L'amour n'est pas un jeu

If you were to pick out one River Phoenix film from his cannon of films, to show to someone unfamiliar to his movies, this would be it. It is quite simply a wonderful performance. Although this received an almost non existant cinema release, the magic of this movie will continue for future generations through word of mouth, as I have found, when people discover it, they just want to go out and tell people to watch it! The ending is perfect and says so much more than a thousand words ever could.

This movie contains fantastic performances by Lili Taylor and River Phoenix. The story is very slight and it takes awhile to get going, but for ninety minutes I was interested in these people, especially Taylor. The scene where she orders dinner for herself in an upscale restaurant is very funny. The whole thing makes me miss River very much also.

With the exception of that home video my ex made with her new boyfriend, "Dogfight" is the most upsetting film I've ever watched. The plot involves US Marines bound for duty (and possibly death) in Vietnam, having one last night on the town in San Francisco. As a challenge to each other, the lads partcipate in a game called dogfight, where the guy who brings the ugliest date (the "biggest dog") wins.

Even more disgusting than the game itself is the way Lili Taylor's character, the gentle Rose, gets roped in--eagerly getting dressed up and even touching up her makeup before the contest. It breaks the viewer's heart to see a young woman so trusting walk into something so degrading.

Without spoiling the plot for those who haven't seen the film (you owe it to yourself to do so) it's assumed there is always chance for redemption. River Phoenix, who died tragically just two years after the film's release, is memorable as a soldier who struggles with human contact. And Lili Taylor absolutely shines as the victimized but amazingly forgiving Rose, though it's hard to accept her as "ugly"--I think Lili Taylor is really cute and I'd give anything to go on a date with her.

On the day my friends and I learned of River Phoenix's unfortunate death, we planned to have a movie marathon that weekend. Apparently other people on campus had the same idea. By the time we got to the video store, all of the better known movies (Stand by Me, Mosquito Coast, My Own Private Idaho) had already gone. Someone happened upon Dogfight, of which none of us had ever heard. We decided to give it a shot.

What a fabulous movie! The "first kiss" scene will probably never have an equal: most movies show a first kiss as a passionate, perfect moment rather than an awkward and tense one.

I've seen it a million times, and it will always be one of my favorites. But what always struck me about this film is the silence - it opens very quietly, with no music and only muffled voices of the passengers on a bus. Our first views of the main character Eddie are of him sitting alone on a bus and at a truck stop. It is a perfect way to introduce a character that changes so much from beginning to end. In fact, the film starts at the end, and we are allowed to see the past when Eddie reminisces all that happened to him before he left for Okinawa. The movie has a quiet subtle way about it all the way through. There are tender, heartbreaking moments, but also moments that will have you laugh hysterically. Among the many issues the film addresses are honesty, friendship, forgiveness, war, and love. Someone said this is not a very romantic film, and I agree. It is not romantic in the way that most romances are. It is a decidely un-Hollywood approach to love, which is what makes it so memorable. The first kisses are not beautiful and elegant. They are awkward and uncertain in the most realistic way. They are not backed by melodramatic music, but rather the music that those characters would have really heard in their own ears. The poetry of it is that it ends the same way it began - in the quietest way possible, showing that for the two characters words are not needed.