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The filmmakers behind a lot of these paranormal documentaries that continually show up on Tubi present another entertaining YouTube style video. This film is not so much a documentary as a series of interviews. People being interviewed are likable. Did they see Sasquatch? They at least believe they had an experience with something they believe is Bigfoot. As with most films on the subject, there's nothing new, no hard evidence at all is presented. If you are interested in Bigfoot, it is worth watching as it's a solid film, yet many may find it boring. They at least bring new material and aren't rehashing the same footage for a buck.

Lord of Misrule-yet another feeble attempt to evoke the haunting brilliance of The Wicker Man (1973). This film, like so many of its ilk, seems to believe that all it takes to replicate The Wicker Man's eerie folk horror is some drab rural setting, cryptic townsfolk, and a healthy dose of poorly executed pagan symbolism. How utterly delusional.

The plot drifts lazily between stale tropes and half-baked attempts at suspense. It wants to unnerve, but instead, it lumbers along like a creature unsure of whether it's in a horror film or some dreary BBC drama about sheep farming. The film teases at tension, but alas, it has the emotional weight of a wet sponge. Whatever atmosphere it hopes to conjure is utterly dissipated by the weak direction and lackluster pacing.

Then there's Ralph Ineson, an actor who, by all rights, should be the film's saving grace, but even he cannot elevate this lifeless exercise in mediocrity. His performance, while solid, is tragically undermined by the abysmal writing and a supporting cast that seems to have wandered in from a pantomime rehearsal.

The film, in its pretentious desperation, clearly yearns for the haunting ambiguity and psychological terror of The Wicker Man. But instead of nuanced commentary on faith and human nature, we are treated to a series of predictable "shocks" that would struggle to startle a toddler. Lord of Misrule is but a pale, sickly shadow of its predecessor-an insult to the folk horror genre and a prime example of why modern filmmakers should perhaps spend more time studying true cinematic artistry rather than churning out such vacuous drivel.

In short, Lord of Misrule is the cinematic equivalent of a knockoff handbag-cheap, gaudy, and utterly lacking in any substance or style. Spare yourself the tedium and rewatch The Wicker Man instead.

Me Again (2011), directed by and starring David A. R. White, offers a delightful mix of humor, heart, and spiritual exploration. It takes on the familiar yet refreshing concept of personal transformation with a supernatural twist, which makes for a fun and engaging narrative.

Me Again is about Pastor Rich Chaplin (played by White), a man disillusioned with his life, family, and faith. The film introduces a clever plot device: Rich is given the chance to experience life through the eyes of different people, including a wealthy man, a troubled model, an elderly house cleaner and even a teenage boy . This "body-swapping" aspect allows for hilarious moments, but it also dives into deeper reflections on empathy, gratitude, and the human experience. White's direction ensures that the humor never overshadows the message, keeping the tone light yet impactful.

White's performance is charming, and he handles the comedic shifts in personality with ease. His portrayal of a man grappling with his sense of purpose feels authentic, and the moments of realization come across as sincere, not overly preachy. The supporting cast, including Ali Landry and Bruce McGill, add solid performances, bringing out both the humor and emotional weight of the story.

What makes *Me Again* stand out is its blend of lighthearted entertainment and spiritual themes. It's the kind of film that doesn't feel heavy-handed with its messages of faith and redemption but instead invites viewers into a thoughtful journey through the main character's eyes. The story emphasizes that personal change comes not from external circumstances but from a change of heart, which is both relatable and uplifting.

Visually, the film embraces a clean, simple style that complements its focus on the characters' emotional journeys. It may not be a big-budget spectacle, but its charm lies in its sincerity and the relatability of its message. The film's pacing is well-balanced, giving audiences enough time to reflect on the lessons being learned without slowing the momentum of the story.

Overall, *Me Again* is an enjoyable, family-friendly movie with enough humor to keep things lively and enough heart to inspire reflection. David A. R. White successfully blends comedy and thought-provoking spiritual themes, making this a memorable and worthwhile watch for those looking for an uplifting, feel-good film.