McBain

A Vietnam POW called Robert McBain (Christopher Walken) is freed by a valiant soldier (Chick Vennera) who is killed while is trying a state coup in Columbia (though it was shot in the Phillippines and not actually in Colombia as the movie depicts) . Years later , McBain is appointed by his sister (Maria Conchita Alonso) , then he leads a band of veterans (Michael Ironside , Jay Patterson , Thomas G.Waites , Steve James) into battle against Columbian cartel . As Walken and crew do kidnap a character similar to Gotti and extort money from him to finance the coup in Colombia . The posse of mercenaries join together to infiltrate by means of an airplane in Columbia and bring to justice , both , the country's leading drug crime King -Pablo Escobar- and his own corrupt Prime Minister (Victor Argo) . They hold several risks , odds and dangers .

The picture is plenty of action , blast , explosion , battles and numerous kinds of vehicles : planes , jets , buses , jeeps get blown up . It's disconcerting combined , including a little bit of violence when the fights happen , romance between the protagonists (Walken and Conchita Alonso) and brief characterization of the various roles . Christopher Walken is nice as the two-fisted , he-man starring , he is an one army man who wrecks havocs a group of evil-doers . The movie provides fast and furious entertainment and action with no sense developing itself in great agility , fast paced and movement . The scenes shot all around New York City were in fact real locations such as the Drug House, The Hospital , The Brooklyn Bridge and the Hudson River , everything involving Colombia was shot entirely in the Phillippines .

The motion picture was regularly directed by James Glickenhaus . Being born in New York City where he usually shoots his movies . Glickenhaus served as the chairman for the film company SGE Entertainment from 1987 to 1995; this company specialized in both making and distributing low-budget independent straight-to-video fare . He's an expert on violent action movies and so-so films as proved in this ¨McBain¨, ¨The soldier¨ and this ¨Shakedown¨ . He's also directed a Jackie Chan vehicle titled ¨The protector¨ , the eerie thriller "Slaughter of the Innocents" and the attractive sci-fi romp "Timemaster¨ and of course the extremely violent , low-budgeted and successful 1980 movie , ¨The exterminator¨ , a cruel Vigilante drama . And James was the executive producer for the movies "Maniac Cop," "Frankenhooker," both "Basket Case" sequels, "Ring of Steel," and "Tough and Deadly" . Rating : Average , 5,5/10 but entertaining . Mediocre but entertaining .

Christopher Walken is Robert McBain - a P.O.W. who was once rescued by a soldier named Santos. After Santos' death, McBain returns the favor to Santos by helping his country do battle with their president and his army.

The beginning of this film was basically the best scene put into this film. The rest carries on a little boring, but not awful. The title itself is suppost to convince you that McBain is like John Rambo of FIRST BLOOD. Watch carefully! The other characters portrayed in this film are actually more heroic than him. So a thing that could improve this film would be a different title and a little more action.

What worked for me in this film were the action scenes that did keep my eyes glued to the screen. Some low-budget films can do that to you. Just watch and see!

McBain is not that bad, but then again, not that great. If you want some real action films, try FIRST BLOOD or DIE HARD.

Don't kid yourself: you're here because you want McBain to be an hour and a half of Christopher Walken flooding the screen with bullets and blood, swaggering through the gloriously gratuitous action movie carnage while spewing one-liners like everyone's favourite Arnold Schwarzenegger parody from The Simpsons. And if he chose to adopt a half-baked Schwarzenegger impression, melded with his legenDAry eNUNciation? Well, the screen might just crack under the ecstatic deluge of cinematic gold, the viewer whisked away by choirs of cigar-toting angels dressed like periwinkle goats, offering them margaritas in glasses covered in googly eyes.

Alas - the movie gods do not always deliver, and we can only wonder how writer/director/schlockmeister James Glickenhaus sleeps at night for deluding us (if you answer "on a pile of money, surrounded by beautiful girls", you're a-okay with me). What we get with McBain is a movie that's in many ways just as silly, though less willing to make peace with it. It's probably one of the better B-movie Rambo knock- offs lumbering around the $0.99 DVD bin, if only because it's so earnest about its serious political aspirations in its tale of jingoistic, macho, white saviour interventionism it's kind of adorable. For those turning the film into a drinking game (and, again, why else would you be here), look for each moment Walken is framed heroically by some piece of American iconography - welding on the Brooklyn bridge, or crabbing next to Lady Liberty - or, later, posturing in front of the Colombian flag. You won't be disappointed. Or sober.

To his credit, Glickenhaus crafts a mighty impressive action sequence. As Walken and his war buddies stage a military coup in Colombia (though amusingly apparent as the Philippines, right down to the distinctly non-Colombian extras), with explosions, bullets, tank and plane chases galore, their blowouts are so fun that we even temporarily transcend the evident cheapness that permeates the rest of the film, from its wobbly dialogue to its grainy, washed-out cinematography. There's even the occasional striking image - a shark-painted helicopter soaring over the gorgeous cough-Vietnam(?)-cough scenery, and the opening sequence, where a group of discharged GIs rescue Walken from a bamboo cage POW camp because America, it's actually fairly thrilling, thanks largely to some stylish cross-cutting and Christopher Franke's pounding musical score.

