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5.2/10
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Mary, a precocious high school senior, longs to be a cop. When a classmate dies and the case remains unsolved, Mary becomes obsessed and gets involved in the investigation.Mary, a precocious high school senior, longs to be a cop. When a classmate dies and the case remains unsolved, Mary becomes obsessed and gets involved in the investigation.Mary, a precocious high school senior, longs to be a cop. When a classmate dies and the case remains unsolved, Mary becomes obsessed and gets involved in the investigation.
Tiombe Lockhart
- Girl #2
- (as Tiombe Anika Lockhart)
Ashley Crow
- Roxanne
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I searched out this one after seeing the hilarious and linguistically challenging "Clueless" (1995), perhaps Alicia Silverstone's best known effort from early in her film career. "True Crime" has Kevin Dillon, which should be helpful in improving most film projects. In fact everyone in the cast does a good job . The only disappointment I think the movie has for me is an awkward "feel" to some of the scenes, coming from the need to run a quite uncompromising, grown up theme as part of what in tone starts out as a schoolgirl adventure.
Alicia Silverstone is pretty good in this one. She carries off well the naive enthusiasm and growing unease that affects Mary Giordano as she manoeuvres towards the truth behind the serial murders. I reckon her characterization of MG has some mileage in it too. The inference of the story line is that she goes on to a career in law enforcement. It could be really interesting for an older Silverstone to revisit Giordano at a time of crisis later in the officer's life. Just a thought!
"True Crime" shows its director in a good light. Pat Verducci also has the writing credit. I don't know of any other film work PV has done. I can only wonder what happened after such a promising start.
Like most productions, this one has a largely unknown supporting cast, although Bill Nunn (Detective Jerry Guinn) is hardly that. Over the past decade he seems to have been able to secure an impressive number of screen appearances. I recall seeing him recently in "Carriers" (1998), a made for TV presentation with a military theme. Bill Nunn played "Captain Arends". Fans of the classic US TV comedy show "Who's the Boss" may also have an interest in "Carriers" because the leading player is Judith Light, remembered with affection by many because of her lengthy involvement with the show.
"True Crime" could easily not have worked, but it does OK. I think it is an entertaining story worth seeing.
Alicia Silverstone is pretty good in this one. She carries off well the naive enthusiasm and growing unease that affects Mary Giordano as she manoeuvres towards the truth behind the serial murders. I reckon her characterization of MG has some mileage in it too. The inference of the story line is that she goes on to a career in law enforcement. It could be really interesting for an older Silverstone to revisit Giordano at a time of crisis later in the officer's life. Just a thought!
"True Crime" shows its director in a good light. Pat Verducci also has the writing credit. I don't know of any other film work PV has done. I can only wonder what happened after such a promising start.
Like most productions, this one has a largely unknown supporting cast, although Bill Nunn (Detective Jerry Guinn) is hardly that. Over the past decade he seems to have been able to secure an impressive number of screen appearances. I recall seeing him recently in "Carriers" (1998), a made for TV presentation with a military theme. Bill Nunn played "Captain Arends". Fans of the classic US TV comedy show "Who's the Boss" may also have an interest in "Carriers" because the leading player is Judith Light, remembered with affection by many because of her lengthy involvement with the show.
"True Crime" could easily not have worked, but it does OK. I think it is an entertaining story worth seeing.
There's nothing worth seeing here. The plot is generic, the acting is bad, the characters are underwritten, the dialogue is painful, it's full of cliches. The only reason I saw this was because I'm a huge fan of '90s crime thrillers like Se7en and Kiss the Girls, and was hoping this would fall under that umbrella. It technically does genre and plot-wise, but quality-wise, this has to be one of the worst examples of the serial killer subgenre.
Silverstone's stone-faced performance does the movie no favors. At least Dillon knows he's in a trashy movie and his performance is suitably hammy as the mysterious rookie cop. He's also trying to an extent, unlike Silverstone who just looks bored. Watching them exchange dialogue is like watching a brick wall talk to a plastic bag. And their chemistry? Well, it's about as romantic and titillating as Irreversible.
