La ligne du diable II

Horror sequels are a curious breed. Often, they struggle to capture the essence of what made their predecessors successful, or they amplify the wrong elements in a misguided attempt to outdo the original. "976-Evil II" (1991) is one such film-a movie that exists in the shadow of its predecessor but ends up being a fascinatingly chaotic and campy ride. Directed by Jim Wynorski, a prolific filmmaker known for his exploitation films, this sequel dials into a horror subgenre that revels in its own absurdity, delivering a mixed bag of supernatural thrills, low-budget effects, and unintentional comedy.

Plot Overview

"976-Evil II" follows the cursed phone line concept from the original film but takes it in an entirely different, and somewhat nonsensical, direction. The story centers around Robin (Debbie James), a college student who starts experiencing terrifying visions after answering a call from the demonic hotline. Enter Grubeck (Rene Assa), a sadistic college dean who gains the ability to astral project and commit murders thanks to the satanic power of the 976-evil hotline. As Robin teams up with Spike (Patrick O'Bryan), a returning character from the first film, they must confront Grubeck's ghostly rampage before he completes his sinister plans.

Aesthetics and Direction: Wynorski's direction is a testament to the "more is more" philosophy that dominated low-budget horror in the early 90s. The film is a hodgepodge of horror tropes, from possession and slasher elements to outlandish supernatural occurrences. The effects are a particular highlight (or lowlight, depending on your perspective)-with Grubeck's ability to astral project leading to a series of bizarre death scenes that feel more like a fever dream than a cohesive narrative.

One particularly memorable scene involves a victim being trapped inside a television, forced to live through a warped version of "It's a Wonderful Life" that ends in her brutal demise. It's moments like these where the film's absurdity reaches a peak, offering a glimpse into the kind of surreal horror that can only come from a director unafraid to push the boundaries of good taste.

Visually, "976-Evil II" is drenched in neon lighting, fog machines, and quick cuts, creating a disorienting atmosphere that mirrors the disjointed nature of the plot.

**Performances:** The acting in "976-Evil II" is a mixed bag, with some performances adding to the film's campy charm while others fall flat. Rene Assa as Grubeck chews the scenery with relish, delivering lines with a menacing glee that makes his character's descent into madness all the more entertaining. His performance is one of the film's saving graces, providing a villain who is both ridiculous and genuinely unsettling.

Debbie James, as the film's final girl, brings a certain vulnerability to Robin, though her character is often overshadowed by the over-the-top events surrounding her. Patrick O'Bryan reprises his role as Spike, but his character feels more like a plot device than a fully fleshed-out protagonist. He's the link to the original film, yet he spends most of the movie reacting to the insanity around him rather than driving the plot forward.

The tone is where the movie truly sets itself apart from its predecessor. While the original "976-Evil" (1988), directed by Robert Englund of Freddy Krueger fame, had a darker and more serious approach to its horror, the sequel veers into outright camp. This shift in tone makes "976-Evil II" feel less like a continuation and more like a parody of the original. The film's blend of horror and humor doesn't always work, leading to moments that are more confusing than scary. However, for fans of B-movies, this tonal inconsistency can be part of the film's appeal.

Cultural Impact and Legacy: In the grand scheme of horror cinema, "976-Evil II" is a footnote-an oddity that's more likely to be found in a midnight movie marathon than in any serious discussion of the genre. Yet, it's precisely this obscurity that gives the film its cult status. Like many low-budget horror sequels of its time, "976-Evil II" appeals to a niche audience who revel in its absurdity, its flaws, and its unapologetic embrace of the ridiculous.

The film also serves as a reminder of the creative risks taken by directors like Wynorski, who were willing to push the boundaries of what horror could be, even if the results were often more laughable than terrifying. In a way, "976-Evil II" is a celebration of the excesses of early 90s horror, a time when filmmakers were experimenting with new ideas, technologies, and ways to shock audiences-no matter how bizarre the outcome.

Conclusion: "976-Evil II" is not a good film by traditional standards. It's poorly paced, questionably acted, and the plot is a disjointed mess. But that's exactly what makes it such a fascinating watch. For fans of schlocky, so-bad-it's-good cinema, this sequel offers a treasure trove of outrageous moments and unintentional comedy that's hard to find in today's more polished horror fare.

