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Black Robe

  • 1991
  • Tous publics
  • 1h 41m
IMDb RATING
7.1/10
8K
YOUR RATING
Sandrine Holt, Lothaire Bluteau, and August Schellenberg in Black Robe (1991)
In the 17th century, a Jesuit missionary nicknamed Black Robe by the natives and his small party of companions try reaching the Huron tribe in Canada all while facing mistrust, Iroquois warring parties and harsh winter conditions.
Play trailer1:47
1 Video
33 Photos
Period DramaAdventureDramaWar

In the 17th century, a Jesuit missionary nicknamed Black Robe by the natives and his small party of companions try reaching the Huron tribe in Canada all while facing mistrust, Iroquois warr... Read allIn the 17th century, a Jesuit missionary nicknamed Black Robe by the natives and his small party of companions try reaching the Huron tribe in Canada all while facing mistrust, Iroquois warring parties and harsh winter conditions.In the 17th century, a Jesuit missionary nicknamed Black Robe by the natives and his small party of companions try reaching the Huron tribe in Canada all while facing mistrust, Iroquois warring parties and harsh winter conditions.

  • Director
    • Bruce Beresford
  • Writer
    • Brian Moore
  • Stars
    • Lothaire Bluteau
    • Aden Young
    • Sandrine Holt
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    8K
    YOUR RATING
    • Director
      • Bruce Beresford
    • Writer
      • Brian Moore
    • Stars
      • Lothaire Bluteau
      • Aden Young
      • Sandrine Holt
    • 95User reviews
    • 26Critic reviews
  • See production info at IMDbPro
    • Awards
      • 10 wins & 13 nominations total

    Videos1

    Official Trailer
    Trailer 1:47
    Official Trailer

    Photos33

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    Top cast59

    Edit
    Lothaire Bluteau
    Lothaire Bluteau
    • Laforgue
    Aden Young
    Aden Young
    • Daniel
    Sandrine Holt
    Sandrine Holt
    • Annuka
    August Schellenberg
    August Schellenberg
    • Chomina
    Tantoo Cardinal
    Tantoo Cardinal
    • Chomina's Wife
    Billy Two Rivers
    • Ougebmat
    Lawrence Bayne
    Lawrence Bayne
    • Neehatin
    Linian Liu
    • Awondoie
    • (as Harrison Liu)
    Wesley Côté
    • Oujita
    Frank Wilson
    Frank Wilson
    • Father Jerome
    François Tassé
    François Tassé
    • Father Bourque
    Jean Brousseau
    Jean Brousseau
    • Champlain
    Yvan Labelle
    • Mestigoit
    Raoul Max Trujillo
    Raoul Max Trujillo
    • Kiotseaton
    • (as Raoul Trujillo)
    James Bobbish
    • Ondesson
    Denis Lacroix
    • Taratande
    Gilles Plante
    • Older Workman
    Gordon Tootoosis
    Gordon Tootoosis
    • Old Aenons
    • Director
      • Bruce Beresford
    • Writer
      • Brian Moore
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews95

    7.18K
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    Featured reviews

    9MarioB

    Amazing

    I'm a history student of second grade of a french canadian university. So, in a history point of view, I can assure you that this movie is simply amazing. The story is about a jesuite priest who wants to bring catholic faith to the Indians of the french colony Nouvelle-France (New France, the future Quebec of Canada) in the seventeen century. In fact, there was a lot of jesuite doing that by that time. The priest and his young translator ask the Algonquins natives to guide them to the Hurons natives. That is also exactly correct! But in their quest,they had some problems with the Iroquois natives. And that is exactly right! At the end, the priest reach the Hurons. The chief of the tribe tells that if they accept the god of the priest, they will become weak and their ennemies will kill them. And that's what's gonna happen! In fact, the Hurons were the first Indians of New France to accept catholic religion. I saw the movie with the french dubbing. The Indians of that time didn't knew how to prononce R. So, in the movie, they say : obe noie, instead of Robe Noire (Black Robe). I don't know if they said black obe in the English version. In one scence, the priest tells the Indian sorcerer that he is reading a breviaire (book of prayers). And the sorcerer said: beviaire, witout the R. The way the natives are dressed and wears their hairs is also very exact in an historical view. This is not only a great movie, but an amazing reconstitution. Natives actors are great, with August Schlleberg, the always good Tantoo Cardinal and the charming young Sandrine Holt. Lothaire Blutheau is one of the best french canadian actor (see him in Jesus of Montreal). This is absolutely a superb piece of work ! And some kind of perfect history book.
    9michael_the_nermal

