Danger Mutations

Although widely considered as one of the lousiest (of many) earthbound- "Alien" knockoffs of the late 80s, I personally always had a weakness for "The Terror Within". This shameless imitation - produced by the equally shameless Roger Corman - featured non-stop gore, cheesy monster effects, and dumb but hilarious plot errors.

And you know what? I didn't expect anything less (or more?) from its rapidly put together sequel! R. Lee Ermey replaces George Kennedy, but other than that "The Terror Within II" is almost an exact replica of part one. A handful of last survivors are still hiding out in a subterranean laboratory, mutant creatures still dwell the earth's post-apocalyptic surface on the lookout of women to impregnate, and if the creatures don't wipe out the survivors some sort of random deadly virus will. Heck, even the idiotic dog-whistles remained in place as one of the sole effective weapons to battle the mutants. The only innovative aspect here is that a mutant's ripped off finger (!) slowly metamorphoses into a puddle of prowling blob/goo that attacks from inside the safe lair!

Well yes, this film is quite bad, but also thoroughly enjoyable. For some inexplicable reason (let's call it B-movie logic) only gorgeous women survived the apocalypse, and they're also eager to strip topless. Andrew Stevens, the lead hero of the original, promoted himself to also being the writer and director of the sequel, so the first idea he put in the script was that a gorgeous blond girl (Clare Hoak) falls in love with his character and immediately offers her body to him. Nicely done, Andrew!

Picking up from where the original left off (and it does go on to clear up loose ends) we see Andrew Steven's character David wandering through the desert heading for another underground scientific base that his team was originally in contact with in the first film. On the way there, he also picks up a lady survivor where they would become more than acquaintances with her soon expecting. Those survivors at the base are waiting on David, who holds a vaccine for the spreading virus, but what awaits them when David and the girl get there is hideous mutations.

Roger Corman would also produce the sequel (that looks just as cheap) that came two years later with star Andrew Steven (who here had me thinking of him as a poor man's Kurt Russell) not only acting, but directing and also penning the material in another quite low-budgeted, muggy B-grade offering. Tick off; Mushy make-up effects, lousy props, a tad of nudity, clunky dialogues, junky set designs and gratuitously raw violence. At times it reminded me of the Corman produced alien clone --- "Forbidden World". Surprisingly I see this film cop a lot criticism when compared to the first, as I don't see it to be any worse. Sure I wouldn't call it a perfect movie, but in certain regards I enjoyed this follow-up more than the original film. On this occasion it tries to be slightly different in its ideas and execution, but still sharing similarities but consisting of more excitement. It does go on to rehash certain moments in the latter stages. However there seems to be a little more happening story wise (when focusing on Steven's character in the desert or that of a mutating finger from a gargoyle) and its quick tempo makes sure it doesn't wear out its welcome. Steven's practical handling startlingly generates energy and a bit of tension amongst the monster gruel. He's not as confined, but goes for more expansion despite the obvious limitations but these murky visuals/lighting makes for some much needed atmospherics. The cast are all committed with ever reliable R Lee Emery's commanding presence heading the way. Andrew Stevens (sporting a fashionable beard) is sturdy enough in the heroine role, Burton Gilliam is particularly amusing, Chick Vennera is fitting and Stella Stevens (yes that's Andrew's mother) is agreeably good too. What's this type of film without beautiful ladies; in the shape of knockouts Barbara Alyn Woods, Renée Jones and Clare Hoak.

Andrew Stevens, co-star of the first film, boosts himself to the starring role in this very routine sci-fi / horror sequel. He also wrote the script and made his directing debut here, as his character David is out in the apocalyptic wilderness collecting ingredients for a vaccine. He hooks up with a lovely young lady, Ariel (Clare Hoak, "Cool World") who was traveling with her brother before they were set upon by the mutant monsters that plague this future world. They then need to double-time it back to the lab where Davids' colleagues are hard at work.

"The Terror Within II" is another of those low-budget genre flicks (this one made for Roger Cormans' post-New World company Concorde) that this viewer doesn't consider "bad" so much as simply pretty average. Much about it is familiar, especially that final quarter which turns into yet another imitation of "Alien" and "Aliens". That said, the monster is pretty cool (Stevens holds to monster movie convention by taking his sweet time in properly revealing it), there's plenty of gore, Stevens does his best working within the confines of limited funding, and there are two key talents that help make this watchable: composer Terry Plumeri ("Body Chemistry") and future Spielberg collaborator, cinematographer Janusz Kaminski ("Saving Private Ryan"). Kaminski started out his career working on a lot of these Concorde pictures, and it's clear he was destined for great things.

The cast is good and certainly above average, with Stevens' mother Stella ("The Nutty Professor") in a major supporting role. R. Lee Ermey ("Full Metal Jacket") once again effortlessly projects authority, although he later admitted that he just did this picture for the paycheck (to help pay for a house). Co-starring are Chick Vennera ("McBain"), Burton Gilliam ("Blazing Saddles"), Renee Jones ("Jason Lives: Friday the 13th Part VI"), Barbara Alyn Woods ('One Tree Hill', 'Chucky'), and Gordon Currie ("Puppet Master" 4 and 5).

In general, this is not one of those movies one should go out of their way to see, but it wasn't a real waste of time, either, not for this viewer.

Five out of 10.

The oohgaa freaking horn is annoying as hell right when the movie starts and just keeps getting worse as the thing goes on !!

My review was written in May 1992 after watching the movie on Vestron video cassette.

Andrew Stevens makes a creditable feature helming debut with this follow-up to the sci-fier he starred in. Released theatrically last year, pic's currently in video stores.

Pic notably has Stevens direcign his mother, Stella Stevens, who made her own directing debut in 1989 with "The Ranch" starring Andrew.

Well-plotted with a script by Stevens and Lee Lankford, "Terror Within II" limns Stevens' adventures following a biological war that has wiped out nearly all of humanity. He's en route to the underground Rocky Mountain labh manned by R. Lee Ermey and a co-ed crew.

Accompanied by his trusty dog, he fights off mutants and other foes, and rescues lovely damsel Clare Hoak. Back at the labe, Ermey and medical officer Stella Stevens have to deal with a monster on the loose.

Subplots include a mutant raping Hoak, giving rise to a monster baby, and a mutant's severed finger growing in the labe into a grotesque blob-style monster. Stevens' direction keeps the pic chugging along well.

Cast is fine, with maximum pulchritude provided by Hoak and Barbara Alyn Woods. Monster makeup and gore is low-budget but effective.