IMDb RATING
5.6/10
5.2K
YOUR RATING
After a mad genius inventor of killer robots and cyborgs at Chaank Armaments Corp. kills execs, he unleashes his ultimate death machine on the new cute CEO firing him.After a mad genius inventor of killer robots and cyborgs at Chaank Armaments Corp. kills execs, he unleashes his ultimate death machine on the new cute CEO firing him.After a mad genius inventor of killer robots and cyborgs at Chaank Armaments Corp. kills execs, he unleashes his ultimate death machine on the new cute CEO firing him.
- Awards
- 1 win & 2 nominations total
Annemarie Lawless
- Screaming Demonstrator
- (as Anne Marie Zola)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Got a $1 videotape of this at a thrift store because it was a video shop screener, which usually means not viewed much and still in good shape. This was, and it was a nice surprise for a dollar, and it was what "Hardware" should have been.
Without giving away too much of the story, it is about a war weapons development corporation that has a renegade inventor who builds a killer robot called the Warbeast. The renegade inventor, Brad Dourif recreating his Wise Blood character in part, is also insane and eventually the Warbeast is let loose. There's also a neat sequence where the Warbeast battles a human cyborg reminiscent of Alien 2, seems to be intentional. The Warbeast resembles a mechanical Alien, and "Scott Ridley" is a character. Many other characters named from film personalities as well.
A little sluggish at first, but really makes up for that later in the film. Also, probably not enough of the Warbeast slaughtering folks visible for some gore-hounds, but what there is, is well done. Seems like they were about two characters short to really create a good rampage by the Warbeast, but budget constraints notwithstanding, they did a very good job overall.
Without giving away too much of the story, it is about a war weapons development corporation that has a renegade inventor who builds a killer robot called the Warbeast. The renegade inventor, Brad Dourif recreating his Wise Blood character in part, is also insane and eventually the Warbeast is let loose. There's also a neat sequence where the Warbeast battles a human cyborg reminiscent of Alien 2, seems to be intentional. The Warbeast resembles a mechanical Alien, and "Scott Ridley" is a character. Many other characters named from film personalities as well.
A little sluggish at first, but really makes up for that later in the film. Also, probably not enough of the Warbeast slaughtering folks visible for some gore-hounds, but what there is, is well done. Seems like they were about two characters short to really create a good rampage by the Warbeast, but budget constraints notwithstanding, they did a very good job overall.
Everyone is trying to say this is suppose to be a comedy. I have a collection of around 300 movies and alot of them are funny as hell but not classified as comedy. Lethal Weapon 4 for example had more humor in it than Death Machine. This is a great movie with a strong resemblance to Aliens, not Alien despite public opinion. The costume design on the Hardman suit was very good for a low budget film. The camera work was really good especially in certain scenes where several emotions are caught in them. The movie features a good plot and believable tech for the year it takes place in. It does feature some cheesy lines in a couple of parts but other than that its dialogue is strong. Our tree hugging heros are very likable too. In my own humble opinion which of course is the only one that matters, if this were re-released as a theatrical motion picture, it'd be the action flick of the summer next year! This one gets a 9!
When people ask "What are some good straight to video horrors?", Death Machine is usually top of my list. Its a great blend of sci-fi/horror that borrows heavily from others but still emerges as a cool flick nonetheless.
The simplified plot leaves some good guys (and gal) trying to stay alive in a sealed corporate skyscraper, while being hunted by a robot controlled by the fantastically OTT Brad Dourif. There are a few sub-plots to keep things interesting between the characters.
The heroine of the piece is the very cute Ely Pouget, who gives a terrific performance. She is joined by a couple of would-be terrorists - Martin McDougall and John Sharian (who some may recognize from his role in The Machinist).
The plot is good, if a little far-fetched (hey I did say this was sci-fi/horror), and director Stephen Norrington skillfully constructs an effective sense of fear with tongue-in-cheek humor, which belies this being his first time at the helm (he would later go on to direct Blade and the less-than-stellar The League of Extraordinary Gentlemen).
The effects are very good for what must have been a small budget, and the robot (which is reminiscent of a alien/terminator hybrid) is well designed.
There are "strong influences" from movies such as Universal Soldier, Alien and Hardware...and most of the death scenes are quite vicious, though its not really that gory. Also many of the characters are named after horror directors - John Carpenter, Sam Raimi, Scott Ridley etc - not so much as a wink to them but rather a 10 foot neon sign - but it kinda adds to the charm.
Final word goes out to Mr Dourif, who steals every scene he is in. He's funny, creepy, pathetic and totally manic. I have a feeling Norrington just let Dourif go wild in the role.
TTKK's Bottomline - If you like sci-fi/horror mixed with a bit of cheese and some laughs, you can't go wrong with Death Machine
The simplified plot leaves some good guys (and gal) trying to stay alive in a sealed corporate skyscraper, while being hunted by a robot controlled by the fantastically OTT Brad Dourif. There are a few sub-plots to keep things interesting between the characters.
The heroine of the piece is the very cute Ely Pouget, who gives a terrific performance. She is joined by a couple of would-be terrorists - Martin McDougall and John Sharian (who some may recognize from his role in The Machinist).
The plot is good, if a little far-fetched (hey I did say this was sci-fi/horror), and director Stephen Norrington skillfully constructs an effective sense of fear with tongue-in-cheek humor, which belies this being his first time at the helm (he would later go on to direct Blade and the less-than-stellar The League of Extraordinary Gentlemen).
