Household Saints

Not just another movie about Italian-Americans, "Household Saints" portrays three generations in a family, culminating in the granddaughter (Lili Taylor) getting obsessed with Jesus to the extremest extent. That seems a little antithetical - to me, at least - as I usually expect the older generations to be more religious than the younger generations to reject it. But don't get me wrong; I recommend this movie, at the very least as a look at the vicissitudes of family life. Nancy Savoca has shown that she does a great job when casting Lili Taylor, with this one and "Dogfight". Also starring Tracey Ullman, Vincent D'Onofrio and Michael Imperioli (of "The Sopranos").

This complex and exceptionally intelligent film about two - or even three - generations of Italian-American women, makes you laugh, makes you cry. Splendid play by Lili Taylor, and Tracey Ullman is great as well. The main theme of the film is the relation of these women to love, and to to their Catholic faith about which this film has much to say, doing so in a rather ironic, yet loving and understanding way. Precisely this mode of detached but understansing irony is general mood of the film: the burlesque and the sentimental is mixed and fused together into an expressive unity, free of contradiction and dissonance: a feat very very rarely achieved by any director. So, in short, and quite simply, this is one of the finest movies I have ever seen.

I was so impressed by this film when I saw it at the Festival of Festivals (now the Toronto International Film Festival) in 1993 that I went home without seeing anything else. I would recommend it to any spiritual person. The film's saint is Saint Therese of Lisieux, who once said "What matters in life is not great deeds, but great love." After her death, she promised to "let fall a shower of roses," which is pivotal in the film. I really recommend it. A wonderful work by an American director.

The film itself was a bit sentimental; however, the performance given by Lili Taylor, convinced me that she rates as a major actor. I was particularly impressed with her hospital bed scene, when she quietly confronted her father about his losing a Pinochle game that resulted in his having to marry her mother.

This movie is an absolutely superb tale about family life for Italian-American Catholics. It starts out at the tale of how one man wins the hand in marriage of another man's daughter in a pinochle game, and continues in twists and turns to compel any audience watching it right up until the movie's end. Subtle metaphors teach us lessons about life and Tracy Ullman in what is no doubt the greatest performance of her movie career shows us that she has a range none of us knew before. A great film.