Un flic et demi

Third-grader Devon wants to be a cop (though he has an idealized notion of what being a cop means from watching TV), and he pretends he already is when he is at school. This gets him in trouble with the principal.

Devon must also deal with bullies. He's not that tough when the kids are bigger.

Devon lives with his grandmother Rachel, a nurse who does the best she can to raise him. One day Devon goes off by himself when he is not supposed to, and he witnesses a murder (we don't; it's implied).

Reckless and curmudgeonly detective Nick McKenna is always getting in trouble, and when Devon wants to ride along with him, Nick has to let him. It's not like Nick's job is that secure. Nick has an attitude and seems to hate kids, and Devon is making his life miserable. Things get even worse when the crooks who committed the murder find out there was a witness and how to find him. Nick ends up with a roommate! But maybe Devon can Nick's attitude.

This is pretty close to being a family-friendly film (acceptable for older kids, maybe), and it's quite funny. There are a couple of fun chase scenes. One scene is surely the fantasy of every kid who was ever in trouble with the principal. And the bullies get theirs too. Plus the crooks aren't all that bright or dangerous, and kids will love a scene reminiscent of "Snow Day" and the original "Home Alone".

Burt Reynolds gives a good performance, although not one that compares with anything considered Oscar-worthy. Norman Golden is probably as close as any kid will ever be to becoming the next Gary Coleman (there was only one). And Ruby Dee has nothing to be ashamed of here: her character is strong and has values. And she's funny. No, it's not the sort of quality production she is normally associated with. But she adds to this movie.

It was fun. That's the important thing.

There's a whole host of movies that are so bad that they are worth watching purely for a laugh. There's even more that are not worth watching because they're boring as well as being bad.

And then there is this movie.

You know that feeling you get when a good friend of yours is embarrassing themselves in public? That's what watching this film is like -- and Burt Reynolds isn't a friend. It's just that this movie is so bad that he feels like one - the only thing recognizable and close to normal that you can clutch at desperately as you're riding this movie as it swirls around the bowl...

What's wrong with this film? In short: everything. A horrible conglomerate of ill-conceived and irresponsible ideas. I can just see the plot being sketched out:

"Let's have this kid witness a crime!" "Won't that be a bit scary?" "Ok then, we'll have the killer sing a song before he does it." "Yeah, and his dumb goons have got to like it even though it's bad." "Ok, but only if we can show someone getting kicked in the nuts a few times..."

I want these 97 minutes of my life back. No, I want them back, plus interest. The advent of DVD commentary tracks allow directors to walk viewers through their films. Perhaps the reverse should apply: directors of films like this should be forced to sit through a screening of their film while it's ridiculed by even the most amateur of film critics.

Until he died, Gene Siskel kept making fun of Roger Ebert for giving this movie a positive review. That's certainly more funny than anything in this movie! A short but to the point review: UNFUNNY! Not one laugh! Yes, Reynolds needed the money, but surely he could have found something of better quality - couldn't he? Cliched, blandly directed, sweet to the point of giving diabetes! UGH!

It's great to see Burt in a comedy, even though he's terrible as a long wolf cop, with a short fuse, who's now saddled with a not so normal partner, an 8 year old kid, who's seen Miami Vice too many times. He likes to play cop on the school grounds with his friend, and like all 8 year olds, likes to get lost in fantasy: pretend. This all changes, when he's witness to a murder committed by these dumb goons with low iq's headed by Ray Sharkey, this the last film he did, before he subsequently died, and we can see his sick form showing, which is sad, as he turned in a last great, bad dude performance. His character's hobby besides murder101, is he likes to sing 60's rock songs, in his sound proof booth, as thinking he's the re-inventive Elvis. Nothing can be further from the truth. Norman Goldstein 2n'd is a sheer revelation, bringing in such a natural acting performance, which is engaging, is it's bloody entertaining. Watching Burt and him go off at each other is gold. The premise has him agreeing to give Burt the plate number of the thug's vehicle, on the condition he rides shotgun with him. And of course, the kid gets his way, but this natural actor is such fun to watch. Cop And Half has a few funny bits, the same bits, which had me laughing again, the second time, around, but it's not overly funny. It's a very entertaining family film, and there's real cheese in a few places. The film has heart too, Reynold's becoming a possible father figure. As a police captain, a familiar Two And A Half Men face, was wonderfully warm, bringing softer more, understanding moments. One image you'll never forget are many flying Twinkies.

This is one of my childhood favorites! Yes, the plot is pathetic and unbelievable. Yes, the boy is no Dakota Fanning. But Cop and a Half is a very enjoyable movie for people between the ages of 4 and 10. I mean, this movie wasn't marketed towards art school graduate students. The situations are very light-hearted and the jokes corny enough for the young age demographic.

This is also a good movie if you enjoy making fun of B-movies (especially with your friends... and beer). There are numerous plot holes and the man-boy love undertones are hilariously disturbing.

Do not watch Cop and a Half if you are a cantankerous old geezer!