The effects are very good for what must have been a small budget, and the robot (which is reminiscent of a alien/terminator hybrid) is well designed.
There are "strong influences" from movies such as Universal Soldier, Alien and Hardware...and most of the death scenes are quite vicious, though its not really that gory. Also many of the characters are named after horror directors - John Carpenter, Sam Raimi, Scott Ridley etc - not so much as a wink to them but rather a 10 foot neon sign - but it kinda adds to the charm.
Final word goes out to Mr Dourif, who steals every scene he is in. He's funny, creepy, pathetic and totally manic. I have a feeling Norrington just let Dourif go wild in the role.
TTKK's Bottomline - If you like sci-fi/horror mixed with a bit of cheese and some laughs, you can't go wrong with Death Machine
One of the characters yells at his friend: "You just knew Ho-Ho was going to turn out to be the fat, sweaty, desperate psycho!" And of course, we all did too...
There is no question what this movie was. There are even characters named Scott Ridley, Sam Raimi, and John Carpenter. While the surface of the film is a long-corridor (Aliens) horror movie, what lies beneath is sort of a manic, director-oriented comedy that reminds me more of Evil Dead 2 than anything else. The hyper sound to dead silence, the overly dramatic lighting, the first-person Missile Cam, the cool line followed by backlit explosion... it all leans towards a wild but fun ride through all of the most common camp in these types of movies. It's a satire subtle enough to pass as just another bad horror movie, if you're not paying attention.
Brad Dourif (who was B-B-B-B-Billy Buh-Bibbit, a long time ago, and the voice of Chucky-- and might become a little more prevalent in film after being in the upcoming Lord Of The Rings trilogy) is the great shining spot in this film, and alternates from acting well (check out his outpouring at the end) to completely terrible (awful references to hacking... "Molebdenic composite"?). And all of the best subtle jokes are bad guy parodies-- my favorite example is his inability to get his threat right over the monitors: "Turning me off won't turn you off. No. Wait. Turning you off--" click.
But the real flair here is in the direction. None of this would work if it wasn't played half serious with the sights and sounds. As the climax builds, the ambient noise cuts out completely for the doors to chime "Welcome!" cheerily. The HUD from the machine's point of view displays 1P and Hi Score. The Robocop-style machine whirring in the Hardman gear as Raimi actually gets into a fistfight (!) with the machine... there is never any "set 'em up, knock 'em down" standard cue that *these* are the jokes... but there they are. Dig in.
There is no question what this movie was. There are even characters named Scott Ridley, Sam Raimi, and John Carpenter. While the surface of the film is a long-corridor (Aliens) horror movie, what lies beneath is sort of a manic, director-oriented comedy that reminds me more of Evil Dead 2 than anything else. The hyper sound to dead silence, the overly dramatic lighting, the first-person Missile Cam, the cool line followed by backlit explosion... it all leans towards a wild but fun ride through all of the most common camp in these types of movies. It's a satire subtle enough to pass as just another bad horror movie, if you're not paying attention.
Brad Dourif (who was B-B-B-B-Billy Buh-Bibbit, a long time ago, and the voice of Chucky-- and might become a little more prevalent in film after being in the upcoming Lord Of The Rings trilogy) is the great shining spot in this film, and alternates from acting well (check out his outpouring at the end) to completely terrible (awful references to hacking... "Molebdenic composite"?). And all of the best subtle jokes are bad guy parodies-- my favorite example is his inability to get his threat right over the monitors: "Turning me off won't turn you off. No. Wait. Turning you off--" click.
But the real flair here is in the direction. None of this would work if it wasn't played half serious with the sights and sounds. As the climax builds, the ambient noise cuts out completely for the doors to chime "Welcome!" cheerily. The HUD from the machine's point of view displays 1P and Hi Score. The Robocop-style machine whirring in the Hardman gear as Raimi actually gets into a fistfight (!) with the machine... there is never any "set 'em up, knock 'em down" standard cue that *these* are the jokes... but there they are. Dig in.
The point is: This movie is a blatant *tribute* to Aliens, Die Hard, Evil Dead, Terminator, Predator, Rocky, and numerous other action/horror movies. The characters are even named after famous action/horror directors (see trivia). The plot is a brilliant rehash of nearly every great action/horror movie ever made! It's meant to be funny! People get so caught up in the details that they miss the big picture.
Did you know
- TriviaYutani's declaration of "Shouryuken" before opening fire is a reference to the video game Street Fighter 2. It literally translates as "Rising Dragon Fist", and is the battle cry attached to an unstoppable uppercut move.
- GoofsIn several scenes the warbeast is spinning its head infinitely. However, there are hydraulic hoses between the jaw pistons and the body which would wind up in this case. In the Core Containment slow motion head spinning scene, one can clearly see that these hoses have been disconnected to allow the spinning.
- Quotes
Jack Dante: He's dead. I showed him my thing... and it killed him!
- Crazy creditsSpecial Thanks To: [..] No Thanks To: They Know Who They Are...
- Alternate versionsThe longer version of the film is in Spanish, has a duration of 128 minutes. Uncensored and uncut 2.35:1. BMG Rights has them.
- ConnectionsReferenced in La magra (1998)
Details
- Release date
- Countries of origin
- Language
- Also known as
- Máquina letal
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,422,749
- Opening weekend US & Canada
- $267,986
- Nov 10, 1995
- Gross worldwide
- $3,129,045
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