Les Imposteurs

The object in question is a pint-sized Henry Moore statuette, owned by shallow sophisticate Andie McDowell and appraised at $35,000, an amount in many ways even more beautiful to its owner than the item itself. Especially when McDowell and her 'husband' (played to haughty perfection by John Malkovich) find themselves at a fiscal disadvantage while living beyond their means in a posh London hotel. In the vernacular of the upwardly mobile, they aren't 'fluid', and when the statuette disappears they immediately accuse each other of plotting to collect the insurance value. The film is an underhanded, cynical, satirical poke at American materialism, pointless in the end because nothing is resolved. But the plot itself is secondary to the characters (ugly though they are), and rarely have two actors been better suited to their roles: McDowell's poor little rich girl routine is by now second nature, and Malkovich captures all the self-absorbed boredom of the ersatz upper class with his languid voice and steady reptilian gaze.

I remember liking this film more on first viewing many years ago. I still liked it, but maybe not as much. Some people called it slow-moving, I prefer thoughtful. Malkovich once said it was among his favorites, but perhaps he was just being contrary. The titular object. A Henry Moore statuette, seemed to me to be singularly ugly, an almost certainly deliberate irony. Oh, and for those who commented on the nude scene by Andie MacDowell, be advised that it wasn't her.

It is difficult for me to comprehend why there is only one viewer comment for this film, or why it is rated under a six. If an excellent film is about entertainment, intelligence, great acting and a terrific story with a treasury of clever humor that expounds the deeper meaning of a good relationship between a man and a woman over wealth and selfishly egotistical success, then this is a standout film that achieves a richness of artistic accomplishment that very few films do. No one truly sees the beauty of the bronze statue except the lowly and weathered housekeeper, a financially struggling mute, unable to express the profound feelings that are moving within her in words, but Rudi Davies sure gets it across with her expression and eyes. I had to drive 30 miles to the Cedar Lee Theater, Cleveland's only real art house, during it's original release, but after the film was over I realized it would have been worthwhile if I would have had to walk...some films are just that special

This movie disappointed me. It's billed as a 'low key comedy', but ends up being so low key, you wonder (with the exception of a couple of scenes) where the comedy is. Most of my disappointment, however, stems from the script - aside from the chambermaid and her brother, I simply did not care what happened to the characters. The juxtaposition of the two ways of life was excellent - but it's too obvious where the scriptwriter's sympathies lie.

Jake (John Malkovich) and Tina (Andie MacDowell) are living beyond their means in a classy London hotel. Hotel manager Mr. Mercer (Joss Ackland) and his underling Victor Swayle keep trying to collect. Jake is down from a cocoa investment in Sierra Leone. Tina has a small highly priced Henry Moore sculpture from her husband Larry (Peter Riegert) which Jake would like to sell. Joan (Lolita Davidovich) is her friend. Deaf maid Jenny steals it for its beauty. The hotel investigates. The insurance company stalls on paying the claim. Distrust grows between the couple. Jenny's brother Steve tries to sell the ugly little sculpture.

As a comedy, it's not that funny. It's intermittently quirky. Its pacing does not give it the needed tension. It's a bit of an odd duck. It has a darkness but isn't dark enough to be compelling. Nobody is worth rooting for. I worry more about the sculpture than any of the characters. This film needs an upgrade in intensity. I have questions about how Victor gets to ransack Jenny's home. I also have questions about who that lady is to Jenny. I would be more interested in following the odd little head than any of these characters.