But, thankfully, before things slide into being too respectable and/or dull, Glickenhaus grants us enough bits of wonderful weirdness to make it worth our while. Here, Luis Guzmán cameos as a self-righteous drug dealer, who indignantly protests why McBain's crew didn't rob a richer fat cat to finance their revolution than him (so they do, dangling him from a crane), and the United States president orders the printing of red, white, and blue currency as a galvanizing stand against drug cartels. This is the sort of excellent nonsense which makes the world go 'round.

As an additional layer of disappointment, Walken doesn't even get to play outrageously campy action star here; instead he's a sun hat and sunglasses-wearing Hannibal Smith type, leading his A-Team of buds (including the famously grumbly Michael Ironside, who has fun as a multi-millionaire who sheepishly jettisons his life of opulence to go romp around Colombia) with quiet authority as they blow up most of the countryside. Walken's clearly too bored to be as flamboyantly weird as he is at his best, but, lack of grandstanding aside, he can still do no wrong. He's charm personified in a clumsily shoehorned-in love subplot with Maria Conchita Alonso's revolutionary widow, and his nonchalant delivery makes even his most unassuming lines brim with hilarious banality (the best: "she's gonna clear the runway. Or she might be dead. More that that, I don't know"). And, mercifully, he comes away with at least one iconic Walken moment: a patented monologue comparing the corrupt, repressive regime murdering dissenters and getting children addicted to drugs to his time at Woodstock, which is in such hysterically poor taste it's genuinely spectacular - though his taking a camcorder 'revolution selfie' with his mini-A-Team is pretty excellent as well.

This might not be the McBain you or The Simpsons want, but the inherent pleasure of 'Christopher Walken does Rambo meets The A-Team' still provides its share of dispensable, wacky, gloriously overkill macho silliness to ween yourself off your disappointment with. Just imagine Walken bellowing "MENDOZAAAAAA!!!!" as he explodes through the ceiling to confront 'El Presidente, and the world is immediately a better place. Ice to see you, too.

-5/10

My review was written in September 1991 after a Greenwich Village screening.

Boasting excellent production values, "McBain" is a silly action film geared mainly toward overseas audiences. It represents a strong video title for the Shaprio Glickenhaus banner after its theatrical exposure.

James Glickenhaus, in his first writing-directing assignment since "Shakedown" three years earlier, has assembled the elements of an A-grade picture but failed to create an engrossing or believable narrative. Pic becomes a spoof of itself an the genre early on and never recovers.

Prolog has Chick Vennera and fellow soldiers rescuing POW Christoper Walkenon the day the Vietnam War ended in 1975, so Walken owes him one. When Vennera is killed in an abortive coup of the Colombian government 18 years later, Walken agrees to help Vennera's sister, Maria Conchita Alonso, overthrow the drug cartel-run dictatorship there and let the common people come to power.

This timely theme of revolution is treat4ed with a flippancy reminiscent of Sergio Leone's "Duck, You Sucker" and other Italian political Westerns, but Glickenhaus makes it far too easy for Walken and his group of Vietnam vets to reach their objective. Cartoonish action is amusing but never gripping.

Walken, no stranger to uch roles ("The Deer Hunter", "The Dogs of War") appears awkward and bored with a stiff-upper-lip assignment more suited to Glickenhaus' 1980 "Exterminator" leading man Robert Ginty. The extreme earnestness of Alonso as the freedom fighter is overdone. There is no romance in the picture and zero chemistry between the two leads, a glaring deficiency.

Supporting cast of reliable thesps such as Michael Ironside and Steve James mainly provides comic relief. Best acting is by Luis Guzman, who brings panache to his role as a philosophical major domo of a New York crack den. Filming in the Philippines instead of South meria results in Filipino extras who definitely don't look authentic.

Dominating the humans is topnotch special effects and stunt work that lift "McBain" above the norm in the action genre. This technical accomplishment is the pic's raison d'etre and will help it cross national and language barriers.

Typically period-movie, not very good, not exceedingly bad, clear division between the good and the bad. Story about a handful of mercenaries supplying revolution to south- America. Simon Bolivar and Rambo in one package. Anyone familiar with the Stallone vehicle The Expendables will recognize the similarities between this picture and the Expendables fighting El Presidente. This might be called the unauthorized prequel so to say without the bravado and speed of the Stallone picture. Not very uplifting, cliché-filled, but worth every teenage penny, if you like the thrill to be fast and easy and like the old style novel with torn banknotes and honour-killings. I lacked the patience to concentrate dully on this movie, harvested from a rumble sale. Not memorable and soon forgotten. Nicer period-character is Mrs Fletcher from Murder she Wrote. Thrown in the problem of US POW's after withdrawing from Nam, solving it with an ambush and killing th bad guys.