Jésus de Montréal
- 1989
- Tous publics
- 1h 58m
IMDb RATING
7.5/10
7.7K
YOUR RATING
A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.
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- Stars
- Nominated for 1 Oscar
- 18 wins & 12 nominations total
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Featured reviews
All of us knows who Jesus is, right?
This movie brings to light a concept of Jesus that most people do not know is a topic of serious academic scholarship. The question is, "What can we reasonably say about Jesus based solely on historical sources?" Of course, the Bible is the primary source, since Jesus is referred to only in passing by nonreligious sources of his time. And, because this is an historical pursuit, one goal is also to separate those things which are clearly matters of faith from those which do not require a religious faith in the man. Therefore, we are left with a Jesus who led an iconoclastic life and was killed for it. The historian cannot say in an historical journal that Jesus was divine, walked on water, or was raised from the dead. This portrait is called "The Historical Jesus".
The historian can, however, make a personal statement of faith-- "I believe Jesus is the Anointed of God, who saves us from our sins". This is not the statement made by "Jesus of Montreal". Masterfully, the cast and crew of the film weave a tale which demands several viewings to fully consume. Both explicitly and through the use of metaphor, Jesus is depicted as a revolutionary teacher of great charisma and whose life was one of tragedy. But this film is not about the traditional Christian concept of Jesus; rather, it illustrates only the human aspects of the man who is, to me, God incarnate. This is the story of Jesus, the man-- not Jesus, the Christ. Christians may be disappointed by it, or outraged, but I encourage us all to remember that where that where faith (trust in that which cannot be observed) begins, there the historian (or scientist) must stop. Believers go further. I highly recommend this movie to anyone who wants to think, be they a believer or not.
This movie brings to light a concept of Jesus that most people do not know is a topic of serious academic scholarship. The question is, "What can we reasonably say about Jesus based solely on historical sources?" Of course, the Bible is the primary source, since Jesus is referred to only in passing by nonreligious sources of his time. And, because this is an historical pursuit, one goal is also to separate those things which are clearly matters of faith from those which do not require a religious faith in the man. Therefore, we are left with a Jesus who led an iconoclastic life and was killed for it. The historian cannot say in an historical journal that Jesus was divine, walked on water, or was raised from the dead. This portrait is called "The Historical Jesus".
The historian can, however, make a personal statement of faith-- "I believe Jesus is the Anointed of God, who saves us from our sins". This is not the statement made by "Jesus of Montreal". Masterfully, the cast and crew of the film weave a tale which demands several viewings to fully consume. Both explicitly and through the use of metaphor, Jesus is depicted as a revolutionary teacher of great charisma and whose life was one of tragedy. But this film is not about the traditional Christian concept of Jesus; rather, it illustrates only the human aspects of the man who is, to me, God incarnate. This is the story of Jesus, the man-- not Jesus, the Christ. Christians may be disappointed by it, or outraged, but I encourage us all to remember that where that where faith (trust in that which cannot be observed) begins, there the historian (or scientist) must stop. Believers go further. I highly recommend this movie to anyone who wants to think, be they a believer or not.
10James B.
"Jesus of Montreal" is one of my two favorite films...it's tough for me to decide on one or the other (the other is "With Honors"), but it's one or two. This film has meant so much to me over the years, with its simple, powerful messages of artistic freedom, personal redemption, perseverance during a personal quest...and how heartbreaking the world, and reality, can be.
The male lead has a beautiful Zen-like quality about him during this film...meaning the character as well as the actor. I'd love to see more of his work.
I can only watch this movie once in a while, as it moves me to tears too easily. It's very funny in places, too.
The male lead has a beautiful Zen-like quality about him during this film...meaning the character as well as the actor. I'd love to see more of his work.
I can only watch this movie once in a while, as it moves me to tears too easily. It's very funny in places, too.
A robust, inventive parallel to the life of Christ. This film seems to display utter commitment and genuine integrity. It is moving without being sentimental, and tells its tale with rigour and without too many contrived plot developments. The performances are splendid. You don't have to be religious to appreciate this one, since it stands up in its own right, even if the parallels are ignored. Deserves to be better known.
