IMDb RATING
5.1/10
3.4K
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A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects ... Read allA woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.
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Laura Caulfield
- Actress on Soap Opera
- (as Laura Ann Caulfield)
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If a film could be rated just for ideas, then perhaps i would rate higher than a five. For me, the ratings are all about the overall entertainment value that watching a movie provides... and this film did provide some entertainment! It's definitely a thriller rather than a horror. And in some ways a very simplistic thriller at that. Every character has two dimensions, or sides to their personality. Angie is schizophrenic, there, simple, two sides to a personality. The man across the hall is possibly undecided about whether he wants Angie, or wants to get back with his ex. Another two sides! His ex and his twin brother (another two!) play one role in front of him, and another when with each other! Two's company to be sure! And the list goes on.
The possible calculations of all these two's, allow the movie to traverse its twists and turns without too much friction... it's a thriller, and we don't want to know "who done it?" till the end, right?? So we learn a little about Schizo-Angie's world, and very little it is at that, and then see her plunged into a carefully designed, even designer, nut-ball apartment of hell. And believe me, what goes on would be enough to send anyone schizo, let alone someone already suffering problems! The acting is passable... Stephen Railback does well playing both twin brothers, Ronny Cox plays the same character he always does... oooh, he can look mean when he wants to! And Sharon Stone has her usual moments of smouldering sexuality, determined beauty, and vulnerable perfection which make her performance and her 20-something virginal character acceptable! However, I did spot one rather interesting fish impression... I wonder if she's thought of developing that into a mermaid role or something!!
The complexity of the situation Angie finds herself in is what really makes the film. With thrillers, or horrors, we viewers do need to ask "just how will she get out of that!" And for this low key, low budget film, they certainly made sure we asked the question!
"And what was the point of the scissors?" you ask... well, scissors have points!!
The possible calculations of all these two's, allow the movie to traverse its twists and turns without too much friction... it's a thriller, and we don't want to know "who done it?" till the end, right?? So we learn a little about Schizo-Angie's world, and very little it is at that, and then see her plunged into a carefully designed, even designer, nut-ball apartment of hell. And believe me, what goes on would be enough to send anyone schizo, let alone someone already suffering problems! The acting is passable... Stephen Railback does well playing both twin brothers, Ronny Cox plays the same character he always does... oooh, he can look mean when he wants to! And Sharon Stone has her usual moments of smouldering sexuality, determined beauty, and vulnerable perfection which make her performance and her 20-something virginal character acceptable! However, I did spot one rather interesting fish impression... I wonder if she's thought of developing that into a mermaid role or something!!
The complexity of the situation Angie finds herself in is what really makes the film. With thrillers, or horrors, we viewers do need to ask "just how will she get out of that!" And for this low key, low budget film, they certainly made sure we asked the question!
"And what was the point of the scissors?" you ask... well, scissors have points!!
Scissors is a tense psychological thriller where a disturbed woman (Sharon Stone) is trapped in an apartment by an unseen intruder in an attempt to drive her crazy. This film relied heaveily on Stone's dramatic acting and honestly she created a very believable and sympathetic character. She had to carry this film by herself basically and she pulled it off well.
Before Sharon Stone hit big with Basic Instinct, she made Scissors - another thriller than gave her what was easily her best role at that time. In it, Stone plays a repressed 26 year old virgin who repairs broken dolls and sees a psychiatrist (Ronny Cox) who keeps trying to free her of her repressed childhood memories. Things take a bizarre turn when she's attacked in the elevator by a red headed man with a beard and she stabs him with a pair of scissors. He leaves, but not before taking her purse and keys. She begins living in fear that, one day, he'll return and finish the job.
Enter a kindly actor neighbor and his invalid creep of a brother who both take a liking to our heroine as her mental stability takes a turn. She's eventually called on to interview for a job at a fancy new loft and ends up locked in, further complicating her already fragile mental state.
There's a lot going on in Scissors and most of it doesn't need to be there. The entire subplot with the two brothers could have been dropped completely since the payoff isn't interesting enough to warrant its inclusion in the first place. Stone is good, especially when she finally starts losing her mind. The final twist is far fetched, but does make some sense in the grand scheme of things. It's just a shame that the movie spends so much time on characters and subplots that feel like they're from a different film entirely.
Enter a kindly actor neighbor and his invalid creep of a brother who both take a liking to our heroine as her mental stability takes a turn. She's eventually called on to interview for a job at a fancy new loft and ends up locked in, further complicating her already fragile mental state.
There's a lot going on in Scissors and most of it doesn't need to be there. The entire subplot with the two brothers could have been dropped completely since the payoff isn't interesting enough to warrant its inclusion in the first place. Stone is good, especially when she finally starts losing her mind. The final twist is far fetched, but does make some sense in the grand scheme of things. It's just a shame that the movie spends so much time on characters and subplots that feel like they're from a different film entirely.
This film was made in 1991, and it is sort of odd. Sharon Stone however, looks great (she is more understated, young and fresh). Steve Railsback ("Helter Skelter", and the more recent "Ed Gein") is strange and menacing.
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
The film itself has some odd cinematography and sets, including the apartment where Stone is abducted. Sort of a cold, Los Angeles modern look to it. It was marketed as suspense/horror. Probably more suspense/mystery.
Ronny Cox as Stone's psychotherapist and Michelle Phillips as his politician wife, so there is a message somewhere lost in the script. It is not the worst, and Stone looks beautiful, so it's worth a shot. 6/10
I first saw "Scissors" some ten years ago, and I had kept some memories of it when I saw it again on tv. It fulfilled my expectations, as I remembered it as rather interesting, though somewhat far-fetched.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
Several reviewers have wondered about the necessity of showing Sharon Stone's beautiful bare breasts. I think it signifies that, though she reacts frigidly to men's advances, her sexuality is nevertheless present and no longer repressed when she is alone. Most writers rightly stress the excellency of the impersonation of Sharon Stone, on her (delayed)way to stardom. However I should like to point out that Steve Railsback, a very underrated actor, is quite remarkable too in the dual role of the neighboring twins. I think the film is worth a 8.
Did you know
- TriviaAfter the success of Sharon Stone's Basic Instinct (1992), this film was retitled in German as "Final Instinct".
- GoofsSupposedly taking place in Chicago (though there's no attempt to give even the barest hint of it being in Chicago -- the apartment building is very LA), but the sloppiness gets very evident when you see the (213) Los Angeles area code on the toy building across from the insane apartment she ends up in (Chicago's area code is 312).
- Alternate versionsIn Britain 11 seconds were cut from the video version by the British censors to edit shots of Angie being punched and her clothes torn during the elevator assault scene. The 2002 Hollywood DVD is uncut.
- ConnectionsFeatured in Bad Movie Beatdown: Scissors (2012)
- How long is Scissors?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Fenêtre sur crime
- Filming locations
- Los Angeles, California, USA(Filming city, as Chicago.)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,368
- Opening weekend US & Canada
- $2,368
- Mar 24, 1991
- Gross worldwide
- $2,368
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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