Midnight in Saint Petersburg

What is wrong with movie writers, producers, and directors? There is a sizable market of baby-boomers who would love to see sequels of fondly remembered movies from the 60s, yet it seems that the powers-that-be are deliberately ruining virtually every opportunity to tap into that market. Granted the younger movie-going public has shown they have little or no attention span, but I have to believe that a good movie would appeal to enough of them to make some money. I cite (shudder) The Avengers and (retch) Wild Wild West as 2 of the worst offenders possible and the 2 90s Harry Palmer films aren't far behind them. Directors: WATCH SOME 60S MOVIES AND TRY TO RECAPTURE THE MAGIC. It is tough, if not impossible, to do, but you can do better than you have been doing. Using some of the original stars such as Michael Caine, Robert Vaughn, David McCallum, Robert Conrad or whomever is still this side of the sod would be wonderful, but it still would require a good script. The 2 Harry Palmer movies don't get it. The music is wrong, the car and boat chases are wrong, the ambiance is wrong, the supporting cast is wrong, etc. Do better while there is still time.

Well, as a movie, it isn't that great, very predictable, specially who the bad one is. How ever, I have been going to St Petersburg just about every year since 1998, but not this year :( and it really made me miss her.

What I liked about the movie was that it should a lot of real Russians (like at the Circus) and had many Russian actors, and pretty realistically portrayed St Petersburg, including the feuds between the mafias at that time, and the checking for weapons at some popular restaurants. I also recognized the interior of the Nevskii Palac which has since changed hands but is still a ***** hotel. I stayed across the street once and around the corner once for a week in Russian style flats for what they want for a night ;-) I don't speak fluent Russian, but I know enough to understand that he was told to meet the guy that was shot at the Leningradky Vokzahl (railway station) by the statue of Lenin. This is a famous place in SPB, one of the few public statues of Lenin still existing and people jokingly mention that he looks like he is trying to flag down a 'cab' (not an official one of course, just any car, including an army vehicle, that might be headed in the right direction). So when he makes the misleading statements about going to Moskow and shows up at the Moskovsky Vokszhal I was wondering what they would do until he took another cab to the right place. Rarely do I get the 'insider's thrill' like this'.

Not a movie to watch if you want great cinema, but one to see for glimpses of real Russia. I also liked that the Russians were not the bad guys per se and vice versa.

Could have been a much better movie. I was not surprised to learn it was 'made for TV'. Michael Caine was Michael Caine, which is to say the character fits him like a glove, but he did seem to be mailing his performance in. Needed a much stronger director I think.

This sequal to bullet to beijing was ok. I don't feel like it was as good as that film and there was not enough memorable pieces to it. Its a film that didn't really need to be a sequal and almost worked better as a standalone, if it was not for the returning characters. I also felt we needed more gambon as he was not all that featured in this. The plot about finding missing plutonium was a little watered down and never really went anywhere. But the cast were all still good and once again it was enjoyable to see caine back at it for the last time as palmer and probably for the best as well as the character is a little worn out now. Overall not as great as the other movie and almost not a good end to what was otherwise a pretty good series.

Every film series runs it's course eventually. Sometimes it's the audience that gets fatigued and votes with it's wallet by not attending the latest sequel and other times the latest sequel runs out of ideas and falls flat.

Harry Palmers audience did the first in 1968 with the ''Billion Dollar Brain'' - a smart adaption of Deighton's novel which itself was quite outlandish in comparison to the film versions of the ''Ipcress File'' and ''Funeral in Berlin''.

The second time a rejuvenated Harry Palmer series ran out of steam was in this film during which the latter happened.

Come the mid 1990's with dwindling good acting opportunities for Michael Caine and a new appetite for spy thrillers from cinema-goers two more Harry Palmer films were committed to celluloid. The first ''Bullet to Beijing'' was a nice if flawed reunion movie for an older Harry Palmer but it's sequel here ''Midnight in St. Petersburg gets swiftly derailed by a bankrupt script and lower budget.

The problem is that it very much plays like a remake of it's immediate predecessor only with a much smaller scope and budget. It even revolves around a film studio location in it's later stages...

The plot is Harry Palmer has set up a private investigation agency in Russia and he has to search for some stolen Plutonion as well as his assistants ballerina girlfriend who has been abducted. The two story strands come together in the films finale at midnight in St. Petersburg.

Michael Caine is always entertaining as Harry Palmer but he looks bored here. Some of the supporting actors are quite good and some are just plain bad. The dialogue is very poor at times and it's all quite forgettable.

That said if you don't compare it to the other films in the series it is reasonably entertaining overall and there are a few genuinely good scenes in the film. But it was definitely a sequel too many for Harry Palmer I'm sure most would agree.

Every time I woke up during this film there seemed to be Caine jumping in a car and rushing off somewhere.If it was trying to capture the magic of the first three Palmer films then it failed miserably,not just because they were the product of a different time and atmosphere, but because its a muddle to a point I really didn't have a clue what was going on, just a lot of cars buzzing about,old factories and the usual rat-tat-tat dialogue. While Caine was hungry for the fame in the first Palmer pictures and acted accordingly, he is not hungry anymore here and is obviously just Michael Caine acting as Michael Caine, but its not all his fault as he has no foil here to bounce off due to the dull co-stars.