Daniel Coulombe is recruited by Father LeClerc to jazz up the traditional Passion play (a dramatic representation of the events leading to the passion and Crucifixion of Jesus) staged in Montreal's Catholic Sanctuary. Coulombe, in turn, gathers a group of actors/apostles, ranging from unemployed actor Remy (now overdubbing dialogue on porn movies) to ambitious commercial actress Mireille. Together, they workshop a controversial and moving Passion play which leaves audiences awestruck and the priests reeling, as the production challenges the dogma and hipocrisy of the Catholic church.
Director Denys Arcand weaves a remarkably deep tale which comments on commercialism, selling out, spirituality, theological scholarship, fidelity, loyalty and more- but in a manner that is relatively subtle and humorous, so the film never feels didactic. The somewhat magical effects of the theatre come across beautifully; in fact, "Jesus Of Montreal" is a must for anyone involved with the Theatre. For those interested in film trivia, you'll notice that there are veiled biblical/mythical references throughout the film, (Magdalen lobster, the Lawyer as Satan, The Charon restaurant), and that the director appears as a judge when Daniel is on trial. The story itself is well constructed, and its somber denouement drives home the suggestion that resistance and a revolutionary viewpoint are liable to bring ill fortune...
You don't have to be Catholic- or even 'religious' - to enjoy "Jesus Of Montreal": this is a film for anyone who has ever contemplated the difference between spirituality and religion, or who has had to make a decision between doing what the system demanded and doing what they believe is the honest thing to do.
Director Denys Arcand weaves a remarkably deep tale which comments on commercialism, selling out, spirituality, theological scholarship, fidelity, loyalty and more- but in a manner that is relatively subtle and humorous, so the film never feels didactic. The somewhat magical effects of the theatre come across beautifully; in fact, "Jesus Of Montreal" is a must for anyone involved with the Theatre. For those interested in film trivia, you'll notice that there are veiled biblical/mythical references throughout the film, (Magdalen lobster, the Lawyer as Satan, The Charon restaurant), and that the director appears as a judge when Daniel is on trial. The story itself is well constructed, and its somber denouement drives home the suggestion that resistance and a revolutionary viewpoint are liable to bring ill fortune...
You don't have to be Catholic- or even 'religious' - to enjoy "Jesus Of Montreal": this is a film for anyone who has ever contemplated the difference between spirituality and religion, or who has had to make a decision between doing what the system demanded and doing what they believe is the honest thing to do.
You do not need to be Catholic or, much less, Quebecois to understand and appreciate this work of art.
Jesus of Montreal is an act of sublime spiritual discovery and should be required viewing of all who call themselves Christian. In this film, we see how the Spirit of Christ is born and grows in one man (Lothaire Bluteau), and how the evildoers around him react.
We see the evil pharisees who judge and condemn Lothaire (Jesus). These are the people like the American President bush who proclaim loudly to one and all how "holy" and "Christian" they are, all the while killing babies with his bombs and bullets and sanctions.
Go see this film with an open mind, and you will see and hear the real message of Jesus Christ!
Jesus of Montreal is an act of sublime spiritual discovery and should be required viewing of all who call themselves Christian. In this film, we see how the Spirit of Christ is born and grows in one man (Lothaire Bluteau), and how the evildoers around him react.
We see the evil pharisees who judge and condemn Lothaire (Jesus). These are the people like the American President bush who proclaim loudly to one and all how "holy" and "Christian" they are, all the while killing babies with his bombs and bullets and sanctions.
Go see this film with an open mind, and you will see and hear the real message of Jesus Christ!
Did you know
- TriviaMore instances that mirror the life of Christ as recorded in the Gospels: - Daniel recruits actors to work with him similar to the way Jesus recruited his disciples. The first, Constance, is found working charitably in a soup kitchen, and Daniel says simply, "I came for you." - The judge (like Pilate) sends Daniel to a second-opinion person (the psychologist is like Herod) who finds nothing wrong with him and sends him back to the judge/Pilate.
- GoofsThe last 15 minutes of the movie take place in the emergency room of a Montréal hospital . The doctor only speaks English and all the characters suddenly switch to English only. In Montréal doctors who work in English hospitals are required by law to be fluent in French .
- SoundtracksPritouritze Planinata
Performed by Les Voix Bulgares
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- Countries of origin
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- Also known as
- Jesus of Montreal
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Box office
- Gross US & Canada
- $1,601,612
- Opening weekend US & Canada
- $20,388
- May 27, 1990
- Gross worldwide
- $1,601,612
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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