meat head (a very good portrayal, but a meat head nonetheless) because he's a talented fellow. Ah, well, such is life.

Tee

Nina, young, beautiful and sexy, driven out from war-torn Croatia, has emigrated with her family to Auckland, New Zealand. Why New Zealand? Well it seems Mum was born there (there is an old established "Dalmatian" community in the region famously associated with the wine industry). Dad has quickly found work as a building contractor and seems to be doing well. Ironically, having been driven out of his own country by Serbian ethnic cleansing, he finds NZ's mild multi-racial society impossible to tolerate, at least when his gorgeous daughter falls seriously in lust with Eddie, a handsome Maori, in the kitchen of the Chinese restaurant where they both work. Being a fairly typical NZ movie, the theme is played for comedy rather than tragedy, though there is plenty of tension. An erotic scene early on dissolves into a minor domestic mishap. Cars get their windows smashed but no-one gets their head smashed in. The real tragedy is back home in Croatia via home videos from remaining relatives. The young couple progress from 90% lust /10% affection to about 50/50, though it's a rocky road. Dad however just can't adjust. Civil enough with his Tongan ("coconut") neighbours, the idea of his little girl having it off with any Maori sends him ballistic (it could have been worse - the lover might have been Serbian). With his knucklehead son, he attempts to break them up, with predictable lack of success. It's a great sketch of a tough, admirable (in some ways) but unadaptable man. Why is he like that? At the end we're none the wiser. Nor do we get to understand Mum's position, which seems to be total submission. She may be NZ born but she isn't a typical post 1960 NZ wife. There's a mildly amusing sub-plot regarding an immigration scam run by Nina and Eddies's employer, with the characters involved verging on caricature. But the main theme is that youth will do what it's going to do (sex, mostly) for good or ill and the oldies might as well stand clear. A nicely made and well paced light piece from the producers of the rather more serious "Once Were Warriors."

There have been a lot of great culture clash stories, and culture clash love stories, over the years, but this isn't one of them. Part of the problem is we have three cultures here (New Zealand, Bosnian, and Chinese), yet we really don't explore them in depth (except perhaps the Bosnians), so there seems no apparent reason why the New Zealand and Bosnians wouldn't get along except for plot purposes. And while the sex between the two main characters is well-handled, it seems to be the only thing the relationship is based on; we don't really see them get to know each other. The two main characters are appealing, and the two actors who were in ONCE WERE WARRIORS(here playing brothers instead of father and son) are both good, but it still falls short.

I really liked this film. It was a love story like West Side Story. It has probably been 7 or 8 years since I last saw this film. I think a film is especially meaningful when it is related to some real crisis or event. In the case it was the migration of Croatian refugees to New Zealand and their conflicts with the Maori which said a lot about the issues of race, class and ethnicity.

But what has really stuck with me was the music. The recurring gypsy/tango musical interlude made the film for me. It is in my ears right now sort of like the theme for "Last Tango in Paris". I thought there was no published soundtrack made for this film. Please if you are aware of where to obtain a copy of this soundtrack, please let me know.