A Hollywood composer endures a mid-life crisis and becomes infatuated with a newly married woman honeymooning at a Mexican resort.A Hollywood composer endures a mid-life crisis and becomes infatuated with a newly married woman honeymooning at a Mexican resort.A Hollywood composer endures a mid-life crisis and becomes infatuated with a newly married woman honeymooning at a Mexican resort.
- Nominated for 2 Oscars
- 12 nominations total
Sam J. Jones
- David Hanley
- (as Sam Jones)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"10" (4 outta 5 stars) Kind of weird seeing this movie again after 20 years. When I first saw it I was just a kid in my early 20s and now I am older than the character Dudley Moore plays in this movie... a cranky, disillusioned composer going through a mid-life crisis. Dang, I never had one of those at 40... does this mean I'm overdue? Anyway, flawed as this movie is, it is still a classic. It's generally considered a "comedy" but the most effective scenes are the quieter, more melancholy scenes. (The scene where Moore plays the piano in the bar for Dee Wallace gets me every time.) This is probably the best role of Moore's career... he's able to come across as sympathetic even while acting like a jerk for most of the movie. It's the supporting performances by Julie Andrews, Dee Wallace, Robert Webber and Brian Dennehy that really give the movie its depth. Thankfully, Bo Derek doesn't really have to do any acting, so she doesn't throw the movie too much out of whack. The movie seems a lot sadder to me these days... though I thought it was hysterically funny 25 years ago.
Dudley Moore stars as a dissatisfied 42-year-old having his "midlife crisis". He turns in a good performance, even if his character is not very likeable. The comedy is mostly of the wry variety, although there are some physically comedic vignettes. Julie Andrews is wasted in a relatively small part with a bad hairstyle. Dee Wallace was quite charming in a small part. And Bo Derek looked very good, and her acting was certainly adequate, in spite of the reviews. The ending, while a bit predictable, carried some emotional power. It's worth seeing, but no classic.
Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.
All right, so this isn't a great movie. It just happened to come along at the right moment in my life to have an impact. As a young man not yet turned 20, I could certainly identify with both Dudley Moore wanting to recapture youth through a fling with Bo Derek, and Bo Derek just wanting to have fun (and show her appreciation for Dudley's saving her boyfriend's life.) Add to that the fact that I was working at a record shop and remember selling about 9832 copies of Ravel's Bolero, and it boils down to this; "10" brings back a host of good memories for me. - mps
Dudley Moore, we will miss you. This film was Moore's signature role - he made it funny, he made it poignant. Blake Edwards' script was funny and sweet, but Dudley brought it to life. A little dated now, but a great trip back to 1979 and still relevant today. If you haven't seen this film at least once, do yourself a favor - skip the latest Adam Sandler vehicle and find this one on the shelf. Adam is no Dudley Moore.
Did you know
- GoofsWhen George is driving past the limo (as Jenny arrives at her wedding), he is driving on the wrong side of the road, having crossed a double-yellow line, and crashes head-first into a police car. The officer gives George a ticket for an expired license, no registration, and reckless driving, yet George is allowed to drive away. The officer even yells at George to "Go on, move it!"
- Crazy creditsWhen the credits of the cast begins to scroll up and out of the iris of the telescope's view into George and Samantha's penthouse, the members of the cast are listed but not the characters they played.
- Alternate versionsThe TV print substitutes tamer versions for some of movie's racier moments. In particular, scenes featuring porn star Annette Haven as Dudley Moore's exhibitionist neighbor have been removed, replaced with scenes involving another actress. One scene features Moore's character using a telescope to watch a naked Haven make love. (In the TV version, a substitute actress kisses a man while wearing a robe.) A later nude orgy is replaced by a similar scene, but with everyone wearing bathing suits. In addition, the comedic lovemaking scene between Derek and Moore is played in the dark in the TV version.
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Details
Box office
- Gross US & Canada
- $74,865,517
- Opening weekend US & Canada
- $3,526,692
- Oct 7, 1979
- Gross worldwide
- $74,865,517
- Runtime
- 2h 2m(122 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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