I was at least hoping for some skin - an erotic sex scene to spice things up perhaps - but no, the movie deprived us of even that. There's no entertainment value to be had here. I laughed once, when Dillon first bumps into Silverstone's character and is promptly maced in the face. Though I'm not sure that was meant for laughs.
Again, there's no reason to see this movie, so don't. Watch Se7en again.
Silverstone's stone-faced performance does the movie no favors. At least Dillon knows he's in a trashy movie and his performance is suitably hammy as the mysterious rookie cop. He's also trying to an extent, unlike Silverstone who just looks bored. Watching them exchange dialogue is like watching a brick wall talk to a plastic bag. And their chemistry? Well, it's about as romantic and titillating as Irreversible.
I was at least hoping for some skin - an erotic sex scene to spice things up perhaps - but no, the movie deprived us of even that. There's no entertainment value to be had here. I laughed once, when Dillon first bumps into Silverstone's character and is promptly maced in the face. Though I'm not sure that was meant for laughs.
Again, there's no reason to see this movie, so don't. Watch Se7en again.
Alicia Silverstone (pre-"Clueless") plays a modern-day crime-obsessed teenager attempting to solve the brutal slaying of a local girl. Pat Verducci wrote and directed this B-flick, which isn't especially well-made but is however surprisingly serious-minded in regards to its leading character. Silverstone is appealing and successful in carving out an interesting young woman here, despite the picture's kitschy undermining. The supporting cast (including Kevin Dillon and Michael Bowen) isn't bad, though the violence in the last act goes overboard. Not a cheesy camp-fest, but nothing exceptionally memorable either. *1/2 from ****
I try to be very objective when I view a low budget movie. I also apply a lower weight to independent and low budget productions versus the big budget productions. I expect near flawlessness from big budget productions and their studios. Therefore I apply tougher criteria to the major studio releases. But this movie was just a dud. Period. The premise was terrible. The main character, Mary Gordano (Alicia Silverstone), was unbelievable as a high school senior with an unquenchable desire to solve crimes. There was not enough depth in her character or her acting that pulled you into her world. Also, to make this movie more mysterious, the lighting in certain scenes did not set the mood, especially in the warehouse.
Once again another disappointing movie that I could only give three points to.
Once again another disappointing movie that I could only give three points to.
Alicia Silverstone stars in True Crime in which she plays a Catholic school girl about to graduate who has an intense interest in criminology. In a more innocent time she would have been cast as Nancy Drew.
One thing in those Nancy Drew novels and also with the Hardy Boys the juvenile sleuths never went after criminals whose mental states were in question. If you can recall the kids going after a sex criminal so be it, I sure can't. Takes a whole different kind of perspective in dealing with that. A theme that should have been more clearly developed but wasn't in the film.
During the course of the investigation she starts looking at a stranger hanging around where her school girl friends go. It turns out to be Kevin Dillon who is close to graduating the police academy. The two turn into an R rated Nancy Drew and Ted Nickerson. But it certainly doesn't end that way.
I think the roles were superficially drawn here and the players not given direction enough so they were left to their own devices. This had the potential to be better than it is.
One thing in those Nancy Drew novels and also with the Hardy Boys the juvenile sleuths never went after criminals whose mental states were in question. If you can recall the kids going after a sex criminal so be it, I sure can't. Takes a whole different kind of perspective in dealing with that. A theme that should have been more clearly developed but wasn't in the film.
During the course of the investigation she starts looking at a stranger hanging around where her school girl friends go. It turns out to be Kevin Dillon who is close to graduating the police academy. The two turn into an R rated Nancy Drew and Ted Nickerson. But it certainly doesn't end that way.
I think the roles were superficially drawn here and the players not given direction enough so they were left to their own devices. This had the potential to be better than it is.
Did you know
- TriviaThis film has two titles. It is also known as "Dangerous Kiss". Furthermore, when viewing the movie on Amazon Prime, they still show the "Dangerous Kiss" title in the opening credits.
- GoofsWhen Mary reads the case file after breaking into the police office, the word "HOMICIDE" is misspelled "HOMOCIDE".
- ConnectionsReferenced in True Detective: After You've Gone (2014)
- SoundtracksThe Four Seasons
Written by Antonio Vivaldi
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