For the Boys - Hier, aujourd'hui et pour toujours

Every so often a film comes along that is misunderstood by critics and ignored by the public, but is subsequently rediscovered and reappraised. I sincerely hope that "For the Boys" will join those ranks. It is an uncommonly sincere, insightful and touching film, and the only things to be held against it amount to quibbles. True, the old age make up is dreadful, and the last five minutes seriously weaken the impact of the film, but the sum total is moving and perceptive.

Bette Midler, giving the performance of her career to date, was robbed of the Oscar in my opinion. It is a brave and sincere effort on her part, and such a pity that it was not met with greater recognition. James Caan plays the shallow, slightly dim Eddie Sparks almost too well. There are times when he truly frightened me. The performances on the whole are restrained; when the occasion for histrionics comes, both stars rise to it.

Thoroughly recommended. I sincerely hope this film finds its audience one day.

In full brassy form, Bette Midler plays Dixie Leonard, who does USO performances in WWII, the Korean War, and the Vietnam War. Throughout pleasant times and hard times (and even through tragedies), she and co-star Eddie Sparks (James Caan) always have to find a way to make sure that the show goes on.

I don't know whether I would call this a masterpiece, but it's some good nostalgia. Midler shows off her talents the same as she did in "The Rose". And moreover, "For the Boys" also looks at the sorts of things going on during those wars, including Cold War-era red-baiting. Worth seeing.

The movie is based during two wars and the relationship between two USO singer. Midler and Caan do a wonderful job at entertaining and showing the colors of the characters. Although it can be very sappy at times, it still is a movie I think even men can enjoy. The soundtrack is quite a experience as well.

A wonderful epic on war, modern American history, entertainment, and music. There is hardly a subject it doesn't touch on, from the 1950s Blacklist, to the antiwar movement in the 1960s, to the exploitation of talent, and to betrayal of friendship in politics and in marriage. All the performances are superb: Midler is extraordinary--her singing, acting, dancing and characterization are peerless; James Caan in one of the finest roles in his post-Godfather career, conveys the talented smarmy-but-sentimental Eddie Sparks; George Segal in a finely nuanced role as Caan's writer, and Arye Gross, who sets the entire backdrop for the story, all are excellent. On top of a plot-line that never sags, we are treated to a musical feast: Many old standards and obscure songs with orchestrations and vocal arrangements that are all first-rate, and the performances are flawless. The dramatization and attention to detail in the various historical periods is accurate and fascinating. Some may find the film too sentimental or simplistic: but it is a film, not an historical study, and sentimentality is different from sentiment. And finally, a movie that not only offers great music, great comedy, a story on an epic scale with characters that are realistic and has you crying in three or four magnificently poignant scenes is truly rare.

Production assistant Jeff Brooks (Arye Gross) tries to convince Dixie Leonhard (Bette Midler) to join Eddie Sparks (James Caan) on his TV special. Dixie is bitter and recounts her history with Eddie. During WWII, Dixie is overjoyed to sing with Eddie. On the other hand, he is dismissive at first and angry at her crude humor. Art Silver (George Segal) convinces them to be an entertainment duo. Dixie's husband gets killed in the war. During Korea, they get caught up in the fighting. Art is blacklisted and Eddie is forced to fire him. Dixie's son Danny starts rebelling and sees Eddie as a father figure. Danny joins the military for Vietnam and Dixie blames Eddie for his lost.

The construction is very flat and biopic-like. The problem is that it's not a biography and it doesn't have that extra appeal. There is very little intensity and the drama has no tension. The central conflict centers on Danny and yet he is no more than a prop. This movie should be mostly about the conflict between Eddie and Dixie over Danny. That's the only place where the drama has any tension.