La mort sera si douce

If you're as huge of a fan of an author as I am of Jim Thompson, it can be pretty dodgy when their works are converted to film. This is not the case with Scott Foley's rendition of AFTER DARK MY SWEET. A suspenseful, sexually charged noir classic that closely follows and does great justice to the original text. Jason Patrick and Rachel Ward give possibly the best performances of their careers. And the always phenomenal Bruce Dern might have even toped him self with this one. Like Thompson's book this movie creates a dark and surreal world where passion overcomes logic and the double cross is never far at hand. A must see for all fans of great noir film. ****!!!

Intense actors like Bruce Dern, Jason Patrick and Rachel Ward combine to make this modern-day film noir a winner. Of the three, I don't know who was most interesting as all offer good performances and intriguing characters.

Patric does the narration in this noir, playing an ex-boxer and mental patient. Wow, that alone makes for an interesting guy! He looks dumb, but he isn't. Ward is the slinky, attractive, cynical, intelligent and compassionate co- conspirator of a kidnapping plan that goes bad. Bruce Dern also is in the mix and Dern never fails to fascinate in about any film.

The movie could be considered kind of downer to the average viewer, but I found it fascinating....and I don't like depressing movies normally. What I found was a kind of quirky crime film. Take a look and see if you agree. This is pretty unknown film that shouldn't have that status because it's simply a good story and well-done.

'Noir' is a film style which is now long gone. There were some good noir films and there were a great many mediocre ones, but that era, and the monochrome (posh word for 'in black and white'). But they were very much of their time, what with the supercool narration, hip dialogue, amoral heroes and generally being downs. The good guys weren't good guys and if they died, well, what did they think they were supposed to do?

At their best they weren't action films but psychological, and although many did have a passable plot, the plot wasn't what you watched them for. You watched them for the double-dealing, the treachery. When the time came for all films to be made in colour (and these days if you want to make a 'monochrome' film, you have to shoot it in colour, then let the lab reduce it to black and white because no one manufactures black and white film stock any more) they seemed to have died a death, which is probably when the mediocre noir films were made.

But writers and directors being a certain breed, they were still attracted to 'noir' in which plot comes second to character and psychology. The rather fanciful term 'neo noir' was coined to somehow contain them, but I for one put the term down more as a pretentious phrase to drop into conversation when you are chatting up a female film buff than anything which means much these days.

After Dark, My Sweet – the title is utterly gratuitous, by the way, and relates to nothing in this film – is, at the very least, a genuine neo noir, despite my misgivings about the phrase. Don't watch it for the plot, watch it for the acting, the interaction between three losers – Jason Patric, always worth the price of admission, Bruce Dern (ditto) and Rachel Ward – and the utterly convoluted, at times quite hard to follow, storyline.

It has its flaws but will keep you watching if this is your bag. It is mine. It would be pointless to outline the plot, as so many do here in IMDb reviews, and all I shall say is that if you reckon this is your bag, you won't be disappointed. Fans of car chases, shoot-outs, violence, neat endings and 'story' would be well advised to look elsewhere. If, on the other hand, you fancy an intriguing 'neo noir' give it a whirl. You won't be disappointed. And if you can make head or tail of it, award yourself a brownie point or two. But it ain't half bad, and then some.

This is a moody, oblique, adult thriller that seems to bore most of the reviewers so far, making me think that they're all mostly adolescent-type viewers. While not a perfect film noir, AFTER DARK, MY SWEET is a particularly unusual one in that it uses bright atmospherics as opposed to the standard dark ones used to enhance the downward decadence of the material. This picture was made at a time when pulp novelist Thompson was getting a bit of a revival on screen, with a remake of THE GETAWAY and a nifty film version of THE GRIFTERS. The remarkable French film COUP DE TORCHON, also based on a Thompson novel (entitled POP. 1280) uses the same bright noir approach. AFTER DARK, MY SWEET stands admirably along side all these films as a relevant tribute to a writer who often exposed people's dark anxieties with tough, stylish precision! Check out the widescreen Artisan DVD for some nicely done and highly-recommended, adult moviemaking.

Ex-boxer turned drifter, Kid Collins (Patric), wafts his way into the life of a con-man and a drunk. Wanting to stay below the radar, Collins takes refuge with a woman that trades shelter for work. The death of her husband has plummeted her into a world of alcohol and rage. As Collins begins to build a relationship with her, she shares with him details of a kidnapping plan that her and her 'Uncle' have been working on. Thinking that Collins is nothing more than a mental lackey, they persuade him to help with the diabolical plan. Little do they know that the monsters struggling inside Collins' mind are about to be unleashed onto the world. As the plan begins to disintegrate before their eyes, loyalties are lost, and nobody can be trusted.

What an amazing find! When I began watching this film I was not expecting to be so surprised. Jason Patric is spectacular in this film and demonstrates powerfully his ability to control and maintain a troubled character. I never once felt that he had stepped out of character during this performance. This is due in part to the exceptional direction by James Foley that creates a story so imaginative and real that you begin to feel as if this could be a town next to yours. Foley gives us flawed characters that take away that image of perfection and helps build deeper emotional ties. Foley also never gives anything away. Throughout this entire film, I never knew what was going to happen next. This is surprising for a Hollywood notorious for 'jumping the gun'.

Patric's performance with Foley's direction coupled with a completely terrifying secondary characters (like Bruce Dern and Rachel Ward), After Dark My Sweet is a true diamond in the rough.

Grade: ***** out of *****