If you're looking for a coherent, genuinely scary movie, "976-Evil II" will disappoint. But if you're in the mood for a surreal, campy trip through the wild world of early 90s horror, this film might just be your perfect midnight dial-in. Whether you love it or hate it, "976-Evil II" is a film that demands to be seen-if only to be believed.

The possessing 976-EVIL phone line is back. This time, murderer Teacher must finish what he started.. whatever it is.

With visions, astral projection, a helpful out-of-town biker "romance" and more.. or less.

Sadly, this isn't gory or interesting enough to be something worth recommending. There's basically no plot aside from the crazy teacher killing people and being weirdly in love with the main actress. But nothing he does or happens further his agenda in that direction. So it feels very underwritten. Yet the ending wasn't at all what I expected, which was a nice surprise.

Debbie James is quite a charming actress, and it has more than a few very interesting visual effects and ideas. So it is not a total loss.

The fiendish mastermind behind the 976-Evil number is at it again, and this time he's got a demented college dean, Mr. Grubeck (Rene Assa) doing his bidding. Grubeck is arrested after a witness is able to pinpoint him as a killer, but no jail is going to keep Grubeck from doing his homicidal duties. You see, he's now given the power of astral projection. So his spirit can be out and about murdering people while his body catches some z's in his prison cell. But opposing him is Spike (Pat O'Bryan), who fans of the first film know has been through all this before. Spike hooks up with Robin (Debbie James), a stunning college student, and together they set out to stop Grubeck. Overall, a decent sequel to a decent first film, "976-Evil II" is rough going for a while, but greatly improves once it comes up with its major set piece which ingeniously melds "It's a Wonderful Life" and "Night of the Living Dead". Too bad the rest of the movie isn't that clever. Still, it does deliver one pretty good runaway car sequence, and the climactic action boasts one Hell of an impressive explosion. The makeup effects are fairly effective, although other visual effects are so bad as to be laughable - in a good way, for this viewer. Director Jim Wynorski serves up a generous serving of both cheese and crud in a movie that is reasonably amusing for what it is. O'Bryan manages to keep a straight face while working overtime to project a sense of "cool". Bubbly blonde James, a former Miss Teen USA and Miss Colorado and Miss USA finalist, is appealing and acts her little heart out as the gal who segues from potential victim to heroine. Wynorski works with some of his regulars, such as Paul Coufos, super sexy Monique Gabrielle, and the very funny Ace Mask, and other familiar faces include Rod McCary, Karen Mayo-Chandler, Mindy Seeger, ever hilarious George "Buck" Flower in a somewhat more substantial part than usual, and Brigitte Nielsen in a special guest appearance as the seductive proprietress of a bookstore specializing in the occult. Chuck Cirino's music score is great and there are even some songs credited to the actor Vincent D'Onofrio! A heads up for people who like in jokes: pay attention and you'll see the names Joe Bob Briggs and Roger Corman (Roger "Gorman", actually), who was Wynorski's boss for many years, on a poster. This could be best described as the kind of movie that does have its moments. One has to give Wynorski credit, as he sticks some eye candy with Mayo- Chandler right near the beginning of the movie. The ending is one of those deals where people will either appreciate it or be annoyed by it. At least it's not a predictable one. Six out of 10.

Slightly better sequel finds that evil telephone line still in business. It seduces a teacher at first and then turns him into a full blooded killer. Lots of grisly memorable death scenes and a wicked twist of an ending are what make this entry better. Sure it is rather poorly done, but this film is a lot of fun and moves along at a nice pace. Rated R.

I believe, we did not. The first part of this movie was far not very good (What do you expect of a film directed by Freddy Krueger?). But this is one of the worst horror movies I have ever seen. Rene Assa (Who is this?) gives the worst performance of a college chief, who fell in love with one of his pupils, then he started dialing this number 976-EVIL, and than started performing assorted Omen-like murders. This poor girl (pupil) stands his evil powers with (guess who?) Spike, an annoying biker who participated in the first part too. Special F/X are poor, the acting is horrible, directing by Jim Wynorski (that genius whose mind brought us "Ghoulies IV" a movie which is in no way better). I didn't see any point in the script, it seems to rely solely on cheap special effects and some disgusting dead scenes. This movie sucks!