    One of the Finest Portrayals of American Indians in the Movies

    This film is brilliant, because it defies conventional stereotypes of European settlers and American Indians. This movie strives and succeeds in its portrayal of Indians and whites as human beings, rather than as villains or saints. Those who feel this movie would show the Indians as noble savages will be gravelly disappointed. The Indians in "Black Robe" can be cruel, and have sexual mores that would disgust the more prudish viewers. The affect of the Jesuit missionaries among the Indians of Quebec is not romanticized or glossed over, nor are the Jesuits shown as evil white devils. All humans in this movie have their flaws and weaknesses and all act "morally" according to their own cultures' expectations. Beresford has crafted a marvelous film that ought to be required viewing in college history courses across the country.

    The cinematography is beautiful, whether we are watching the gilded altars of the cathedrals of Renaissance France, the iridescent glow of a fire at an Indian village, the cramped quarters of an Indian longhouse, or the awesome and heavenly magnificence of the Canadian woodlands and what appears to be the St. Lawrance River. This movie does feature explicit sexual acts and gruesome violence, so I would not recommend this movie at all for very young children. I think most teenagers can handle this film. I suppose this film is very hard to find at your local video rental store, but do yourselves a favor and find it. Your efforts will be amply rewarded.
    9Wuchakk

    North America was never a Garden of Eden

    Released in 1991 and based on Brian Moore's researched novel, "Black Robe" relays the story of a young Jesuit priest in 1634 visiting the French settlement that later became Quebec City. Father LaForgue is assigned to a distant Huron mission accompanied by a young quasi-believing assistant and a family of Algonquin Indians. The group faces challenges beyond the harsh realities of the river trek itself, including an attack by hostile Iroquois. Of course the Indians question the "strange ways" of the priest and his dark attire and wonder whether he is a demon. Instead of addressing him as "Father" they simply call him "Black Robe."

    I've viewed "Black Robe" three times now and it never fails to capture my attention from beginning to end (the film runs 101 minutes), which is why I don't get the criticism that it's somehow unabsorbing. What strikes me most is the raw realism. Viewing "Black Robe" is the next best thing to going back in time and viewing the events firsthand.

    Other highlights include: Lothaire Bluteau's solid performance as the missionary priest; LaForgue's assistant, well played by Aden Young, and his developing love for the daughter of the Algonquin leader, played by the beautiful Sandrine Holt; the Algonquins themselves, particular the patriarch; the freaky midget shaman of a band of Montagnais natives; the harrowing events at an Iroquois fort; the subtext on the truth or falsity of spiritual beliefs, both of the Jesuits and the Indians; and the spectacular cinematography of the Quebec wilderness (mostly the Saint Lawrence River, filmed on location). The film successfully shows the desolate, untamed nature of the NE before the mass encroachment of Europeans.

    Some may wonder: How does it compare to "Last of the Mohicans" or "Dances with Wolves," two contemporary films also featuring realistic portrayals of AmerIndians? Of the two, "Black Robe" is closer to "Last of the Mohicans" since the story takes place in the East and there aren't any cowboys & Indians, although the story takes place well over a century earlier. The film differs from both in that there aren't really any Hollywood contrivances, including conventional movie plotting. As great and generally believable as those other films are, "Black Robe" shows the harsher, bleaker reality, which some may translate as boring.

    However, as raw and realistic as "Black Robe" is, it could've been more so, considering that it fails to show one disturbing reality of Eastern AmerIndian culture, as detailed in Moore's book (pointed out by another reviewer): The film avoids depicting the native practice of ritual cannibalism on a dead infant, a custom that was common among the tribes of the Eastern woodlands. To consume an enemy's flesh was to absorb his power. The heart of an especially courageous foe (such as Jesuit martyr St. Jean Brebeuf) would be eaten by tribal leaders. But, don't get me wrong here, I'm kind of glad the movie left this aspect out.

    "Black Robe" has the same vibe as 2007's "Mongol: The Rise of Genghis Khan," so if you appreciate that style of raw-realism you'll likely value "Black Robe." Needless to say, if you have ADHD or require constant explosions to maintain your attention, stay far away.

    GRADE: A
    Sylvestr

    Great piece of anthology

    For having worked on this movie and lived with it for a period of over 3 years I can tell you that it is a work of passion and will remain in my heart a real epic of reliving the struggle of discovering and living the north American wilderness in the 17th century. The characters expose the clash between the European culture and and indigenous survival in a wild rugged country.
    eunicem

    Magnificent!

