Ethan Frome

This is one of the more enjoyable novels I have read in high school and I think this film adaptation fits the book very well. It is about the life of husband Ethan Frome (Liam Leeson) and his disabled wife, Zeena Frome (Joan Allen). They hire a young woman, Mattie Silver (Patricia Arquette), to help tend to household needs and, as time passes, she and Ethan fall in love.

I've found this movie to be quite enjoyable and engaging, as its drama and plot are enthralling and beautifully depicted. The plot does flow well as the movie is faithfully executed in accordance with the novel and the acting is quite astounding for the most part. The characters especially the three leads are sympathetic and phenomenal - you feel the suffering Zeena's illness is causing her and the complexity surrounding the forbidden love of Ethan and Mattie. The simplicity of the Victorian town the movie is set in and the snowy weather give the story a solemn atmosphere.

If you have read the novel before watching this film, you will still feel intrigued by the plot and find the course of the events suspenseful, wondering how everything will play out at the end. It's a good piece of movie drama that is a must-see.

Grade B+

Acting was great and also i loved the snowy area in the movie. While i was reading the book i also dreamed the Starkfield like in the movie. So it was successful.

Ethan Frome (1993)

This is a classic Edith Wharton melodrama, a hyper-romantic short novel that has turned on and turned off many high schoolers and literature majors over the years. It's a great story and it's hard to go totally wrong with it, but it's an old fashioned story, and more slow and steady than filled with amazing or surprising turns and emotional insights.

Another way to put it is: it isn't a Bronte novel.

So a movie version of Ethan Frome has to find some way of pulling us in very deeply, through characterization, through ambiance, through an attention so small things that make the main plot take on resonance. None of that quite happens here.

The photography makes clear from the first scenes that it is very careful, which isn't a bad thing. The whole film has a steady, beautiful, somewhat constrained quality, using lots of available light. We watch the title character, played by Liam Neeson, with a growing sense of calm partly because of the camera. When we discover the relationship between Frome and his wife, and then with his wife's relative who has come to "help" them with chores, it is always bordering on stiff. I think this is meant to imply a formality to life at the turn of the century (the book was written in 1911 and set a few years earlier). But to my mind people were not so poised, or afraid, or following puritanical strictures as all that.

At any rate, the move ends up weirdly flat as a result. We know the events are romantically intense, but we don't get swept away by them. It's surprising no movie version has been attempted before this one. And it will be surprising if another is tried, hopefully with more effect. This isn't at all bad, nothing glaring here, but being "not bad" isn't quite the idea in the end.

ETHAN FROME (1993) *** Liam Neeson, Patricia Arquette, Joan Allen, Tate Donovan. Edith Wharton's classic Gothic Tragedy comes to fruition in this bleak and romantic story of unadultarated forbidden love set in 19th century New England. Picaresque and lengthy with humane and dignified performances all about.

The photography is one of the best aspects of the film. The depressing snow and freezing temperature really come across well. The acting is good. In particular, Joan Allen shines as the sickly wife and Liam Neeson is very sympathetic as Ethan. The essential weaknesses of plot derive more from the novella than the director; the theme is not that relevant for modern audiences and some of the criticism levelled against it is undeserved. The plot is faithful to the original although one character is changed from an engineer to a clergyman. The poverty of the town is very well illustrated and gives an alternative view to some Victorian set films.