    I don't know why it took me so long to see this film, as I had heard of it many times. I think that I was put off by films like "The Last of the Mohicans", which I found dreary. There is no comparison with the oft-mentioned "Dances With Wolves". This film is an outstanding and riveting piece of work. Why others seem to have found it slow or heavy going is beyond me. When I reached the end (far too quickly) I just wanted to sit through it over again.

    Having lived in Canada for some years, I could only marvel at the early colonizers who explored and settled Canada, a vast wilderness with a long, hard, bitterly cold winter - and I never went further north than Toronto! Whether or not one agrees with their reasons for going, whether it be trading, grabbing land or the salvation of the native population, the thought of being completely alone in the bitterly cold wilderness does command respect for their courage.

    The film is set in 1634, a time when France was a cesspool of venality, corruption, intrigue and religious fanaticism, and when the pilgrims had been in Massachusetts for less than 10 years. The French Revolution was 150 years away. Life was hard for the settlers, who were on their own, without the survival kills evolved over thousands of years by the native population, whose life seemed brutally harsh but was a necessary adaptation to the land in which they lived. Early in the film the Algonquin chief tells his daughter than she cannot marry the Frenchman who she had fallen for, as he was a fool and did not know how to provide for her. That was the key. If a man could not provide for his family he could not take a wife. Anyone who became sick or injured must be left behind to take their chances, otherwise they would endanger the survival of the group. I think that this film makes that very clear. As the little group makes their way through Iriquois territory they are attacked by the Iriquois who plan to torture and sacrifice them, not apparently out of malice or wanton cruelty, but to please their God. (We had already seen the Jesuit priest flagellating himself for having impure thoughts).

    The films deals at length with the misunderstanding of each other's religion and way of life, which causes us to question our own - just why do we do that? Why do the Iriquois fight the Algonquin, and the Huron when there is land to spare for all of them? Why did the French and English use the native people to fight their wars? The Indians cannot understand the Jesuit concept of paradise, sitting on a cloud all day with no tobacco, and no sex, but if accepting baptism helps them recover from a sickness , they will compromise. One gets the feeling that if the Jesuits moved out and another sect moved in, the Indians would convert to the new faith if it suited their purpose.

    The scenery, as the party begins its long trek to the Huron mission is breathtaking. What they find when they reach the mission is not surprising, but once again, one has a feeling of admiration for the stoicism and faith of the Jesuit priests who knew that they were going to the ends of the earth and would likely never see their families again. To someone who buys all their food at the supermarket, or from the take out window, the thought of the self sufficiency of these people who live entirely on what they can catch or forage is quite mind boggling. Already the Indians are becoming dependent on the white man's goods. The trading post will not be long in coming. The Husdons Bay Company was set up by Royal charter about 30 years later.

    I would recommend this film to anyone who likes a beautiful, thought provoking film.

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    Storyline

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    Did you know

    Edit
    • Trivia
      The ferocity of the torture scenes prompted accusations of racism from Native Americans. Prominent among the critics was Ward Churchill, who wrote an article that was heavily critical of the film. However, Brian Moore, who had done extensive research on the subject, had actually toned down the documented violence for both his book and his screenplay.
    • Goofs
      In one of the flashbacks to France, Father Laforgue's mother says she is praying to St. Joan. However, Joan of Arc was not canonized until 1920.
    • Quotes

      Daniel: They have an afterworld of their own.

      Father Laforgue: They have no concept of one.

      Daniel: Annuka told me they believe that in the forest at night the dead can see. The souls of men hunt the souls of animals.

      Father Laforgue: Is that what she told you? It is childish, Daniel.

      Daniel: Is it harder to believe in than Paradise where we all sit on clouds and look at God?

    • Connections
      Featured in Siskel & Ebert & the Movies: Beauty and the Beast/Black Robe/My Girl/Meeting Venus (1991)
    • Soundtracks
      Libera Me
      Music by Georges Delerue

      Performed by Christopher Taplin

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    FAQ20

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    Details

    Edit
    • Release date
      • September 14, 1994 (France)
    • Countries of origin
      • Canada
      • Australia
    • Languages
      • English
      • Algonquin
      • Mohawk
      • Cree
      • Latin
      • French
    • Also known as
      • Robe Noire
    • Filming locations
      • Lac Saint-Jean, Québec, Canada
    • Production companies
      • Alliance Communications Corporation
      • Samson Productions Pty. Ltd.
      • Téléfilm Canada
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • A$11,000,000 (estimated)
    • Gross US & Canada
      • $8,211,952
    • Gross worldwide
      • $8,212,122
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 41m(101 min)
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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